47 members, 137 posts about #art #art history #female artists • For sharing and discussing artistic representations of women by women
Join my community for sharing and discussing artistic depictions of women made by women artists
Monterey Bay Aquarium
Three Goblin Art

oozey mess
trying on a metaphor
NASA
occasionally subtle

titsay
PUT YOUR BEARD IN MY MOUTH
AnasAbdin

#extradirty
Cosmic Funnies
Keni
almost home
Acquired Stardust
let's talk about Bridgerton tea, my ask is open

Discoholic 🪩

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver
art blog(derogatory)
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@feminineforms
47 members, 137 posts about #art #art history #female artists • For sharing and discussing artistic representations of women by women
Join my community for sharing and discussing artistic depictions of women made by women artists

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Untitled (n.d.) by Lucy Tejada; Colombian; scratched ink
"Mujeres sin hacer nada [Women doing nothing]" (1955) by Lucy Tejada; Colombian; oil on canvas
Holeproof Hosiery Clarence Coles Phillips (1880 – 1927)
Circe, (Detail), (1885) by John Collier (English, 1850 – 1934, oil on canvas, 133 cm × 219 cm (52 in × 86 in), Private Collection

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Satyre et bacchante (also known as Satyr and Bacchante) (1830-1834) by James Pradier (Swiss-born French, 1790 – 1852), marble, 2 m (49.2 in) x 1.1 m (44 in) x 0.7 m (30.7 in), Musée du Louvre
'The Silent Voice' by Gerald Moira, c. 1893.
"Wakitantanka (Strong-Willed) Pandemic Survivalist" (2021) by Juanita Growing Thunder Fogarty
"Goddesses' Fest" (2024) by Hend Al-Mansour; Saudi-American; screenprint on panel
The Rose from Armida's Garden
Artist: Marie Spartali Stillman (British, 1844-1927)
Date: 1894
Medium: Pencil, watercolour and bodycolour with gum arabic
Collection: Private Collection
Description
Armida was an enchantress in Tasso's epic poem about the Crusaders, Jerusalem Delivered, published in 1581. She used her charms to seduce the Crusaders from their vows and duty. Her palace, surrounded by magnificent pleasure grounds, was so luxurious and splendid that 'the Gardens of Armida' have become a synonym for gorgeous luxury.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Fairy Lovers
Artist: Theodor von Holst (British, 1810–1844)
Date: ca. 1840
Medium: Oil on canvas
Collection: Tate Britain, London, United Kingdom
Description
Here Oberon and Titania, fairy lovers from A Midsummer Night’s Dream, are shown dancing under the light of the moon. The fairies’ tip-toe steps, flower and insect wing headdresses, dancing drapery and an eerie light create a magical effect.
Two smiling girls, 1865 - oil on canvas
— Carl Bloch (Denmark, 1834–1890)
Ayşen Kaptanoğlu (Turkish-Dutch, 1985) - Riding Backwards Against (2022)
"Jeune femme en costume d’albanaise [Young woman in Albanian costume]" (n.d.) by Mathilde Bonaparte; French; pastel
"Um-Ilias" (ca. 1960s) by Tamam Al-Akhal; Palestinian
Tamam Al-Akhal was one of the first Palestinian women artists to receive formal art training, and she is considered as one of the pioneers of modern Palestinian fine arts. Her realist work, expressive and impressionistic, focuses on subjects like the Mediterranean Sea, which reminds her of her hometown Jaffa and the local traditional markets and the architecture of Palestinian buildings. She uses vivid colours, with a sense of longing and nostalgia for the land, the people and the place that she was expelled from during the Israeli occupation, the Nakba of 1948. T. Al-Akhal was born in Jaffa, a place that deeply influenced her. Her paintings offer a rare testimony on surviving the events and consequences of the Nakba. She has been at the forefront of recounting Palestinian history, and has taken part in building a Palestinian artistic vision and vocabulary. Showing Palestinian history with brushes and colours, she captures the struggles of the Palestinian people. Her work illustrates an iconic representation of experiences and sensations based on the tragedy of the Palestinian national narrative. Her early paintings, however, were touched by the daily events prior to the Nakba, that happened during her childhood. As she experienced people’s joy, she used crayons and watercolours to capture those moments.

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Hossein Behzad (Iranian, 1894-1968)
Untitled
THROWBACK THURSDAY! 1971 Black Panther Party poster. Plus ça change...