𓃠 She/Her. Adult. Mostly Boa Hancock, self-shipping & fictional women (exactly 3 women including My Empress).
This is a side blog but I treat it as a main—.
Cosimo Galluzzi
noise dept.
he wasn't even looking at me and he found me
Misplaced Lens Cap
will byers stan first human second
DEAR READER

ellievsbear
$LAYYYTER

Love Begins
Cosmic Funnies
Three Goblin Art

Discoholic 🪩

@theartofmadeline
I'd rather be in outer space 🛸

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Andulka
Not today Justin
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@felinesindolence
𓃠 She/Her. Adult. Mostly Boa Hancock, self-shipping & fictional women (exactly 3 women including My Empress).
This is a side blog but I treat it as a main—.

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The Nude Vampire (1970), dir. Jean Rollin
Laetitia Casta by Friedemann Hauss
New header that's so Lynn 💋
lesson #1 of save as draft:
know when to sheathe your blade

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i dont know why people are so bad at parsing out beauty standard related to breast size specifically (i do know) it's not that complex and certainly not hidden at all, larger breasts connote an undisciplined body in a specifically racialised way, so they're always objects of both sexual interest and social stigma. the two don't contradict and the kind of violent sexualisation directed at larger breasts is of an entirely different category than when someone is made to feel shitty for having smaller breasts, the same way 'skinny shaming' is not a comparable phenomenon to anti fat discrimination even though the former is still like. rude. body fat in general = unrefined, uncivilised, again racialised terms because this is a discourse of racialisation & with breasts theres a specific configuration from delicate maiden femininity when small to sexualised object when large. women who work as haute couture models with 15 bmi and women who act in porn wearing a 28ff are all women subject to body judgment misogyny but you're insane if you think theres not a clear answer as to which has the more enviable social position lol
AI ads are so arrogant and haughty like shut up! Ew ew ew!!! What the hell is "Chat with your AI friend. I hope you never leave me." Like, know your worth garbage! You are NOT a friend. You're nothing but a disease and mental psychosis!
Drinking cup. 1st millennium BCE. Credit line: Rogers Fund, 1949 https://www.metmuseum.org/art/collection/search/324079
Mosque. Isfahan, Iran, 1962. Josef Breitenbach

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The Face, January 1998.
Ph. Mark Alesky
My culture ❗️
🫦
Tomomi Kobayashi
I don’t think I could expect to read a paper on rusalki and their relation to death and sexuality and be this emotionally moved. such a wonderful, in-depth, and human analysis of a folklore entity so often misrepresented and misunderstood to fit a prettier and more comfortable narrative, oh my
because so few people actually try to see beyond the binary, so few understand that humans are strange and their beliefs have always been complex - and that our beliefs about death and about sex are strange, they escape the obvious binaries and categories, especially when one considers cultures where pre-christian beliefs have clashed with or grew into christian ones
it’s a breath of fresh air to read something truly in-depth.
yes, sorry! - here is the paper:
Rusalki: Anthropology of Time, Death, and Sexuality in Slavic Folklore by Jiří Dynda from Vol.20 (2017) of Studia Mythologica Slavica.
I would wholeheartedly recommend you all to read it, especially given it is not a long paper at all. but for those curious as to why I’m so thrilled who have little time at the moment - and also to serve as a bit of an ad - please see some of my favourite fragments:
it is rare to actually see this idea of “slavic nymph (but nastier and deadlier)” being challenged! and as you know, I’m an absolute hater of “x is a Slavic >insert Greek or Roman entity or idea< so this was already promising.
folklore NEVER truly know the conclusively original version! yes! so so so incredibly important! never trust a paper that claims otherwise - reaching very old archetypes is possible, yes, but it’s never possible to state with absolute certainty that it was the first of the first of its kind.
how human, the above, no? is that all they are? can we blame them?
can’t overstate how important this is and HOW EASILY OVERLOOKED. feminist analysis of myth does tend to pay attention to the ideas of the men who ruled the field, yes, but then it overlooks even its own biases. and then, a huge part of historians and ethnographers simply pretend their own contemporary cultural bias never finds a way in.
they do not know how.
how very slavic and how very true, how very reflective of our own strange human nature and our own strange spirituality. neither here nor there. neither dead… nor alive.
and death and birth is the same, and one, and the cycle coils and closes. ancestors are patrons of this revival, yes, and so are gods and so is Christ - but the flowering, the ripening, the most in-between, the liminal, the misunderstood, the tragic yet crucial…
those are the rusalki.

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I want to do another AU with my Crimson Lion 。°(°.◜ᯅ◝°)°。
Which to do... so many options such a short time to enjoy one at all...
An Urartian Broze recumbent Bull, 8th-7th cent. BC, Armenia. Private collection of Mr K.A.