"whoโs your target audience?"
me and the five people in my head who get it
Game of Thrones Daily

pixel skylines
NASA

JVL
dirt enthusiast

โฃ Chile in a Photography โฃ
trying on a metaphor
h
todays bird

blake kathryn
Xuebing Du
Peter Solarz
let's talk about Bridgerton tea, my ask is open

@theartofmadeline
KIROKAZE
๐ชผ
almost home
styofa doing anything

Kiana Khansmith
Claire Keane

seen from Canada
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@fiinalgiirl
"whoโs your target audience?"
me and the five people in my head who get it

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Val has never had a home. He had a house once, sure, and various little shelters, but never a home. Never someplace warm and safe and welcoming. Until Rosie. She is his home; his safe place; his everything. There is nothing in this or any other world that can tear them apart.
โI missed you too. I thought about you.โ
Thoughts of Rosie were a lifeline on the very worst of those days; a breath of air when he was drowning in pain and blood. She clings to him now, as if he is the one who can guide her safely to shore; as if he doesnโt stumble as she guides them towards her bedroom.
He is a broken thing; battered and bruised and weeping blood from a wound on his side that refuses to mend itself. Fresh scars litter his tattooed skin, obscuring artwork and older scars like ink spilled across a page. Thereโs a certain hollowness to his cheeks that was never there before. Mind, body, soul; all utterly ruined.
But now all is well. Heโs home.
The smile he gives her as he settles into bed is genuine enough to hurt.
There is no way sleep finds her tonight. She's going to be staring at him through all of the evening. It still feels like a hallucination. Everything feels unreal and she feels unmoored. The careful walls she built up to make sure she keeps going, and going, and going without crumbling are getting washed out from beneath her. She has mourned this life, and many others, but it feels like a second chance. She slips in beside him, and she finds there are too many thoughts in her head to settle on just one thing to ask at first. So, she wraps an arm around him again and pulls him close for the first time in years and she can feel herself tearing up. "I thought about you too," she says finally. "How did you get back?" And then a beat as she realizes that could be the very wrong question. "You don't have to tell me -- it can wait."
03. flinches at sudden movement from the other.
04. presses their back against the wall with eyes darting around the room.
Rosie stepped back, stock still as if caught in the sight lines of something dangerous. To her it was. His fear weighed heavy as an anchor on her chest, so she stood as recognizable as she could -- her shoulders back and straight, her head directed to the other side of the room like she was giving a stray dog its space.
She walked directly away from him, keeping their distance but also allowing her full sight of him even if her eyes could not see him fully. Maybe it was foolish, keeping her eyes off him, after all he had been trapped for far too long, how could she expect him to remember her?
"Val," she said, turning her back to him now, and then twisting so he could see her from the side. All she wanted him to know was that she trusted him not to attack while she was vulnerable, and show that even if she could see him she would not take away his support. "Val do you see me?" With a sudden surge of bravery she screwed her eyes shut and pushed her hand forward towards him in what she knew may be to quick a gesture, but she reconciled herself to that.
"Please, Val, I won't do anything. Promise."
People unpleaser
Tanaya Beatty in Through Black Spruce (2018)

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ย ๐ ๐ซ๐จ๐ฆ ๐๐ฉ๐๐ซ๐ซ๐ข๐ง๐ ๐ญ๐จ ๐๐๐ง๐ฌ๐ข๐จ๐ง
(steel meets skin, laughter turns to breathless stillness)
Training Grounds & Bruised Pride
โ Youโre getting betterโฆ but not good enough to beat me. โ
โ That swing wouldโve taken my head off if you werenโt distracted staring at me. โ
โ You call that a punch? Try again. Harder. โ
โ Carefulโif you keep touching me like that, Iโll forget this is just training. โ
โ Youโre supposed to disarm me, not pin me down. โ
โ If you wanted to get me on the ground, there are easier ways. โ
โ Oh, so now youโre blushing? Didnโt expect that from you. โ
โ Donโt hold back just because Iโm close. Hit me. โ
โ You like this too much to call it practice. โ
โ Youโre bleeding. โฆand youโre smiling about it? โ
Clash & Proximity
โ Stop movingโif you do, Iโll let you go. Maybe. โ
โ Youโre enjoying this way more than you should. โ
โ I could feel your heartbeat when I had you pinned. โ
โ Youโre supposed to block, not get distracted every time I breathe. โ
โ Funny how you only get serious when I get close. โ
โ Is this still a fight, or are we pretending it is? โ
โ If you wanted to touch me, you couldโve just asked. โ
โ That smirkโs going to get you in trouble. โ
โ Youโre trembling. Adrenaline or something else? โ
โ Youโve got a death wish standing that close. Or maybe just a bad idea. โ
Verbal Sparring & Tension
โ Whatโs wrongโafraid Iโll beat you? Or that I wonโt stop when I do? โ
โ Keep taunting me and I might forget to pull my punches. โ
โ You talk too much. Letโs see if I can change that. โ
โ Didnโt realize arrogance was one of your fighting styles. โ
โ Donโt act so calmโyouโre shaking. I can feel it. โ
โ You like pushing me, donโt you? โ
โ Admit itโyou only challenged me so youโd have an excuse to touch me. โ
โ I thought you were dangerous. Turns out youโre just distracting. โ
โ You keep saying this is training, but you keep looking at my mouth. โ
โ Try again. And stop pretending you donโt want to. โ
Pinned & Breathless
โ You should really get off meโฆ unless you plan to stay there. โ
โ You gonna move, or are you enjoying the view? โ
โ Youโre heavy. โฆDonโt you dare move. โ
โ Your handโs still on me. Not that I mind. โ
โ Is this where you finally admit you like losing to me? โ
โ You can let go now. โฆanytime. โ
โ I said training, not straddling. โ
โ If anyone walks in right now, Iโm blaming you. โ
โ Donโt look at me like that. Youโll make me forget weโre supposed to be fighting. โ
โ I thought this was about technique, not temptation. โ
Aftermath & Smolder
โ Youโve got blood on your lip. โฆHere, let meโ โ
โ You hit harder than you should. I liked it. โ
โ I should hate how close that was. But I donโt. โ
โ Youโre shaking. Hereโcatch your breath. โ
โ For someone who swears they donโt care, you sure looked worried when I fell. โ
โ You didnโt have to pull me that close. โ
โ Iโve fought a lot of people. None of them ever looked at me like that. โ
โ Are we still sparring, orโฆ something else? โ
โ Tell me you didnโt feel that too. โ
โ Maybe next time, we skip the weapons. โ
๐ย *ย โย ย ย ๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐๐ย ย (ย ย prompts for the five senses. addย [reversed]ย to reverse the action. feel free to change wording as needed & add detailsย )
๐๐๐๐๐.
[ย ๐๐๐ ๐ย ]ย โย sender wraps a soft blanket around receiverโs shoulders [ย ๐๐๐๐ย ]ย โย sender and receiver fall into bed together on silk sheets [ย ๐๐๐๐ ] โย sender pulls receiverโs hair ( gently / hard ) [ย ๐๐๐๐ ]ย โย sender strokes receiverโs hair [ย ๐๐๐๐๐ย ]ย โย sender brushes receiverโs hair [ย ๐๐๐๐๐ ]ย โย sender paints a picture onto part of receiverโs body ( specify what & where ) [ย ๐๐๐๐๐ย ]ย โย sender traces their fingertips over receiverโs body [ย ๐๐๐๐ย ] โ sender traces a scar on receiverโs body [ย ๐๐๐๐ย ] โ sender reaches out to hold receiverโs hand [ย ๐๐๐๐๐๐๐ย ] โ sender worships receiverโs body
๐๐๐๐๐.
[ย ๐๐๐๐๐๐๐ย ]ย โ sender feeds receiver something theyโve never tried before ( specify what ) [ย ๐๐๐๐ ]ย โย sender feeds receiver something sour ( specify what ) [ย ๐๐๐๐๐ย ] โ sender feeds receiver something sweet ( specify what ) [ย ๐๐๐๐๐ย ] โ sender feeds receiver something spicy ( specify what ) [ย ๐๐๐๐๐๐ย ] โ sender kisses receiver to taste the lingering flavour of what they ate or drank on their lips ( specify what ) [ย ๐๐๐๐๐๐ย ] โ sender bites receiver hard enough to draw blood [ย ๐๐๐๐๐๐ย ] โ sender feeds receiver soup when theyโve fallen ill [ย ๐๐๐๐๐ย ] โ sender makes receiver a cocktail to try [ย ๐๐๐๐ย ] โ sender cooks receiver their favourite meal [ย ๐๐๐ย ] โย sender gives receiver a taste of what theyโre cooking / baking for their opinion
๐๐๐๐๐.
[ย ๐๐๐๐๐ย ] โ sender blindfolds receiver [ย ๐๐๐๐๐๐๐ย ] โ sender and receiver see each other again after a period of being apart [ย ๐๐๐๐๐๐ย ] โ sender notices something different about receiver ( injury / haircut / tattoo / piercing / etc ) [ย ๐ ๐๐๐๐๐ย ] โ sender greets receiver in formal partywear ( feel free to add detail ) [ย ๐๐๐๐๐๐๐๐ย ] โ sender takes receiver to see lanterns in the sky [ย ๐๐๐๐๐ย ] โ sender and receiver lay under the stars to stargaze [ ๐๐๐๐ย ] โ sender and receiver lock eyes across the room [ย ๐๐๐๐๐๐ย ] โ sender and receiver see a shadow move out the corner of their eye [ย ๐๐๐๐ย ] โ sender and receive watch as something burns ( candles / a building / a campfire / etc ) [ย ๐ ๐๐๐ย ] โ sender takes receiver to the aquarium to watch the sea life [ย ๐๐๐๐ย ] โ sender recognises receiver at a masquerade party
๐๐๐๐๐.
[ย ๐๐๐๐๐ย ] โ sender puts on the radio to listen to music with receiver [ย ๐๐๐๐ย ] โ sender plays receiver their favourite song on an instrument ( specify what ) [ย ๐๐๐๐ย ] โย sender and receiver are in bed together while rain lashes against the windows / tent / etc [ย ๐๐๐๐๐๐๐ย ] โ sender whispers something in receiverโs ear ( specify what ) [ย ๐๐๐๐๐ย ] โ sender asks receiver for a dance upon hearing a song [ย ๐๐๐๐๐๐๐ย ] โ sender and receiver hear a sound when they should be alone ( footsteps / creaking floorboards / a scream / etc ) [ ๐๐๐ย ] โ sender hums a lullaby to lull receiver to sleep [ย ๐๐๐ ๐ ๐๐๐ย ] โ sender comforts a temporally deaf receiver after a loud sound ( gunshot / explosion / etc ) [ย ๐๐๐๐๐๐๐๐๐ย ] โ sender calms receiver down from a panic attack in a loud place [ย ๐๐ ๐๐ย ] โย sender and receiver hear a muffled sound from another room / outside ( music / people / creature / etc ) [ย ๐๐๐๐๐๐ย ] โ sender hears receiver crying and approaches comfort them
๐๐๐๐๐.
[ย ๐๐๐๐ย ] โ sender puts a scented bath bomb into receiverโs bath [ย ๐๐๐๐๐๐ย ] โ sender lights a scented candle for receiver [ย ๐ ๐๐๐๐๐๐๐๐ย ] โย sender puts perfume / aftershave on receiverโs ( wrist / neck / cheek ) [ย ๐๐๐๐๐ย ]ย โย sender inhales receiverโs scent [ย ๐๐๐๐ย ] โ sender is drawn to the kitchen by receiverโs cooking [ย ๐๐๐๐๐๐๐ย ] โย sender steals an item of receiverโs clothes because it smells like them [ย ๐๐๐๐๐๐ย ] โ sender notices receiver smells of their shampoo / shower gel [ย ๐ ๐๐๐๐๐๐ย ] โ sender gives receiver flowers [ย ๐๐๐๐ย ] โ sender helps clean receiver after a long day / stressful situation [ย ๐๐๐๐๐๐ย ] โ sender and receiver walk through the sewers to escape capture / avoid detection / chase someone [ย ๐๐๐๐๐๐๐ย ] โย sender massages receiver with a scented oil
I love being hateful I love being a bitch I love being overly critical I love complaining
CRUISING THROUGH THE DOOM DAYS ,
a collection of sentence starters taken from bastille's album doom days . edited to fit rp needs , adjust pronouns as necessary .
โ it's a quarter past midnight , โ
โ love will tear us apart , โ
โ we're just getting going , โ
โ help me piece it all together , darling , before it falls apart , โ
โ you said we'd leave this place in dust , & fall from heaven straight through hell , โ
โ leave me , โ
โ do you remember what you said to me ? โ
โ you always let me down so tenderly , โ
โ maybe this is where it ends , โ
โ how'd you look so good ? โ
โ could we make the same mistakes til the morning breaks ? โ
โ it might be getting older , but the night's still young , โ
โ what would your mother say if she could see what we're doing now ? โ
โ i'll see you on the other side , โ
โ suddenly we're falling through the twilight zone , โ
โ is it an apocalypse or nihilism on your lips ? โ
โ i couldn't quite remember the vision of you & of me , โ
โ i push the limit to the love you offer , โ
โ there's a riot in my head , demanding we do this forever , โ
โ we're just bodies that collide , lost & found each other , โ
โ don't leave me alone , โ
โ glamorize the chaos , โ
โ don't speak , cause it's like a bitter pill , โ
โ the king's a clown , no one is laughing , โ
โ don't look outside , the world is ending , โ
โ won't you let me go ? โ
โ just drink , fuck , dance right through disaster , โ
โ it breaks my heart into a million pieces , โ
โ when i watch the world burn , all i think about is you , โ
โ just don't read the comments , ever , โ
โ tell me all your original sins , โ
โ no surprise we're so easily bored , โ
โ put your arms around me , โ
โ we've only got ourselves to blame , โ
โ i wouldn't change a thing , โ
โ we don't need a reason if we want to lose our minds , โ
โ four in the morning , we find ourselves here , โ
โ there is nowhere i would rather be , โ
โ i could never want for more when you're near , โ
โ i can't remember , โ
โ i am bound to you with a tie that we cannot break , โ
โ i could write a book about the things that you said to me on the pillow , & the way you think , & how you make me feel , โ
โ don't make promises to me that you're gonna break , โ
โ in another place , in another time , what could we have been ? โ
โ lie to me tonight , โ
โ we'll be good in another life , โ
โ i can feel your eyes in the back of my head , burning , โ
โ will you be my future , or just an escape ? โ
โ love me , love me , love me , โ
โ aren't we all just looking for a little bit of hope these days ? โ
โ what's your name ? โ
โ you never get to heaven on a night like this , โ
โ here i lie , not for the first time , on the kitchen floor , โ
โ regrets can't change anything , โ
โ i feel my pulse quickening when your name lights up the screen , โ
โ how'd you always know when i'm down ? โ
โ i was giving up , โ
โ you're a sweet release , you save me from my brain , โ
high lonesome taken from the 1950 film.
give me my rifle.
itโs funny how haunted and deathly that thing can look when you know whatโs inside.
youโre not fit to go running around loose. youโll get yourself hurt feeling this way.
better come with me. see how things look from the house.
you canโt tell what a kid like this is liable to do.
consider the lilies of the field, how they grow.
what was your theory, shooting out that window?
this is healing all right.
you better get your hands up.
i ainโt gonna wait on you hand and foot.
bring the lamp closer.
(name), honey, wonโt you just listen to me?
boy. youโre gonna do odd jobs around the place on foot.
itโs almost morning. i can see a little streak of mustard in the east.
you ready to talk?
those strangers followed me.
you got a right to your own.
you ainโt gonna get through in the teeth of winter.
the boy has the right to speak.
maybe that answers your question.
yeah, itโs funny. but itโs a mean kind of funny if youโre in my place.
the scarecrowโs been wearing it.
well, this road has a bad name.
stand still, will you?
help the boy.
why, this kidโs crazy.
everybodyโs always giving both barrels around here. trouble is our home.
i didnโt know where i was at first when i come to.
thereโs something hanging on this kidโs shirttail like grim death to a tax lien.
ainโt there no way to get rid of you?
for heavenโs sakes, come in here.
itโs the strangest thing. itโs gone now. for a minute there, i never felt in worse danger in my life.
keep your eyes peeled now.
there are two strangers there, watching the house.
who did that to you?
then shut up and sit down.
youโve eaten the barbecue. letโs dance.
now go to your room. i have all the contention i can stomach without a lot of sass spread on it.
it just so happens that iโve got my guitar right back here.
look for yourself.
stay in the light, no matter what.
youโll be interested.
oh, thatโs what makes you so jumpy maybe.
from now on, heโll never be without friends. or without a home.
hey, sonny. hatโs for town.
if you shoot before i tell you, iโll kill you in the same half second.
draw back a bit, son.
but iโve got to stop and try this one more thing.
why you cantankerous old mosshorn.
cut one more hunk of that poor excuse for bread.
you canโt hold me here.
youโre leaving your horse.
i believe you but nobody else will.
we get worse around here every day.

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[ first kiss ]
She is twenty something and they are stuffed in whatever janitorial supply closet surrounded by the strong scent of bleach and every other cleaning supply under the sun. Their breathing is sharp, labored, and purposely suppressed in the hope they do not draw more attention. It is a tight space, made tighter by her shield around them, her hand gripping his wrist to keep the connection of it.
Rosie cannot see much but the dark outline of his horns at the top of her vision and the edges of his body limned in the softest purple glow from her shield. If their pursuers find them they will not be going without a fight. It is an effort to keep it up after the skirmish before. Her head hurts with the concentration, she is fairly sure that her nose is bleeding.
All the same, she looks up and grins at him through the dark, squeezes his wrist like she can assure him that she knows what she is doing.
And, suddenly, she is sixteen again and they are both in a closet at Jesse Bill's house. It's darker there, nearly black, but she still has his wrist in her hand, and still looks up at him with a grin like she knows anything. The dark is permission, a secret keeper. She tugs at his wrist and surges forward through the distance and is thankful to find his lips meet hers halfway.
It took them nearly five minutes to get there, but when the door is pulled open it's been a good two and they are barely vertical with the way she has to pull him down to meet her. She is flushed and winded when the door opens on them, spilling a sickly white light into their small sanctuary, her hand still wrapped around his wrist.
She is twenty-something when the fluorescents nearly blind them as the door swings violently open and she bares her teeth like a thing gone feral, but she holds to him the same as always.
Send ๐ for a drabble of the first time my muse saw yours
STAGES OF A RELATIONSHIP
Prompts for stages of a relationship. Feel free to change any pronouns as needed and adjust however necessary. Some may be usfw.
ACQUAINTANCES
โ I swear Iโve seen you before, probably in a dream, or a mugshot. โ
โ Is this the part where we shake hands or just nod awkwardly? โ
โ Youโre not as scary as people said. Yet. โ
โ Weโve met before, right? โ
โ I will forget your name in five minutes but I will never forget your aura. โ
โ Sorry, I donโt think I caught your name last time. โ
โ You seem familiar. Do I know you from somewhere? โ
โ Sorry, Iโm terrible with names. Iโll probably call you โHey youโ forever. โ
โ So are we strangers, or is this the part where we overshare? โ
โ If we end up on a group project together, Iโm not doing the PowerPoint. โ
โ Soโฆ what do you do? โ
โ Iโve heard about you, but this is our first time talking. โ
โ I donโt know much about you, honestly. โ
โ Wow, you talk. I thought you were just a background extra. โ
โ How do you already look like youโre over this conversation? โ
โ Donโt take this the wrong way, but I canโt tell if weโd get along or kill each other. โ
โ Itโs weird finally putting a face to the name. โ
โ If you had to pick one Pokรฉmon that describes your vibe, which one is it? โ
โ Do you come here often? โ
โ Oh cool, another NPC come to give me a side quest. โ
โ You look like you have main character energy but, like, season one when everythingโs still a mess. โ
โ Small world, huh? โ
โ Sorry if I seem awkward, Iโm not great with strangers. โ
โ You look like you know what youโre doing. โ
โ Wait, is this the start of a rom-com or a crime documentary? โ
โ You seem like someone who knows where the snacks are. โ
โ I have no idea who you are but I respect your vibe. โ
โ Are you new around here? โ
โ Itโs nice to finally meet in person. โ
โ We donโt really know each other yet, butโฆ I think we could get along. โ
โ Well, that was an interesting first impression. โ
โ Do you mind if I sit here? โ
โ I feel like I should know more about you than I do. โ
โ Soโฆ do we pretend we donโt know each other, or do we pretend we do? โ
โ Wait, are you the person I thought was a coat rack last week? โ
โ Oh, youโre taller than I imagined in my head. โ
โ You donโt look like a serial killer. Thatโs a good start. โ
[SPILL] โ Sender bumps into receiver and spills their coffee.
[WRONG NAME] โ Sender accidentally calls receiver by the wrong name and freezes.
[DROP] โ Sender drops something right at receiverโs feet and stumbles trying to pick it up.
[BRUSHED OFF] โ Sender flinches when receiver brushes past without noticing.
[HESITANT] โ Sender hesitates before offering a hand to help receiver up.
FRIENDS
โ Congratulations, youโve officially made my list of โpeople I tolerate.โ โ
โ If we get arrested, Iโm blaming you. โ
โ I like hanging out with you. โ
โ You always make the day a little better. โ
โ That was fun, we should do it again sometime. โ
โ Want to grab something to eat? My treat. โ
โ Youโre so easy to talk to. โ
โ Honestly, I didnโt expect us to get along this well. โ
โ Why do we always end up in weird situations together? โ
โ If we had a sitcom, itโd be canceled after one episode. โ
โ I donโt know if weโre friends or just two people who roast each other a lot. โ
โ You make me laugh so much itโs suspicious. โ
โ I canโt believe we just spent three hours talking about nothing. โ
โ Itโs been a while! I missed this. โ
โ You always know how to cheer me up. โ
โ Why do you always know what Iโm thinking? โ
โ Letโs do something spontaneous. โ
โ Donโt worry, I already told everyone weโre a package deal. โ
โ You know Iโd never let anyone else see me like this, right? โ
โ Okay, but if weโre friends, I get the cool nickname rights. โ
โ I trust you, you know? โ
โ Youโre a good friend. โ
โ Thanks for always being there. โ
โ I donโt laugh like this with anyone else. โ
โ I feel like I can be myself with you. โ
โ Youโre stuck with me now. โ
โ You know I only text you because Iโm bored, right? โ
โ Okay, letโs go make some bad decisions together. โ
โ Wow you're a disaster. You're lucky youโre my favorite disaster. โ
โ Iโd fight a raccoon for you. Not a bear. But a raccoon. โ
โ I volunteer us to be the comedic relief in someone elseโs tragic backstory. โ
โ Youโre my favorite clown, and I mean that with love. โ
โ Weโre not a duo. Weโre a legally recognized natural disaster. โ
โ Stop making me laugh in serious situations. People think Iโm unstable. โ
[PHOTO BOMB] โ Sender leaps into receiverโs selfie at the last second.
[MESSY HUG] โ Sender hugs receiver but picks them up and spins them around
[ANNOYING SONG] โ Sender sings obnoxiously loud right in receiverโs ear.
[CARE PACKAGE] โ Sender leaves something on receiverโs desk/doorstep without a note.
[LINGERING GOODBYE] โ Sender takes a little too long to say goodbye.
[SHUTTER] โ Sender snaps a candid photo of receiver and laughs when caught.
` * ๐ง๐จ๐ง-๐ฏ๐๐ซ๐๐๐ฅ ๐๐๐ญ๐ข๐จ๐ง๐ฌ : ๐ด๐ฆ๐ฏ๐ฅ ๐ข ๐ฑ๐ณ๐ฐ๐ฎ๐ฑ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐ญ๐ช๐ด๐ต ๐ฃ๐ฆ๐ญ๐ฐ๐ธ ๐ต๐ฐ ๐ด๐ฆ๐ฆ ๐ฉ๐ฐ๐ธ ๐ฎ๐บ ๐ฎ๐ถ๐ด๐ฆ ๐ณ๐ฆ๐ข๐ค๐ต๐ด. ๐ฏ๐ฐ ๐ธ๐ฐ๐ณ๐ฅ๐ด ๐ฏ๐ฆ๐ฆ๐ฅ๐ฆ๐ฅ, ๐ซ๐ถ๐ด๐ต ๐ต๐ฐ๐ถ๐ค๐ฉ. ๐ด๐ฆ๐ฏ๐ฅ (+ ๐ณ๐ฆ๐ท๐ฆ๐ณ๐ด๐ฆ) ๐ง๐ฐ๐ณ ๐ฎ๐บ ๐ฎ๐ถ๐ด๐ฆ ๐ต๐ฐ ๐ฅ๐ฐ ๐ต๐ฉ๐ฆ ๐ค๐ฉ๐ฐ๐ด๐ฆ๐ฏ ๐ข๐ค๐ต๐ช๐ฐ๐ฏ ๐ต๐ฐ๐ธ๐ข๐ณ๐ฅ๐ด ๐บ๐ฐ๐ถ๐ณ ๐ฎ๐ถ๐ด๐ฆ.
๐ ๐ฎ๐ข๐ฅ๐ญ -
01. avoids eye contact or looking at the floor. 02. wringing hands together in silence. 03. fidgeting with the hem of their shirt, unable to stay still. 04. looking at receiver in long silence before looking away. 05. silently leaves a folded note on the table in front of the other. 06. touches the others arm but pulls back out of guilt.
๐๐ง๐ ๐๐ซ -
01. slams fist onto a table without saying a word. 02. exhaling sharply through their nose and clenching their jaw. 03. throws an object across the room. 04. crossing their arms tightly, digging fingers into their own skin. 05. pacing the room with heavy steps. 06. glares at the other with a clenched fist.
๐ฅ๐จ๐ฏ๐ -
01. gently pushing stray hair behind the others ear. 02. resting their forehead against the others. 03. cups the others face with both hands. 04. pressing a kiss to the others forehead in silence. 05. lingering touches against the others face. 06. wraps their arms around the other from behind and rests their head on the others shoulder.
๐ฌ๐๐๐ง๐๐ฌ๐ฌ -
01. wiping their eyes before someone can notice. 02. pressing their face into a pillow to muffle sobs. 03. pulls the other into a desperate hug and wont let go. 04. silently reaching for the others hand, needing comfort. 05. walks into the room with red-rimmed eyes and no words.
๐ก๐๐ฉ๐ฉ๐ข๐ง๐๐ฌ๐ฌ -
01. spins the other around without warning in a hug. 02. links arms with the other and tugs them along happily. 03. provides the other with a handmade gift. 04. tackles the other in a sudden and joyful hug. 05. kisses the others cheek unexpectedly and grins.
๐๐๐๐ซ -
01. backing away slowly and looking for exits. 02. hiding behind the other and peeking around. 03. flinches at sudden movement from the other. 04. presses their back against the wall with eyes darting around the room. 05. jumps at a noise and instinctively grabs the others hand.
๐๐๐ซ๐ข๐ง๐
01. tucks a blanket gently around the other person's shoulders. 02. applies a bandage with slow and deliberate care. 03. brings them food and water and watches to ensure they eat. 04. runs fingers through their hair in efforts to soothe. 05. rubs soothing circles on the others back while they cry. 06. stays silently by the others side in support without saying a word.
๐ก๐๐ซ๐ฆ๐ข๐ง๐
01. raises a hand but hesitates. 02. grips the others arm a bit too tightly. 03. pushes the other away with more force than necessary. 04. turns their back on the other to begin walking away without a word. 05. rips a shared photo in half without a word. 06. steps in closely with cold and narrowed eyes.
โฑห๏ฝกโ โช ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐. ย (ย ย a collection of ย dialogue prompts originating from alice in wonderland 2010. adjust as desired.ย ย )
you have finally lost your senses.
this venture is impossible.
the only way to achieve the impossible is to believe it is possible.
that kind of thinking could ruin you.
the nightmare, again?
do you think i've gone around the bend?
you're mad. bonkers, off your head.
if you get frightened, you can always wake up.
doubt they'll notice if we never arrive.
who's to say what is proper?
to me, a corset is like a codfish.
i'm sorry. i'm tired, i didn't sleep well last night.
it's always the same, ever since i can remember.
don't most people have different dreams?
there. you're beautiful.
there. you're beautiful. now, can you manage a smile?
at last. we thought you'd never arrive.
[ name ] is waiting to dance with you.
i hope you don't think i've taken advantage of your misfortunes.
do you ever tire of quadrille?
i think you'll do best to keep your visions to yourself.
i was wondering what it would be like to fly.
[ name ], meet me under the gazebo in ten minutes.
but now you've brought it up, you have to tell me.
everyone went through so much effort to keep it a secret.
i don't know if i want to marry [ name ].
shall we take a leisurely stroll through the garden, just you & me?
what an odd thing to say.
i couldn't be more interested, but you'll have to excuse me.
i think i'm going mad.
i don't know. i'm confused, i need time to think.
me? but i'm not the one who's sneaking around.
i think i ... i need a moment.
i am not convinced.
how is that for gratitude?
who are you, if i might ask?
the question is, who are you?
what do you mean by that? i ought to know who i am.
wait, this is my dream. i'm going to wake up now & you'll all disappear.
that's odd. pinching usually does the trick.
did you steal them?
it looks like you ran afoul of something with wicked claws.
well, i'd better have a look.
i'll be fine as soon as i wake up.
what do you call yourself?
all i want to do is wake up from this dream.
i was obliged to kill time until your return.
we simply must commence with the slaying & such.
all this talk of blood & slaying has put me off my tea.
what happened that day was not my fault.
you ran out on them to save your own skin.
what's wrong with you, [ name ]? you used to be the life of the party.
would you like to join us? you're late for tea!
i'm not slaying anything. i don't slay, so put it out of your mind.
wait! you can't leave me here.
you're not the same as you were before.
you were much more ... muchier. you've lost your muchness.
it's not a pretty story.
that is not foretold.
i've been told what i must do & who i must be.
i'll decide where it goes from here.
i make the path.
i've come to you, hoping you would understand what it's like.
and who is this lovely creature?
you're too soft.
the trees seem sad... have you been speaking with them?
rest now. you've done well.
is it not better to be feared than loved?
i'm frightened, [ name ]. i don't like it in here, it's terribly crowded.
you're entirely bonkers. but i'll tell you a secret; all of the best people are.
that's better, you look like yourself again.
why is it you're always too small or too tall?
i don't take orders from big, clumsy, galumphingโ
why haven't you mentioned this?
i believe this belongs to you.
i thought we'd settled this.
i suggest you keep a sword on hand.
it is far better to be feared than loved.
it's against my vows to harm any living creature.
here i am, still in one piece.
i would have regretted not seeing you again.
you know what tomorrow is, don't you?
still believe this is a dream, do you?
this has all come from my own mind.
i'm afraid you're just a figment of my imagination.
you would have to be half-mad to dream me up.
i'll miss you when i wake up.
you cannot live your life to please others. the choice must be yours.
when you step out to face that creature, you will step out alone.
nothing was ever accomplished with tears.
don't go. i need your help, i don't know what to do.
i can't help you if you don't even know who you are.
you're just as dim-witted as the first time you were here.
it wasn't a dream at all ... it was a memory.
the sword knows what it wants. all you have to do is hold onto it.
i know what you're doing. you think you can blink those pretty little eyes & i'll melt.
it is MY crown! i am the eldest!
sometimes i believe as many as six impossible things before breakfast.
so, my old foe, we meet on the battlefield once again.
you are banished. no one is to ever show you kindness.
majesty, i hope you bear me no ill will.
i do not owe you a kindness.
i'll be back again before you know it.
of course i will, how could i forget?
good lord ... are you alright?
i love you, but this is my life. i'll decide what to do with it.
i'll find something useful to do with my life.
shall we speak in my study?
perhaps you'd consider becoming an apprentice.

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"You tore your stitches open, let me fix it." (any verse)
"It's okay, Val," she assures, her speech slightly slurred with exhaustion and a tinge of whatever poison managed to worm its way into her system.
He's partially right, one popped for sure, but it's a surface stitch and it's barely separating. She can get a steri-strip and it'll be as good as new. "Just get me the band aids, I don't want you playing nurse on it, it doesn't need any thread," she says, leaning heavily on him.
"Could maybe do with some water though, I need to flush the rest of this shit out. It burns."
TANAYA BEATTY in THE DOOR (2025).