sparklight

New video in which I do 2 different pants drafts, mock them up & fit them, and alter them into useable fall front patterns. One's more loosely fitted with a narrow fall, and one's tighter with a broadfall. They're for everyday wear, so are not meant to be any specific kind of historical.

The chart is uploaded for free here on my Ravelry and the free sweater pattern is linked there as well. I hope this helps!!

playing around with some more radial-symmetry socks and man i'm so happy with how these turned out :D might do some more tweaking but i think i've got the basic structure ironed out!

and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE

ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)

PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO

AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS

"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"

Because, my friend, my war on GREIGE will NEVER end.

Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.

Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!

In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.

WHY THE HIGHLIGHTER COLORS? you ask.

CANDLES.

Those colors reflect candlelight and natural sunlight REALLY WELL.

Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.

(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)

And that's before you get into American painted murals:

*if comfortable doing so, you may include your age range/generation in the tags for helpful demographic data

It's like how a bunch of celebs were big on body positivity and fat liberation...until Ozempic dropped and it turns out no, none of them ever believed any of that! They just pretended to bcs up until now healthy, long term weight loss was impossible so they had no choice but to cope by learning to love themselves no matter how they looked...but now that it's here we can go back to the truth! Being fat is ugly and gross and unhealthy and you should starve yourself and take experimental meds right now so you can be skinny which is what ALL humans are clearly supposed to be!! Yeah that body positivity stuff was fun, but come on. We know you actually just wanna be skinny and think being fat is a fate worse than death.

That's what it feels like to me. Every single time. Honestly in a lot of other areas too, one of the big issues with the left is that they really do seem to think that Republicans are right about how things work and should work but we just pretend otherwise because it's the right thing to do and it reduces suffering. Which seems fine, but you cannot be an effective leftist like this. You do actually have to deconstruct your beliefs and biases and world systems, you can't go around like "well yeah we aren't gonna kill disabled people that's eugenics and it's wrong" when you clearly don't actually think it's wrong. You think eugenics would work but implementing it would be uncivilized, and it shows. You have to actually understand that racism and ableism and all other forms of bigotry are not just cruel, but entirely incorrect.