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@findhimfives

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One month for Zero Company!!
PEDRO PASCAL Avengers: Doomsday | Entertainment Weekly SDCC 2026
Wolffe, watching over a rainy forest.

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Khorm-ageddon
Ezra Bridgerâs first lightsaber, made with tulip, maple, Gonçalo alves?, panga panga, and redheart with a cherry stand.
Finally got back to making stuff after getting a dog, and this one was relatively simple to get back in. I honestly havenât got a clue what the piece of reddish brown wood is, it was just an unlabelled chunk in the box that looked right but it could be a few different species.
Ocean Vuong, On Earth We're Briefly Gorgeous
"I changed the movie, okay? It's been five times this week. It's a lot."
"I mean, given the production value of that film, I can't imagine too many other people have seen it. What do you think? Is that a coincidence?"
I think it initially escaped Steven that he was named after the hero. I think once he fully realizes this, that Marc sees him, has always seen him, as his super power and his hero...his shield...his place in the system finally starts to settle in. Not just the stress ball. Not a waste of space, unable to have a life. He's not alone, he's never been alone, not really.
And he can still live, can still have a life, and will be okay with who he is.
Itâs annnnnggggst!
People on IG voted for angst so angst I doth provident
Accompanying drabble written whilst half awake last night below the cut
Btw in this house Fives lives and he and Echo eventually reunite soâŚnot permanent angst
Fives my beloved đĽş
What if fives managed to get one of pong krells sabers and challenged him to a duel đ I think he would lowkey try that.

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i think the key difference between george lucasâs star wars and disneyâs star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because thatâs how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation canât have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when youâre a giant corporation who only cares about selling to the widest audience possible, you canât take sides. you canât decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and itâs finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40âs adventure serials#but disney are making a âstar wars filmâ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
proud dad
Hayden Christensen as Sam Monroe Life as a House (2001)
when your actions consequence
Okay, hear me out.
One of the quiet background realities of the Star Wars galaxy is that it is spectacularly bad at labor. Not just âlate-stage capitalismâ bad, but structurally, culturally, and institutionally allergic to the idea that workers should have enforceable protections. Youâve got child soldiers, child labor, debt slavery, corporate fiefdoms, and a Republic that can field a galaxy-spanning bureaucracy but somehow never gets around to standardizing âmaybe donât enslave people.â The Empire of course doesnât fix this; it industrializes it.
So in that environment, formal labor law is either nonexistent, unenforced, or actively hostile. Which means if youâre operating in a sector where the state either canât or wonât protect you, you get a classic historical pattern: workers build their own rules.
Enter the gray economies.
Groups like the Smugglers' Alliance (Legends) and the Bounty Hunters' Guild (new canon) look, at first glance, like professional associations for criminals. But if you squint at them through a labor history lens, they start to look a lot like early, proto-union structures â especially the kinds you see in maritime or extralegal industries on Earth.
Think pirate codes (yes actual ones, Pirates of the Caribbean didn't make that up). Think matelotage agreements. Think dockworker brotherhoods that predate formal unions.
Because what do these groups actually do?
They:
set norms for compensation and contracts
regulate competition to prevent destructive undercutting
provide a framework for dispute resolution
establish reputational systems (âyou donât honor contracts, you donât get workâ)
Thatâs industry self-governance in the absence of law.
Take bounty hunting. Without something like the Bounty Hunters' Guild, the field collapses into chaos: clients donât pay; hunters underbid each other into oblivion; jobs get duplicated, interfered with, or sabotaged. And nobody trusts anybody!
The Guild steps in and says: here are the rules of engagement. Hereâs how claims work. Hereâs how you get paid. Hereâs what happens if you break contract.
Thatâs basically a union crossed with a licensing board and a regulatory agency, just without any moral pretense.
Same with the Smugglers' Alliance. Smuggling is inherently risky, decentralized, and dependent on trust networks. If everyone is constantly betraying everyone else, the whole system stops functioning. So instead, you hash out agreed-upon routes and territories, informal protections against betrayal, mechanisms for information sharing, and consequences for breaking the code
Again: not altruism. Stability.
And the reason this emerges specifically in gray/illegal sectors is because they have to. The Core Worlds might pretend they have laws, but those laws donât meaningfully protect the people actually doing dangerous, itinerant, high-risk work. So the margins of the galaxy â where enforcement is weakest and risk is highest â become the places where labor organization evolves first.
Which is very historically grounded.
On Earth, some of the earliest labor protections didnât come from governments; they came from workers in dangerous, decentralized industriesâsailors, pirates, minersâwho literally wrote their own rules because no one else was going to save them.
Pirate codes, for example, often included:
compensation for injury
shared distribution of loot
limits on captain authority
Which is ⌠shockingly progressive compared to a lot of contemporary working conditions (cough Amazon cough).
So in the galaxy far, far away, you end up with this ironic inversion:
The âlegitimateâ systems â Republic, Empire, megacorporations â are exploitative, inconsistent, or indifferent.
The âillegitimateâ systems â smugglers, bounty hunters â are the ones building functional labor frameworks, because they need to survive.
And that feeds back into why the galaxy feels so unstable overall. Thereâs no universal baseline of rights. Everything is hyper-local, network-dependent, and contingent on whether youâre inside a system that has rules you can rely on.
If youâre a clone trooper? You are literally property.
If youâre a factory worker on a corporate world? Your protections are whatever your employer feels like offering.
But if youâre a smuggler or a bounty hunter?
You might actually have clearer expectations about your pay, your risks, and your recourse â because your âunionâ is the only thing standing between you and total chaos.
So yeah: the Smugglersâ Alliance and the Bounty Huntersâ Guild arenât just flavor. Theyâre a glimpse of what labor organization looks like in a galaxy where the state has fundamentally failed to provide it.
Which is both deeply funny and a little too real.
#you're telling me han solo is a union man? (via @professorsparklepants)
Han Solo look SO MUCH like a union man.

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i have not been able to stop drawing this scene since i saw the last episode of clone wars like two weeks ago