wachiperra @floggger - Tumblr Blog

finally got around to continuing this lol. the usual: mj gwen & pete

not finished yet tho

#mj watson #mary jane watson #michelle jones #gwen stacy #peter parker #spider man #spiderman #my art #spider-man #i used a reference btw #gotta color it tho #ot3 #mj x peter #spiderman nwh

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sidequest-season

substance cd graphics

for anon :3

cosmonautroger

New Order, Blue Monday

28121997-deactivated20250923

imagine being in a club in 1983 and DJ's like here's a new one and blue monday starts playing. i would've left the club injured.

ryebreadgf

loveryoushouldvecomeover.org/careers

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rhaemonds

LOUIS DE POINTE DU LAC in INTERVIEW WITH THE VAMPIRE/THE VAMPIRE LESTAT 3.03/1.03 | Toronto

petruchio

im literally always saying this

bonivers

i haven’t stopped thinking about this tweet for days

gaypeople

happy gay blade renaissance

lokihiddleston

“THE FALL” (2006) LEE PACE - THE RED BANDIT

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piastark

diaryofaphilosopher

"The shift from the Afro-Caribbean zombie to the U.S. zombie is clear: in Caribbean folklore, people are scared of becoming zombies, whereas in U.S. narratives people are scared of zombies. This shift is significant because it maps the movement from the zombie as victim (Caribbean) to the zombie as an aggressive and terrifying monster who consumes human flesh (U.S.). In Haitian folklore, for instance, zombies do not physically threaten people; rather, the threat comes from the voduon practice whereby the sorcerer (master) subjugates the individual by robbing the victim of free will, language and cognition. The zombie is enslaved."

— Justin D. Edwards, "Mapping Tropical Gothic in the Americas" in Tropical Gothic in Literature and Culture.

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schrodingersidiot69

angstics

obviously clear why "tomorrow belongs to me" and "if you could see her through my eyes" are the Nazi Songs of cabaret that make everyone uncomfortable, butttt the #fanfavorites "willkommen" & "cabaret" that have been divorced from context to be big Theatre Rocks numbers are crucially also nazi songs. its the whole point of the musical, how it can be embedded into anything, anywhere, it can be your entertainment and what you love. leave your troubles outside, whats good permitting some prophet of doom to wipe every smile awayyy. its so great it makes me so uncomfortable to sing these songs and love it i love CABARET

timotaychalamet

“Feelings can creep up just like that. I thought I was in control.”

In The Mood For Love (2000) dir. Wong Kar Wai

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