(( day five )) favorite outfit worn by any character - azula’s armor in book 3

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(( day five )) favorite outfit worn by any character - azula’s armor in book 3

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30 DAYS OF ATLA: FAVORITE VILLAN
Azula- Trust is for fools.
Azula as a Kyoshi Warrior.
Favorite ATLA Fight - The Last Agni Kai (requested by [x]):
Azula: I’m sorry it had to end this way, brother.
Zuko: No. You’re not.
Favorite ATLA Siblings - Azula and Zuko:
Zuko: What are you doing here?
Azula: You mean it’s not obvious yet? I’m about to celebrate becoming an only child!

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Favorite ATLA Scene/Speech - ‘You were never even a player.’:
Azula: I can see your whole history in your eyes. You were born with nothing. So you’ve had to struggle and connive and claw your way to power. But true power, the divine right to rule, is something you’re born with. The fact is, they don’t know which one of us is going to be sitting on that throne and which one is going to be bowing down. But I know. And you know. Well?
Long Feng: You’ve beaten me at my own game.
Azula: Don’t flatter yourself. You were never even a player.
Colors: Azula + Cyan/Blue
This is apt because I see several similarities between Princess Azula and Avatar Korra. Certainly their experienced indoctrination and socialization are polar opposites. Nevertheless, they are comparable if not akin, when it comes to key personality traits: prodigiousness, confidence, determination, decisiveness, resourcefulness, strength.
The latter example is the only of its kind, illustrating of the extent of Korra’s decisiveness: she hesitates not in preparing to deliver a fatal final blow and end Tarrlok’s tyranny, and the Councilman survives only by dint of his puppeteering power, Bloodbending. This instance moves Korra far closer to the Azula’s paragon of goal-oriented confrontation, and materializes her morality as something much closer to an alignment of “lawful neutral,” certainly stepping towards Azula’s neutral or chaotic evil…
A comparison of the attacks: examine the intensity of these slicing Waterbending maneuvers, Katara’s uses a splayed, shifting sheet of Water, while Tarrlok unleashes a solid scythe. This is not merely a difference of style; rather it betrays intent. Katara wishes to threaten Azula, or establish herself as a threat to the Princess. Hers is a warning shot, and really she’s letting her opponent know, “watch out or I’ll bite.” Tarrlok, having just declared his animosity towards the Avatar and his intent to castigate her for her insolence, is aiming to kill his opponent. This is further demonstrated by how these ladies above must react to the projectiles: Azula merely sidesteps the attack, while Korra must dive from of the projectile’s pathway to save her skin.
One last exemplifying detail: Katara’s wall of Water dies shortly after presenting its threat to the Fire Princess; Tarrlok’s blade, after cleaving his exorbitant letter desk in two, continues on to obliterate his office bookshelf. That is some serious force exerted there! Had his attack landed, Korra would have almost certainly been decapitated - well, unless she executed some impossibly high-level, spontaneous, defensive Waterbending maneuver…though I cannot really contrive a viable deflection of this kind of projectile.
I enjoy analysis…
Oh! One last thing: what gives with the new slow motion animation?? It goes all disconnected and choppy and multi-framed, with like that ghost of motion. I detest it! The former slo-mo seemed superior…
There are words for people like me, But I don’t think there’s very many. I’ve gained the world then lost my soul.
Gained the World by Morcheeba
ATLA : one song per character [1/?] (Azula) [x]
azula doing her shit with no bending.
so i finally learned how to create gifs thanks to mandy once again. thanks!!

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A:TLA families — requested by theboomeraang
SOKKLA training by ~0KiWi0
pt.2 dark fantasy au
SOKKLA: Peaceful Days by ~0KiWi0

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They are all okay, and all those things could exist in the same woman. Women shouldn’t be valued because we are strong, or kick-ass, but because we are people. (x)