Apologies, but I had to downsize the screenshots a lot to make them fit.
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Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.

ellievsbear
h
NASA
let's talk about Bridgerton tea, my ask is open
Xuebing Du
★

roma★
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@femingrab
Apologies, but I had to downsize the screenshots a lot to make them fit.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sketchbook parking meter
Media Demons
2026 vs 2024
I wanted to see how much my style has changed in two years.
Is he?
I'm wondering if people can guess the reference. ~
Magma doodle.

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Scream Rain.
The Leech Healer character designed by @pocketss
Lake Crescent, WA by Bobby Stevenson
by Chironius
My new collection of animal sculptures will be available on my shop in 2 hours! 🌎 10PM BST ● 5PM EDT ● 2PM PDT ● 7AM AEDT.
The collection features Lowland Tapir with Crested Caracara, Greater Hog Badger, Red-footed Booby, Black-spotted Rock Frog and American Woodcock!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Acrylic on canvas 40*40 cm „Summer Sketch No. 12“
Acrylic on canvas 40*40 cm „Summer Sketch No. 17“
Today I want to show you a very special painting.This place is part of my childhood and some of my happiest memories. I painted it after a trip to Russia in 2017. It feels like a lifetime ago. My oldest son had just turned one, and my husband and I traveled to visit my parents.My parents have a big off-road vehicle, and they love exploring places where ordinary cars simply can’t go-deep forests, marshes, hidden lakes, and quiet rivers. They took us on many adventures, and this was one of those places. We spent the day fishing there and even caught a few large northern pike.This landscape is near the village of Kholuy in the Ivanovo region of Russia.Although I painted it years ago, it isn’t for sale. It is the only painting that was permanently damaged during the catastrophic flood that hit my gallery in 2021, After days of heavy rain in Belgium and Germany, a dam had to be opened overnight to prevent an even greater disaster. Nobody had time to prepare. During the night, the water rushed into the building. The flood reached almost 2.5 meters (over 8 feet) high, nearly touching the ceiling. My paintings floated in muddy water for many hours.Afterward, I washed and disinfected every painting by hand. Many survived surprisingly well, although several wooden stretcher bars warped as they dried. This painting was less fortunate. It must have fallen in just the wrong way, and part of the thick acrylic paint layer detached from the canvas. It now has a small but visible scar, and I still don’t know the best way to restore it.So it hangs in my home instead.People often ask whether it’s okay to touch my textured paintings. I always say yes you can gently touch them with your fingers or even wipe them with a damp cloth if needed. After seeing paintings survive a flood, floating in dirty water for hours, it’s hard for me to imagine that even thousands of curious fingers could do more damage than that one night did.
Sometimes a painting carries not only the memory of the place it depicts, but also the memory of everything it has survived.
acrylic, linen 100 * 120 cm “balance” 2019
acrylic, canvas 70*90 cm "And the lilac dawn came" 2022

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«Morning in Lichtenbusch»
Acrylic on linen, 100 × 80 cm
2018
This painting is from 2018 and is one of the very first works I created after a long break from painting
At that time I was only beginning to experiment with heavy gel mediums. If you look closely, you’ll notice that I used texture only on the trees and the leaves in the foreground. Back then, I was still discovering what this material could do.
The painting is based on a place I loved deeply. Every morning, while my little son was still asleep, I would wake up at five or six, take my dog for a walk, and watch the sunrise.
Those mornings were magical.
The ground was still dark, while the sky slowly filled with light and color. I loved walking along this little lane, with fields stretching out on both sides, horses grazing quietly, and birds singing all around. It was peaceful in a way that’s hard to describe.
Today, that place looks completely different.
The lane is gone. A new road has been built, along with a new school where my children will start this September. Most of the fields have disappeared, and only a small area remains for the horses. The village has grown, new streets have appeared, traffic has become much busier, and the quiet atmosphere that inspired this painting has faded away.
When I painted this, Lichtenbusch had only around forty houses and just a few families with children. It truly felt like a small countryside village.
I’m grateful I painted these mornings. Sometimes a painting becomes more than a landscape, it becomes a memory of a place that no longer exists.
acrylic, canvas 30*40 cm "lavender cloud" 2025