lesbian witchcraft

private collection x

looking. at you

War And Peace, 1886 Georges Antoine Rochegrosse

from The National Archaeological Museum, Athens

Fishing Village in Bohuslän (1867) Johan Edvard Bergh (Swedish, 1828-1880)

View of the Colosseum by Night - Attributed to Franz Ludwig Catel (1778–1856)

Antoine Calbet (French, 1860-1944) - Greeting

Detail : Odysseus and Telemachus Massacres the Suitors of Penelope. 1812. Thomas Degeorge French 1786-1854. oil/canvas.     http://hadrian6.tumblr.com

Study for ‘Calypso's Grotto’ Francis Danby (1793–1861) Yale Center for British Art

James Francis Danby.

Gustave Clarence Rodolphe Boulanger (French, 1824-1888) Ulysses recognized by Eurylice, 1849 Beaux-Arts De Paris In 1849, Gustave Boulanger as the first winner of the Prix de Rome to break with the narrative's frontal representational, a legacy of Poussin, to adopt a low-angle viewport that are distorts that the figures and accentuates their expressions. Here this student of Paul Delaroche, who was a great decorator (Opéra Garnier and the 13th arrondissement’s town), also excels in precise references to Greco-Roman daily life, characteristic of the Neo-Grec school of which he was one of the most famous representatives, along with Jean Léon Gérôme. The background accentuates not only the muscularity of the Odyssey’s hero, but also made a palpable the distance from his wife Penelope (left) who, unlike the nurse Eurycleia, did not immediately recognize Odysseus on his return to Ithaca.

the moon rises over the parthenon in athens, greece (2011)

TROY (2004) dir. Wolfgang Petersen

I love these behind the scenes photos bc Xena would totally be wearing dark shades all the time if they were invented back in Ancient Greece

Obsessed with how Xena automatically assumes all warriors are women unless specified otherwise

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