floatingandtumbling

In his painting The Nightmare (1781), Henry Fuseli tapped into a region of art that had often been neglected and left unexplored by artists.  Interpretations of the painting’s content run the gamut, from a metaphor of sexual violence and rape to a representation of the artist’s longing for an unrequited love.  Still others have found the painting to represent the artist’s sublimated sexual interests being made manifest, in addition to some finding the title to be a pun: Night-Mare (as in a female horse), referring to the belief that women engaged in sex with the devil at night.  Yikes!

Whatever the case may be, Fuseli exhibited the painting in 1781 at the London Royal Academy and it was met with serious interest and speculation.  William Blake, a friend and fellow “Romantic" painter defended the painting’s "innocent and vulnerable madness and insanity and fury, and whatever paltry, cold-hearted critics cannot, because they dare not look upon…"  Spend some time looking closely at the painting and then read more below to see a later version.

[The painting is on view at the Detroit Institute of Art.  Follow them on Twitter @DIADetroit]

Henry Fuseli, The Nightmare, 1781, oil on canvas.  Detroit Institute of Arts, Detroit

Hiccup and Toothless

I enjoy your posts and I admire your viewpoints on so many things, but I can't help but feel that this one's rather crass. Maybe you didn't mean to tie "attractiveness" to physical appearance together but that's just how I take it.

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