Resmaa Menakem, My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies
Andrea Gibson, Lord of the Butterflies

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Resmaa Menakem, My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies
Andrea Gibson, Lord of the Butterflies

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Arthur Pita’s dance-theatre adaptation of Kafka’s novella ‘The Metamorphosis’ Royal Opera House, London 2020

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There exists an undeniable pleasure in knowing that everything you do has no real basis, that whether or not you commit an action is a matter of indifference. The fact nonetheless remains that in our daily gestures we compromise with Vacuity — that is, we turn and turn about, and occasionally, at the same time, we take the world as real and unreal. We mingle pure truths and sordid truths and this amalgam, the thinker’s disgrace, is the living man’s revenge.
Emil Cioran, Anathemas and Admirations
So far as we know, ours is the only species which feels driven to find meaning. Such a drive is often painful, but it is autonomous and we cannot help but seek it . . . We can never comprehend this mystery, or it would not be mystery, but we frequently experience its intimations in the concretization of relationships, in the metaphors of dream life and in sudden epiphanies of depth. Wheresoever we intimate the presence of depth, in cosmos, in nature, in others or in self, we are in the precincts of soul.
While ego would like to encapsulate such depth in dogmatic certainties and quantifiable predictions, motivated by a desire for security, the mystery of which we are a fragmentary part is not only far beyond our capacity to engineer but beyond even our power to comprehend. We may stand in relationship to soul only through the imaginal world of the psyche, whether conscious or not, comprehensible or not. While we may seek it through ego-driven venues, ranging from theology to music to romantic love, we are more frequently pulled down into the swamplands where we least want to sojourn. Such descents are proof of the ubiquity, autonomy and essential mystery of soul.
James Hollis, Swamplands of the Soul: New Life in Dismal Places
Depression can feel like a well with no bottom, but from a Jungian perspective intrapsychic depression is a well with a bottom, though we may have to dive very deeply to find it. Think of what the word means literally, to de-press, to press down. What is "pressed down"? Life's energy, life's intentionality, life's teleology is pressed down, thwarted, denied, violated. While the etiology of such pressing down may or may not be discernible, something in us colludes with it. We might even say that the quantity and quality of the depression is a function of the quantity and quality of the life force which is being pressed down. Life is warring against life, and we are the unwilling host.
James Hollis, Swamplands of the Soul: New Life in Dismal Places
Introduction to The Iliad, Emily Wilson
Werner Herzog in Burden of Dreams
Directed by Les Blank • 1982 • United States

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Nina Auerbach, Romantic Imprisonment
this makes me think about how i always consdered jane austen’s books to be a lot creepier than ppl give them credit for. they’re cozy favorites of mine, but they’re not without their own horror (all my cozy favorites are a little frightening, a little sad). this feeling of pervasive inescapable imprisonment is part of it, but also most of austen’s happy endings are tinged with a reminder of something horrific. i remember watching the 95 movie adaptation of sense & sensibility with my mom and how we talked about the ending being really horrific, even if it’s a happy one – watching 16 year old marianne learn to love and settle with 50 year old alan rickman and be grateful about it! and knowing that this is indeed her best choice, just like darcy did indeed help lydia by paying for her marriage to wickham, despite what we know her life will be like. austen’s commitment to realism can be very terrifying, especially because she never lets you forget about women’s dependency on men, or all the other social shackles placed on her privileged heroines and their happy endings.
As Catedrais, (Playa de las Catedrales) one of the most beautiful beaches in the world, known as beach Augasantas in the area. Galicia, Spain. -wikipedia
“How many thousands have I spent on perfume and alcohol, cigarettes and Turkish baths, disappointing trips and third-class movies; how many months in silent bars or parks, expecting, in a chair with a book not reading, or waiting in line, waiting in line? Who will tell me it’s a loss when I know life must be for pleasure? The parks were balanced by museums, the baths by oceans, bars by composition, and the dreaming chair by books finished. Nothing is waste that makes a memory.”
— Ned Rorem, The Paris Diary & The New York Diary: 1951-1961
Rainer Maria Rilke in a letter to Lou Andreas-Salomé, published in Rilke and Andreas-Salomé: A Love Story in Letters
Rainer Maria Rilke in a letter to Lou Andreas-Salomé, published in Rilke and Andreas-Salomé: A Love Story in Letters

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Franz Kafka