Thou art Morgan Le Fay, sister to King Arthur, apprentice and student to Merlin the Enchanter... for now.
A great destiny steeped in magic and mystery has been foretold to you, and the unnatural forces of this ancient world are guiding you towards it, whether or not you are willing. Having escaped heartache and woe, you are currently at liberty to enjoy a merry life at the court of Camelot, surrounded by kin and comrades. Raise Ywain, your little son, learn from your ever-disgruntled warlock mentor, go on fantastical quests and romance the knights of the Round Table, or someone else entirely!
Customize your Lady Morgan's name and appearance, study rituals, raise your skill in different domains of sorcery (warcasting, trickery, divination and more), shape your relationship with your child and much more in this text-based fantasy interactive fiction based around Arthurian legend.
View Morgan's family tree.
Love interests (see their links for appearances):
Merlin (m). He's old, prickly, sometimes mean... but less so to you than others, which is gratifying. His study is your sanctuary, his wit your sparring partner. You suspect your tutor is hiding a great many things from you, so pursuing him could be a bad idea. But perhaps you cannot resist an attempt to wiggle your way into his affections.
Sir Kay (m). King Arthur's foster-brother and seneschal of his lands. A behemoth of a man; tall, wide, thickly muscled. He's a brute, but he's carried a torch for you ever since you met him. Whether or not you entertain his affections is of course up to you, but the decision might be easier if only he stopped being so cruel to some of the aspiring knights who should be his protégés.
Sir Gawain (m). The bastard brother to King Lot, who's your sister Morgause's husband... small world. He is Sir Kay's best friend, though the two could not be more different. Fair Gawain is charitable, popular with the men at arms and so charming that he's widely known as the Maidens' Knight. Not that he is without his shortcomings; you would know, given he has somehow become a dear protector and confidant. Perhaps you still want him.
Sir Galahad (m/f*). An upstart knight from a backwards province, he should be fated to obscurity, but possesses strange talents and seems to carry a touch of the divine. Sir Lancelot brought him to court, so impressed was he with the young lad. Maybe you knew him long before he was presented to the Round Table, though. Maybe you've seen him in your dreams. If only Galahad, put off by your witchcraft, didn't hate you to the point of obsession...
Guenevere (f), the golden Queen of Camelot. Your brother's wife. She's the most beautiful woman in Albion, and the most talkative, and perhaps, paradoxically, the loneliest. She desperately wishes for your approval, but with the way she acts sometimes, it's hard not to wonder what else she might be wishing for.
Ninianne (f). The Lady of the Lake, ancient and most powerful fairy in all of Albion. She is the mother of Sir Lancelot, has tested your brother's might and appears to share a complicated history with Merlin. She's a mystery and seems to know much more about you than you can be entirely comfortable with.
Friends and family:
Ywain (m). The son you had by the husband you hated. Ultimately, your relationship with the child is up to you, but as he matures, one thing becomes certain: Ywain is nothing like his father. He's his own beast, strange and emotional, diligent and good.
King Arthur (m). Your half-brother who is five years younger than you. He found you, rescued you and now loves you as though you'd known each other your whole lives. He dotes on your son, aiming to provide you both with the best possible life and asking for naught but fealty in return. He's a sanguine, adventurous and chivalrous young man who was pushed in the role of regent extremely early in life, but is bearing up under the expectations.
Blanchefleur de Beaurepaire (f). Your best friend and penpal with whom you entertain a teasing mentorship. When first you meet, she's but a young girl, but already whip-smart, sharp-tongued and too persuasive by half. Over the course of your acquaintance, she has grown into the epitomy of grace and confidence. She still looks up to you.
Sir Perceval (m). The youngest man to ever be knighted at the court of Camelot and easily the weirdest. He's his own brand of innocent; blunt, cheerful and with the attention span of the average housefly. He is Ywain's favorite playmate.
Queen Morgause of Orkney (f). Your eldest sister. You haven't seen her since she married King Lot. You know that she's had two sons by him, but that's about it. Something about her is different, not at all as you remember... but then again, it's been such a long time.
Queen Elaine of Garlot (f). Your middle sister. Much like Morgause, you lost sight of her after her own marriage to King Nentres. She's passionate, wistful and a hopeless romantic. She seems hopeful that your sisterly relationship can be rekindled.
Setting: this is not a precise retelling of any particular Arthurian cycle and lots of liberties were taken with the characters. Albion is a highly fictionalized version of/inspired by 12th-13th century England and Brittany.
*literally.
dividers by @/pixopix; artwork is a commission by the wonderful @/theoasiswinds and the blog's header image is an illustration by Mary MacGregor from her 1907 book "Stories of King Arthur's Knights".
curtsying and humbly presenting this to @interact-if
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Join over on Patreon at the Courtesan tier for early access to Chapter Ten of the Night Market. :) I am very curious to hear what you all think about the positions our characters find themselves in. Make sure to explore different romances and routes because all of them are different. Each romance route has completely different choices in the beginning of the chapter. I cannot wait for you all to explore!
Hey do you give advice for writing romantic relationships between characters? If so, any tips on how to write a organic transition from friendship to romance. Any help would be appreciated thank you in advance:)
Writing Notes: Friends-to-Lovers
Two characters have maintained a relationship long enough to grow it from acquaintances to friendship. They have things in common. They respect each other. Consider…
Why are they only getting together now? Are they settling? Is it a timing thing? These have to be the two least romantic options in the history of romance.
What could be better than having someone know you for exactly who you are and deciding you’re irresistible? There is actually an answer to this, and it’s this: being able to trust your heart to someone who has already proven they’re worthy of it.
With enemies-to-lovers, the characters start out not liking each other. In friends-to-lovers, it’s a given that the reverse is true.
However, in the latter, it may not be enough for the love interest to be just likeable.
If your story is going to document someone’s exit from the friend zone, they also need to be desirable.
Consider some sex appeal here. You don’t want your readers picturing little Johnny or Jenny from next door who they always knew they should like. You want them picturing the person they thought they couldn’t like.
Example: Hugh Jackman’s playboy character in Someone Like You. While Ashley Judd was viewing him as undateable, the audience had time to properly fall in love with him. We knew we could trust him long before she did, and we were thrilled when her eyes were finally opened to his good qualities.
Why couldn’t one friend like the other before, but they can like them now?
With enemies-to-lovers, there are two things that need to happen. There’s the event that causes them to be at odds, and then there’s something that brings them together.
With friends-to-lovers, the transition can begin with a single change.
All you need is a reason for one person to see the other through new eyes.
Is one of them suddenly single? Did one of them dive into a pond Colin-Firth-Darcy-style, emerging with their shirt see-through and clinging to their unexpectedly well-defined abs? Did one-too-many tequilas work their magic?
It may be much easier to turn friends into lovers you can believe in and root for than it is for two characters who have been treating each other poorly.
All of our friends have characteristics that initially attracted us to them. As writers, all we have to do is deepen that attraction.
The stakes must be set.
With enemies-to-lovers, this is usually built into the story. Whatever has put the characters at odds can generally be relied on to test the relationship. But what about friends?
How do we raise their stakes? It can, of course, be built into the story just like with an enemies-to-lovers storyline.
But the cool thing about friends-to-lovers is that we have their entire history to mine from as well.
We also have a shared social circle to work with.
The stakes for friends-to-lovers feel more realistic and pressing.
A sexy fling with an enemy can be laughed off the next day, but a failed romance with a close friend can change the landscape of your life.
D.A. Stinson et al. (2022) examined how romance develops, as well as how studies have covered the progression in a piece entitled “The Friends-to-Lovers Pathway to Romance.”
They begin by recognizing that although there are multiple pathways to romance, the science of relationship study does not reflect this variety; instead focusing primarily on romance that builds between strangers as opposed to friends. They note that this type of concentration might make sense if friends-first romances were atypical or unfavorable, but note that their research reveals the opposite.
Conducting a meta-analysis of seven samples of university students and crowdsourced adults, Stinson et al. found that two-thirds described being friends first, which was also the preferred method of initiation among university students. Taken together, their studies affirm that although overlooked by relationship science to some extent, being friends before the initiation of a romantic relationship is not only prevalent, but preferred.
Pathway From Platonic to Romantic
Stinson et al. note that relationship scientists recognize at least 2 kinds of intimacy.
One is friendship-based,defined as “a cognitive and emotional experience comprising psychological interdependence, warmth, and understanding, related to the companionate love that nurtures long-term intimate bonds.”
The other is passion-based intimacy, defined as “a primarily emotional experience comprising romance and positive arousal, related to the passionate love that typifies novel, and often sexual, relationships.”
Stinson et al. also note that the dominant dating script proposes men’s passion as the sensation that sparks initial interaction between potential paramours, after which time passion-based intimacy and friendship-based intimacy develop concurrently. But does this reflect reality? Apparently, the answer is a matter of perspective and perception—of the individuals involved, as well as interested observers.
Romantic Rumors
Many cross-friendships spark more than romance; they spark rumors. Researchers have found that celebrity websites often promote the idea that men and women cannot be “just friends.” Andrea McDonnell and Clare M. Mehta (2016) explored this issue in a piece entitled “We Could Never Be Friends: Representing Cross-Sex Friendship on Celebrity Gossip Web Sites.” They note that although psychological scholarship is mixed on the topic of cross-sex friendship, media representations often reflect the homosocial norm, which asserts a preference to spend time with members of one’s same sex, implying that cross-sex relationships are necessarily sexual in nature.
Regardless of individual views on the homosocial norm, many employees can relate to McDonnell and Mehta’s observation that cross-sex friendships can spark suspicion and scrutiny by others who assume such relationships are romantic or sexual. This is true even in a day and age where they are not only common in general, but commonplace in the workplace.
For coworkers, neighbors, or “just” friends who find themselves wondering if there might be the potential to move a relationship to the next level, slow and steady positive development of trust and common interests often evolve not just in the presence of friends and family, colleagues and coworkers, but with their full endorsement. As demonstrated by many couples who have successfully navigated this “dateless” path down the aisle to the altar, easy, comfortable, relationships often develop into healthy romantic, lifelong partnerships of love and respect.
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If you played the original Chapter 1, you'll notice this is essentially a different game. The original came in in at 26k words, the rewrite is 469k. The prose has been overhauled from the ground up, with richer writing, deeper characterisation, and far more branching to reflect your MC and their choices. Scenes that existed before have been rebuilt rather than revised, and there's a significant amount of new content that wasn't in the original at all.
What happens:
Arrive at the villa and meet your fellow islanders one by one as they enter.
A one-on-one conversation with one of the nine other islanders before the coupling, who you spend that time with is your choice.
The coupling ceremony, where you'll be paired up for the days ahead.
Word count
469k words total (+443k from the original Chapter 1). Individual playthroughs are a fraction of that, the word count reflects how much the content branches to account for your choices and your MC.
A note for returning players: Chapters 2–11 are no longer accessible while the rewrite is in progress. Chapter 1 is the only playable content for now, but it's a much more substantial Chapter 1 than the one you remember.
Game Summary:
Welcome to Summer of Love.
You and nine other singles will enter a luxury villa and couple up, spending a month in each other’s company, along with a few extras along the way – you’ll live together, eat together, sleep together, and hopefully, fall in love together. Sound familiar? Thought so – but instead of coupling ceremonies being split by boys and girls as is typical in shows like these, the public will be the ones deciding the order of who gets to pick, and as the cast is an all-bi one, you can pick whoever you like, so long as they haven’t already been picked.
At the end of the month, the most popular couple will win £500,000. As for the other couples? As there are no dumpings, everyone has the potential to find love, and those in exclusive relationships by the end could also win £100,000 per couple.
Ready for your summer of love to begin?
I've done a pass on Chapter 1 and trimmed about 29k words, so it now sits at 440k rather than 469k. Nothing has been cut in terms of content or branching; this was purely an edit for repetitive language and writing tics that creeped in across a 469k document. The story is the same, the choices are the same, it just reads a bit cleaner. If you've already played, there's no new content to go back for, but if you were waiting for a slightly more polished version, now's your moment.
Like many of you, I woke up to the AI slop It Lives Within "TV show" on the Choices app. Having spent thousands (no joke) of loving hours on the fan-made It Lives Within, I admit it felt like a bit of a kick to the gut, especially since I'd stayed up until 2 AM the night before, meticulously working on improving the programming of textbox animations for the updated version of the game.
But at the end of the day, the people are what own stories. It doesn't matter what PB puts out, especially when it so blatantly disrespects a series we all hold close to our hearts. We can choose what to support, what to value, and what to be our true version of these stories.
As such, I wanted to provide an update for "It Lives Within: The Obsidian Cut." We are working extremely hard to finish rewrites, and I apologize it's taking so long - but real work takes time. We take so long because we don't use AI to do our work for us. Our testers have found hundreds of bugs, which have been corrected. I'm currently working on some rewrites for chapters 21-22, and once that's finished, I'm going to play from start to finish with different MCs to include more complete personality variants for your MC.
While our game was highly beloved (which I am still so wholly grateful for three years after the final episode aired), I know some of you tried the original version and decided it wasn't for you. Others maybe never heard of it. But, with the news of AI It Lives Within dropping today, I just wanted to invite everyone to give our fan version a chance. If you tried it before and gave up, or haven't played it yet, I recommend waiting until Obsidian airs to experience that version for the first time. And if you did play the original, stick around! You'll love Obsidian when it airs. All of our testers are highly enjoying it and say that it improves on the story with every change, while still be the story they knew and love.
AI It Lives Within is frustrating and offensive, but ultimately, we never needed their blessing, and neither do you. Our story started small, with a team that never made any money. Everything was done out of passion and love for this series and these characters, and we were and still are, devoted to creating truly player-drive stories where your choices matter. A LOT. That passion is something that can never be generated in any machine. Stories from the heart speak to the heart, "canon" or not, and what really matters is how theses stories impact and inspire us.
or, the adventures of bard!reader as she gets swept along the travels of a hedge knight and his bald squire.
ــــــــﮩ٨ـ fics that move the plot forward will be marked with ــــــــﮩ٨ـ♬ otherwise everything may be read as a one shot.
ــــــــﮩ٨ـ fem!reader with no physical descriptions (other than she'll be smaller than Dunk), 2nd person pov, no use of y/n, but you will occassionally be called 'bard', some fics will be smutty please mind the tags, set after the first season of the show/novella, loosely canon compliant
masterlist
i danced for my dinner... ــــــــﮩ٨ـ♬ A hedge knight offers you shelter from the storm. With no coin on your person, you promise to pay him back another way. He agrees, but the two of you have very different ideas of settlement. (3k words)
a/n: omg first time writing for this fandom soooo nervy. AKOTSK brain worm dug so deep in my head I'm on the third novella rn lol. If anyone is interested in being tagged, let me know in the comments 💛.
i danced for my dinner, spread kisses like honey - ser duncan the tall x bard!reader
ـــــﮩ٨ـ A hedge knight offers you shelter from the storm. With no coin on your person, you promise to pay him back another way. He agrees, but the two of you have very different ideas of settlement.
contents: Fluffy meet cute! 3k words, fem!reader, no use of y/n, set around two months after the Ashford tourney, reader is alluded to have sold her body for food/shelter previously, Dunk is oblivious, he's just a Good Guy with Good Intentions, miscommunication ensues but is resolved. No physical descriptions for reader, picture is just for vibes.
a/n: First time ever writing for this universe, pls be nice <3 comments and reblogs are much appreciated, I am so ridiculously nervous about posting this. Inspired by how much I love this scene from the show mixed with this scene from Moulin Rouge.
more of them here!
Dunk's lost count of how many ballads you've sung.
You'd already been playing when he first arrived with Egg. Drenched from the rain and tired, he'd momentarily forgotten what he'd gone into the tavern for, because you'd caught his attention.
There, by the bar, perched halfway atop a stool with your skirt billowing out around you. Your voice rings clear against the raindrops violently crashing upon the inn's roof and windows, and cuts through the bawdy conversations of the crowded tavern. He's never been too good with songs and ballads, and so the words are next to meaningless to him.
It's your voice that holds him captive. Full of soul and clarity, perfectly accompanied by the notes from your lute.
Dunk had stared, unblinking, until Egg poked his side and pointed at a serving girl who'd come to ask what they wanted.
Nearly an hour has passed since. The stew he'd ordered for supper is long since gone, but he's been nursing his second pint of ale as an excuse to stay a while longer and hear you sing.
Normally, Egg's insolence would spike, and he'd insist on heading up to rest. But the boy seems just as taken with you as he is. Egg's fond of the songs, Dunk has learned, has several memorized, some Dunk couldn't even name. And so his squire doesn't complain, and is instead watching dreamily, elbows propped on the wooden table, his chin resting on the palm of his hand.
A lute rests upon your knee, echoing sweet notes coaxed by your deft fingers. Dunk can't recall if you've ever completely stopped playing, for every time a song ends, and you address the crowd, those fingers jump between the strings, lithe and expert.
He finds himself in awe and a little envious. Such dexterity has never come with ease to him. For most of his life, he lumbers gracelessly. It's served him well enough, but watching your skill has his mind escaping to places he'd never thought of before. He wonders how those fingers would fit against his own hands. He wonders if they are calloused from playing, thinks of how they'd feel running slow down his chest. He wonders if they ever tire.
They must, for you've stopped. Both singing and plucking come to a halt as you say your good nights and thank yous. The crowd applauds, his and Egg's among the loudest. You bow, skirts sweeping over the wooden floor, before hopping off the makeshift platform. Dunk's eyes follow you, neck craning up when you disappear behind the counter, exchanging words with the older barkeep. You're ushered into the back, where he assumes the kitchen is located, before he finally loses sight of you.
"Well, ser," Egg's voice breaks through his thoughts. The kid is smiling, like he knows something Dunk doesn't which, in many such cases, does happen to be true. "I suppose it's time to rest now."
"Aye." he stands, slow and careful as he's learned to do when he's in spaces like this, where it feels second nature to shrink and fold into himself.
The gods gave you tallness, so be tall, Lyonel Baratheon had told him.
The words are seared in Dunk's mind, of course, and he does try. By the seven, he tries very hard to stand proud, but tallness is one thing. The width and breadth of him is another. It's a thing of marvel, a quality that gives him obvious advantage, but his mind returns to you and your lithe fingers. The speed at which they move. He feels sluggish in comparison, sidestepping around the tables after his squire.
He can't help but cast glances back to where you'd disappeared, wondering if you'll reemerge. Perhaps you've retreated. Gone some place to rest, gods know you deserve it after such a performance.
Dunk doesn't even realize that he's stopped at the edge of the crowd until Egg tugs at his sleeve, looking confused.
"Ser?"
"You go on up," Dunk tells the boy. Their room is already paid for, and the pair has been through enough to trust each other to stay put.
Egg gets that gleaming smile again, and Dunk has half a mind to give him a soft smack, but the young prince keeps his mouth shut.
"As you say, ser." there's a lilting tone to his squire's voice, which he pointedly ignores. His body, however, reacts as it always does, flushing with warmth. He hopes his ears aren't pink.
Dunk keeps his gaze on Egg's small figure as he retreats up the staircase, noting the slight patch of hair already beginning to grown at the crown of his head. Silver fuzz, nearly translucent in this light, but they mustn't take any chances. He makes a note to shave it in the morning before they leave the inn.
When Egg's out of sight, Dunk sweeps his gaze across the tavern while he waits for your return. Only a few minutes, he tells himself, he'll linger for a few minutes and if you don't emerge, he's following Egg and calling it a night. A copper coin rests in his hand, growing sweatier by the moment, and even sweatier still when you finally reappear, stomping from the kitchens.
Anger sharpens your features, but does nothing to dull your beauty. He blinks, transfixed, openly staring at your incoming form. You are a study of contrasts and color, your clothing bearing no symbols to hint at a true allegiance to any house. Just like him. A traveler, an outcast, bound only to the road and where it shall take you.
The lute is now slung across your back, bound by an artfully crafted leather strap and colorful ribbons. Dunk cannot help but notice the tension of your shoulders, your narrowed eyes. He swears he's swallowed his tongue when those eyes fix upon him, cutting as a knife.
"If you don't mind, ser, you're in the way." The anger that contorts your features also laces your words.
Dunk winces and immediately clears the way. "S-sorry. I only wanted to give you this. For your songs."
The coin arcs in the air when he tosses it, and he watches one dexterous hand lift up in response, catching it perfectly. One look at it softens the stern line of your lips, but does not ease the stiff set of your shoulders.
"Thank you." you nod, pocketing the coin, and walking forward.
Dunk frowns. "Are you—it's raining outside."
"I'm aware."
He follows, clumsily avoiding tables and patrons. "Do you plan on catching your death, then? Why are you leaving?"
You spin to face him, fury written all over your face. "I don't have the coin to stay here. I'd bargained with the inn keep, at least I thought I did, that he'd give me a room if I entertained for the night. But now he's backed out of the deal, so—"
"Well, that's not fair."
Your laugh is cold and acerbic. "Indeed, ser. But what can I do? The bastard's throwing me out."
"I have the coin. I'll pay for your room."
"No, I do not want him earning more money on my behalf."
Dunk doesn't quite understand your logic, but he shares your frustration. It's not right to exploit your talents, and then leave you hanging. "Perhaps if I talk to the—"
"Please, ser, you don't need to do anything on my behalf."
"But I can't just let you go out during a storm! Where would you go? Do you even have a horse?"
"It is none of your business!"
"Please," Dunk lowers his voice, stepping closer as he pleads with you, "The inn keep's done you wrong, but allow me to fix it."
"Well, I already told you, I've no coin to repay you."
"You don't have to repay—"
"I don't want your charity."
Dunk huffs, trying to tamp his frustration. He understands your hesitation, your reluctance to trust him especially after someone else had already broken your trust. But before he can respond, a sharp voice rings out.
"Oi! What are you still doing here? I told you to leave, didn't I?"
The source is the inn keep, a rough, older man with a frown that doubles as an I do not tolerate nonsense warning. It takes Dunk an embarrassing few moments to realize the man is addressing you, not him.
"Is she botherin' you, ser?" the inn keep says, tipping his head up to meet Dunk's gaze.
Dunk blinks, his tongue stumbling over a clumsy lie and praying it's believable before he can overthink. "No, not at all. In fact, we've come to an arrangement, she and I."
He feels the inn keep's appraising glance like a razor's edge. Dunk stands to his full height, and gently rests a hand over the hilt of his sword. It's subtle, but the inn keep's gaze follows the movement all the same.
The rough man grunts when he registers the subtle warning.
"That so?"
"Yes. She's coming up with me." Dunk's not entirely sure where that came from, and the inn keeper's brows furrow in suspicion.
You step in, melting into a simpering, saccharine creature pressed to his side. He feels your hand slip into the crook of his elbow. "Yes, this kind knight has asked for my company for the evening. You wouldn't deprive a strong, hardworking man of a pretty girl, would you?"
The inn keep grumbles, something about indecency and brothels, but ultimately decides that picking a fight against a knight, even a lowly hedge knight, wouldn't be worth it. He backs away with a shake of his head, disappearing back into the kitchen.
Dunk clears his throat. He turns to you, earnest and hopeful. "Erm… That offer was genuine, if you'd take it. You can share my room for the night."
"Why?" your hand doesn't drop from his arm, still playing the part of being paired with him.
"Because it's wrong, what he did," Dunk replies, "And it would be wrong if I let you go out on your own in the middle of a storm like this."
"I do not like being indebted to someone, least of all a stranger."
"Well, I am Ser Duncan the Tall. If you tell me your name, then we would not be strangers. Does that ease your worries, my lady?"
"No," you reply with a snort, "And I do not think knowing one's name means you are no longer a stranger to me."
He shrugs, subtly walking to the staircase and leading you along. "I'd still like to learn yours."
Despite your obvious distrust, you give it. Dunk repeats it slowly, committing it to memory. It's a pretty name. Slightly musical, fit for a bard. He says it again, and reiterates his offer. "Stay in my room. It's only for the night."
"If I do, I should still like to repay you, ser Duncan."
Dunk starts up the stairs, nodding. If this is what it'll take to convince you, then he will accept it.
"I know what you knights want," you continue, falling into step with him, "Men and knights, all the same."
He's heard some version of those words before. The image of Tanselle flashes in his mind, unbidden. Tanselle Too Tall. She had sung and performed about knights too, brave, foolish ones.
What could knights want from a bard?
Songs, Dunk thinks, his lips tugging into a small smile. Yes, he should like a song. He had resigned himself to having none; life as a hedge knight is unsung, after all. It's a lesson he's learned the hard way, but accepted nonetheless. But he's got a bard at his disposal, insisting on some form of payment for his generosity, and he can't help but imagine what sort of pretty tune she'll make for him.
"Aye," he nods when they reach the room, "I do want that."
You nod, smiling with confidence. "As I thought. I've never had any complaints about my abilities, ser. I'm sure you'll enjoy it."
Dunk returns your smile in earnest. Some excitement blooms in his chest. He's not a man of vanity by any means, but the idea of being immortalized through song feels like a dream. In many ways, it is. Only famous knights get the honor.
He can't believe his luck.
"If you're as good as your performance earlier, then I'm certain I will." Dunk says.
You bite your lip, and look away. He thinks it's some attempt at being bashful, which he finds ridiculous. You should be proud of your talents.
The room, located at the end of the hallway, is closed but not locked. Dunk opens the door and finds Egg already asleep on one of the cots, curled around their bag of supplies like he's been guarding them while waiting.
"That's my squire, Egg." he whispers to you.
You've stopped at the threshold, confusion and something close to disgust clouding your features.
Dunk looks back at you, lost. "Is something wrong? You may take the other bed, my lady, I'm in no hurry for tonight."
You glare up at him, suspicious. "Is the child supposed to be here?"
He glances at Egg, still confused. "Aye, I told you he's my squire."
"And in the morning, when I do as you want, is he meant to be in here then?"
"I think Egg should enjoy watching you, yes!" he replies, but it seems to be the wrong answer, for he watches your face twist with horror. You step back into the dim hallway, shaking your head.
Dunk strides forward, closing a hand gently around your wrist before you can get too far. "By the seven, what's the matter now?"
"You're sick in the head. Worse than those pale-haired Targaryens!" you hiss, twisting your arm in an attempt to get away. "Let me go, I'd rather leave than… than do that in front of a child!"
"What?" Confusion, Dunk has accepted from a young age, is simply going to be part of his life. Growing up, regardless of his companion, he's always been the slowest to understand things, the last to connect pieces together. Tonight, he could swear it's the most he's been confused in all his life. "But he's already watched you sing tonight! What difference will it be tomorrow?"
"What diff—what do you mean sing?"
"Isn't that what you'll do? Write a song for me, sing it, maybe write it down so we'll remember it." he says, trying to keep himself from panicking. "A song in return for shelter."
"Oh."
Dunk watches your eyes widen, watches your body go from braced with anger to a slow loosening of limbs. Stands there, stiff and stupid while you laugh, full bodied and loud, a laughter that makes your shoulders shake and your torso curl at the waist, so uncontrollable that it makes Egg stir on the cot.
"What now?" he can't keep the slight irritation from his voice, feeling foolish and lost. Every single moment with you has been a series of blunders, and he's beginning to become frustrated with himself. "Quiet down, or you'll wake the boy."
"Sorry," you muffle the words with a fist to your lips, tears now gathered at the edges of your lashes, "Sorry, I didn't realize you wanted a song."
Dunk glares, halfhearted and tired. "What else would a knight want from a bard?"
"What would a man want from a woman?" you retort, breathless from your fit of laughter.
He blinks. Goes warm, feels blood rush from his head to the tips of his toes, so fast he has to shake his head to reorient himself.
"You thought I wanted to bed you?"
"Don't sound so scandalized, ser, I'm sure I'm not the first woman to have proposed the same thing."
"I'm not that kind of man." he insists, rubbing a hand over his face, "Seven hells, I would have let you stay here for nothing! You're the one who insisted on payment."
For the first time tonight, he's the one who has you stunned. It doesn't come with any semblance of victory, not from the way you seem to deflate. Dunk softens immediately.
"I only wanted to give you someplace to rest." he says, hoping the quiet reassurance in his tone breaks through the seemingly impenetrable walls you've erected. He can't blame you for thinking the worst of people, only try and ease your worries by proving himself worthy.
"And you'll… you'll take a song as payment?"
"Aye," he nods, stepping aside the doorway to allow you space, should you wish to enter. "I'll take nothing as payment, but as you insist…"
He watches you step inside carefully, your boots making no noise. He closes the door behind you, making sure to latch a wooden nail through the hole to lock it. The room is standard fare—two cots, one already occupied by Egg, a small fireplace warming and gilding the outlines of the space.
"I won't harm you," Dunk adds, "I'll take the floor and—"
"I can't let you do that." you protest, gently setting your instrument up against the wall.
"It's all right," he says, pulling out some of their supplies from the bag resting beside Egg, "I've a blanket we use for traveling. Please, just… just rest. I've slept on worse surfaces, trust me."
And perhaps it's the adrenaline of your performance melting away, your anger ebbing into an exhaustion that settles deep in your limbs, but you finally nod. No more protests, no arguing, just acceptance.
Dunk keeps his back turned to you, busying himself by spreading the blanket and a pillow on the floor, to offer you some semblance of privacy.
When he lays down, you're already curled on the cot, staring right at him. He blinks, surprised, and offers you a crooked smile.
Something tightens in his chest when you return it.
"I've never met a knight like you before." the words sound sacred when they're whispered from your lips.
Dunk feels himself flushing again. "I hope that's a good thing."
"It is, ser Duncan the Tall. A very good thing."
taglist: @awanderingghost @mmkkzz @yourlittlehoe @qardasngan @targaryentic @yolosis @kittycatcatcat1234 @akiakospace @anonymous-sis @wellfiddlesticks @rai-uh @afterdarkkkl @whoswitchybabyanyway (Please let me know if you'd like to be removed!)
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★ american teenagers - a stranger things series ★ steve harrington x reader
0:00 ───|────── 0:00
↻ ◁ II ▷ ↺
♪ say what you want, and say it like you mean it- ♪
★ summary: following the plotline of stranger things - steve harrington has been your best friend since you moved to the quaint town of hawkins, indiana, from the bustling city of new york in third grade, a move prompted by a familial tragedy. in your junior year of high school, you get swept up in a world full of monsters, other worlds, and strange little girls with powers. when standing in the face of death, will you do the impossible and face your feelings?
★ paring: steve harrington x bestfriend!reader
★warnings: violence, gore, angst, slow burn (like, very slow), fluff, suggestive content (MDNI - 18+), swearing, light substance use, steve is clueless for like, pretty much the whole story
By Order of Blood (8.5k) - Tommy thought sending you away would keep you safe, until the carriage was intercepted.
In The Lion's Den (5.2k) - When your estranged father shows up, you quietly pretend the past can’t hurt you. But Tommy notices the bruises you tried to hide.
Series
Under The Blood Moon Series Masterlist (incomplete) - You move to Birmingham for a fresh start. But fate (and the Shelby’s) have other plans.
bucky calls you, his loyal assistant, in the middle of the night, asking for your help. he’s got four assassins with him and they need a place to hide. you’re too in love with him to say no. SPOILER WARNING!! plot spoilers for thunderbolts
note: disclaimer guys I totally made some stuff up to make the scenario make sense lol hope u can forgive me
thunderbolts!bucky x fem!reader, fluff, kissing, one bed trope kinda, 4k words
You wake to the shrill sound of your phone ringing. At first you think it’s your morning alarm, and wonder why it feels like you’ve only been asleep a few hours. It takes blinking yourself awake to realise it’s still dark out, the street outside your apartment dead quiet. Your phone continues to ring, piercing through the quiet of the night, the screen lit up and flooding the corner of your room in white. You groan. Who on earth is calling you in the middle of the night?
You sit up dizzily and grab for your phone. You stare blankly at the bright white screen, blinking hard until your eyes adjust and you can see the name that pops up.
Bucky Barnes.
You blink at your phone. Your boss? Well, he’s not really your boss, but you are his assistant, and you’re not really sure whether you’re friends or something else entirely, so he might as well be.
You hit the answer button.
“Bucky?” You’ve long passed the stage of calling him Congressman Barnes. Besides, any ounce of professionalism left between the two of you has probably now turned to dust, given the ungodly hour of his call.
“Hey.” He sounds tired, his voice strained. “Hey, I’m so sorry, doll, I know it’s late.”
No kidding. You ignore the fact that he’s called you doll, ‘cos if you think about it too long you’ll be here all night. ”What’s the matter?” You ask. “It’s one in the morning, Bucky.”
“I know, I’m sorry, but it’s urgent. I need your help.”
His words make you sit up straighter. Bucky’s been, for lack of better words, distracted lately. On edge, like he’s been waiting for something to happen. He’s been continuously disappearing at important events, and he keeps taking mysterious calls in hushed tones. You hope this has got nothing to do with the call he got from Valentina’s assistant (Mel, you think her name is) last night. He only told you about it because he’d wanted you to cover for him today while he “took care of something,” in his own, ominous words. He’s been MIA all day and you haven’t heard from him until now.
Somehow, you think this has got everything to do with the call from Mel.
“Are you okay?” You ask on instinct.
“I’m okay, yeah, I’m fine,” he says, brushing you off. “We, uh.. we just need somewhere to hole up for the night.”
Your brain ticks. “Hold on, we?”
You can almost hear him wince on the other end of the line. As if on cue, you pick up some muffled voices in the background. A man’s rough voice followed by a woman’s smoother one — and is that a Russian accent? What has he gotten himself into?
“There's, uh, five of us,” Bucky says, like that makes it any better.
There’s a long beat of silence. You sit in the dark, still half foggy with sleep, waiting for your brain to catch up with what he’s telling you. He … wants to bring strangers to your place? To what, hide? From who? You’re dumbfounded.
“I— what?” Is all you can manage.
There’s another short silence, and then Bucky must realise how ridiculous he sounds, because he starts to backtrack. “I’m sorry,” he says suddenly. “I shouldn’t have called, I’ll just—“
“No, wait,” you interrupt before you can stop yourself. For reasons unbeknownst to you, you find yourself wanting to help. You trust him, and know he’d never do anything to hurt you. Whoever these people are who’re with him must really need your help. And who else can he call, anyway? “It’s alright, I can help. Come over, okay? How far away are you?”
Twenty minutes, as it turns out. You spend the time making your apartment and yourself look somewhat presentable, less for your visitors’ sake than your own, and because it’s Bucky.
Bucky, who’s been to your apartment three times now. Once when he got you flowers for your birthday. Another time when you’d mixed up your laptops, and accidentally come home from the office with his instead of yours in your work bag. (He’d come round to pick it up and you’d cleaned the whole place, even though he only stood in the doorway for five minutes.) And the most recent time, when you’d gotten too drunk at the bar after work, and Bucky had walked you home, deposited you in your bed, and locked the door behind him. You don’t remember most of it, but you do remember feeling so so in love with him it made you feel sick. Or maybe that was the whiskey. You doubt it.
You’re tossing the trash from your takeout dinner in the bin, and trying not to think about how you felt that night, when there’s a knock on the door. Your phone dings on the counter, a text from Bucky.
It’s me.
You laugh to yourself. He can be so accidentally ominous sometimes. You cross the living room to the door and open it.
Five people stand behind it, all in varying states of disarray. Bucky’s at the front, probably the least beat up looking, though his jacket seems to be torn in some places. Two women (girls? They don’t look very much older than you), one with a blunt blonde bob, and one brunette with pretty eyes, both looking a bit worse for wear. One very tall, older man in a red getup that makes him look like Santa Claus - it’s absurd, but somehow you feel even more absurd in your plaid pajama pants. And bringing up the rear is… John Walker?
“Um, hi?” You say to the group at large. When Bucky said we, you didn’t expect John Walker, of all people, to show up. You try not to stare. “What can I do for you?”
The blonde girl opens her mouth, looking amused, but Bucky beats her to it. “Funny,” he says bluntly. Then, softer, “Can we come in?”
You share a look. Bucky has a very intense default gaze, but it seems to soften whenever he looks at you. And right now, he’s looking at you like I’m tired, I need help, just let us in please and I’ll explain.
You step back with little objection. Something about the way he seems to say trust me with just one look — it gets you every time. If he was a serial killer, you’d surely be dead by now.
“Alright,” you say. “Wipe your shoes, please.”
Everyone files into your living room. It’s not a huge space but it’s enough. Walker closes the door behind them. No one sits down.
“Who is this, again?” The brunette girl asks Bucky, breaking the silence. You assume she means you.
“We work together. She’s my assistant,” Bucky explains, throwing you an apologetic, somewhat strained, look. “Y/N.”
“Hello,” you say awkwardly.
They all just stare at you. You know what they’re thinking. Why on earth would Bucky, former winter soldier, avenger, and now congressman, bring them to his assistant’s place in the middle of the night as if it was a safe house? You’re asking yourself the exact same thing.
“Y/N, this is Ava, Yelena, Alexei, and John.” Bucky names them off, pointing them out to you as he does. “They— I mean, we just need a place to stay until morning.”
“Remind me again why we couldn’t just go to yours?” Walker pipes up, addressing Bucky. You hate to agree, but you were just about to ask the same question.
“Valentina’s watching my place,” Bucky explains. “She knows by now that I’ve got you guys with me, she’ll have her people on us in no time if we go to mine.”
This only confuses you further. Valentina is … watching his house? This is not what you signed up for when you applied for a job as an assistant — it seems both you and Bucky are in over your heads. Though maybe you should’ve expected it, Bucky being a former Avenger and all.
The others seem to understand Bucky’s explanation far better than you do, and they all look to you expectantly.
You look at the group of strangers, then at Bucky, then back at the strangers. They’re all standing there rather awkwardly. At their best, they’d probably be the toughest looking group you’ve ever seen, but right now they look dead beat, covered in bruises, dark bags under their eyes, and you suddenly feel very sorry for them.
“I— yeah, okay,” you say. They’re already in your living room, already know where you live, what’s it matter now? “You can stay for the night. Make yourselves at home, guys. There’s water in the fridge and the bathroom is down the hall to the left.”
The brunette — Ava, Bucky called her — gives you a tight smile. “Thanks,” she says, and collapses on your sofa.
The others follow suit, though Walker stays standing with his arms crossed.
Pleasantries over, you grab Bucky’s arm and tug him down the hallway. He follows willingly, though you don’t give him much choice. You end up in your bedroom, where you corner him.
“Bucky, what’s going on?” You whisper harshly. “Who are those people? Why would Valentina be watching your place? And why is John Walker here?”
You’re so busy bombarding him with questions that you don’t notice the way he’s holding his arm, not until you’ve finished speaking. Your eyes drop to his forearm. The fabric of his jacket has been slashed open, and there’s blood all over the sleeve.
“Oh,” you say stupidly, then even more so, “Bucky, you’re bleeding.”
Bucky grimaces. “I know, doll.”
You grab his arm, forgoing politeness, and hold it up to your face.
“It’s looks bad,” you say, forgetting you’re not supposed to care about him as much as you do.
You look up and find your face inches from his, his arm clutched between you. You suddenly feel very hot.
“Let’s, um,” you flounder for a few seconds, flustered not only by everything that’s happened in the last half hour but also his closeness, and the look on his face. “I have a first aid kit in the bathroom, I think. Come on.”
You guide him out of your room and across the hallway into the bathroom. You forget to ask why he’s bought a hoard of what look like trained assassins into your home, and force him to sit on the lip of the bathtub, pushing him down by the shoulders. He scrapes hair out of his face with his metal arm and looks up at you where you’re rummaging through the cupboard above the sink.
“Y/N, I’m—“
“Don’t say you’re fine,” you interrupt. He shuts his mouth and you go on, “Are any of your friends hurt?”
Bucky pulls a face. “They’re not really my friends,” he says. “And no, none of them are hurt, they’re just tired.”
You nod, accepting his answer for the meanwhile, even though it only opens up about a million more questions. A moment later you finally find what you’re looking for, a red and white first aid kit tucked away at the back of the cupboard, collecting dust.
You move to stand in front of Bucky, opening up the kit and setting it on the toilet lid.
“Show me?” You stick your hand out for his wounded arm and he gives it to you with no objection.
You hold his wrist and carefully push his sleeve up over the wound, revealing a harsh cut across the length of his forearm. On closer inspection, it’s not horribly deep, the blood only makes it look that way.
Still, you frown. “How did you manage this?” You ask him.
Bucky looks for a second like he’s reliving whatever happened to cause such an injury. He searches for the words, then, “I sort of flipped a truck?” he says. “Long story.”
Flipped a truck? Whose truck? You raise your eyebrows at him but ultimately decide it's fruitless to keep asking questions, at least until he decides to explain what’s going on.
“Right… I’m gonna clean it, okay?” You drop his arm to pull out a bottle of rubbing alcohol from the first aid kit, unscrewing the lid and dabbing the liquid onto a cotton pad. “It might hurt.”
Bucky looks like he’s trying not to roll his eyes. “I’m tough, doll.”
You clean his wound as best you can. You only sort of know what you’re doing, a half remembered first aid course you took in college sitting at the back of your mind, but Bucky doesn’t protest. Actually, he doesn’t make a sound at all, just watches you with those dark eyes. It makes you nervous, like he’s looking right through you and reading all your inner thoughts. The worst part is, he’s always looking at you like this, like he can read your mind, to the point where you’re pretty sure he knows all your secrets. Like how you’re desperately in love with him and have no idea what to do about it.
You continue your work, quiet. The silence is heavy, a sort of unspoken feeling floating between the two of you like a white hot star. You want to reach out and grab it, see if Bucky will follow, but you keep your mouth shut.
You’re unraveling a roll of bandage to wrap his arm when you finally speak. “So, are you gonna tell me why you brought a bunch of assassins into my home In the dead of the night?” You laugh at your own joke, but the look on Bucky’s face stops you short. “They’re… they’re not assassins, are they?”
Bucky purses his lips. “Well, you’re not very far off…”
He launches into an explanation, finally. First, of what Valentina’s really been up to. Project Sentry — putting a gold ribbon and a promise of a better life on a special super serum, and testing it on the most vulnerable subjects she could find. Then, how she rushed to eliminate all proof of the project, including the four people in your living room (who turn out to actually be trained assassins, though Bucky promises none of them will hurt you), and Bob, one of the test subjects.
Then he tells you about how he tracked Mel’s phone to a site in the middle of nowhere, where he found Yelena, Ava, John and Alexei in a “predicament,” and “saved their asses,” as he puts it. He spares you the details, but it's how he sliced his arm open, and why they’re now retreating to yours to regain their strength before going after Bob. Bob, who’s vulnerable but much stronger than he probably knows, and who Valentina now has in her clutches.
By the time he’s done explaining, you’ve realised how much bigger this is than just you and Bucky. For days this has all been happening without your knowledge and Bucky has been dealing with it all. You’re not annoyed, you get why he didn’t tell you. Still, you wish he’d asked for your help earlier.
“So, you’re going after Bob?” You ask, carefully tucking in the end of the bandage. You spent half of his explanation just staring at him, hardly believing what he was saying, and the other half wrapping his arm, trying to believe what he was saying, no matter how ludicrous it sounded.
Bucky nods. “I guess so. He could be dangerous in Valentina’s hands, you know?”
You nod back. “Yeah, I get it. Won’t it be dangerous, though? Going after him?
You say it before you’ve thought about it. You realise right after that it makes you sound like you care far too much about the man sitting in front of you, who’s really just the guy you file documents for. You don’t owe him anything.
Bucky smiles. “Don’t worry, doll. We’ve got four assassins on our side, five if you count me.”
You frown. “You’re not an assassin.”
You don’t care what he’s done in the past, you can’t see him as anything else but lovely. He’s brave, kind, and so thoughtful it aches.
Still, Bucky shrugs. “Used to be.”
You pack up the first aid kit and put it away. Bucky watches you, his gaze like a burning fire on the back of your head. When you’re done cleaning up, he stands up and crosses the room, meeting you by the sink.
“Thank you,” he says, earnest though his voice is rough from exhaustion. “You make a good nurse.”
For some odd reason, butterflies erupt in your gut at his words. You look up at him. He’s very close now, only a step or two away from being chest to chest. You manage a grin.
“That’s me,” you say, faux casual. “Best nurse and assistant you’ve ever had, huh?”
You might be imagining it, but you’re pretty sure Bucky’s eyes flicker to your lips. He’s distracted as he murmurs, “Uh huh.”
A beat of silence, and then Bucky takes a step closer. Your chest burns. He raises his vibranium arm, and you watch as his silver fingers close around your forearm. You can’t feel it through your sweater, but you can imagine how smooth the metal would feel on your skin.
“Bucky,” you whisper.
“Mm,” he hums back. He’s definitely looking at your lips now, and moving closer by the second. “What, doll?”
You blink rapidly. He’s so close now you can smell him, sweat and dust but underneath that something heady, a bergamot cologne you’ve smelled on him before.
“I— what are you doing?” You whisper, starting to panic.
Bucky looks at you, this intense look of yearning in his eyes, like he’s being pulled towards you and can’t stop, and you almost melt into the bathroom tiles.
“I want to kiss you,” he murmurs, so quiet it’d be impossible to hear him if he weren’t this close. “Can I?”
You sort of guessed as much, but to hear the words coming from his mouth is something else entirely. You find yourself nodding. You don't know why. Well, actually, you know exactly why. You like him a lot, and you’ve imagined this moment a million times over in your head, though in your imaginations he certainly wasn’t bleeding out in your tiny bathroom.
“Okay,” you manage, heartbeat turning frantic.
You see a flash of his smile before he’s pulling you gently forwards by the wrist and then kissing you. It’s chaste, gentle, but you can almost feel him holding back, his grip on your wrist tightening as he moves closer still, almost like he can’t help himself. The pressure of his kissing pushes you backwards a half inch — your back hits the edge of the sink and you don't care, you really don’t, because Bucky is kissing you and his thumb is rubbing a rough circle into your inner forearm, and his lips are so warm they leave yours buzzing.
Too soon, Bucky pulls away.
You blink at him. He’s still agonisingly close to your face, and still looking at you like he wants to eat you. Your heart’s a riot, worse when he reaches up with his freshly bandaged arm and tucks a rogue piece of hair behind your ear.
His hand lingers at your jaw.
“Sorry,” he murmurs. His hand is warm. His fingers are calloused and rough, but he touches you like you’re made of starlight. “Is it okay that I did that?”
You nod. “Yes,” you manage. Even to your own ears, you sound breathless as anything, but you’re so dizzy that there’s no space to be embarrassed about it. “I— yeah.”
Bucky smiles, but it’s not smug. If anything, it’s achingly fond. “I’m sorry I called. I shouldn’t have roped you into this. I just … didn’t have anyone else I could call.”
You shake your head. You won’t say it, but right now you’re infinitely glad he called. Even in the dead of the night. “It’s okay.”
Bucky strokes your jaw with his thumb, slow and intentional. “No one will hurt you while I’m here, okay? And we’ll be out of here before you even wake up, I promise.”
You nod around his hand. It’s hard to digest anything he’s saying while he’s touching you like this, and looking at you like that. You think you get the gist, though.
“Okay,” you say. You desperately want to kiss him again, but you’re much too shy to ask. Before you can work up the guts, he’s moving away.
“I think you should get back to bed,” he tugs his phone from his jacket pocket and checks the time. “It’s past two.”
“Right,” you nod, not wanting to, but you’re too dizzy and too tired to protest.
You and Bucky leave the bathroom together. You follow him still half in a daze, not understanding how he can be so nonchalant when you literally feel lightheaded as a direct result of the kiss. You suppose he’s just better at hiding it, or maybe you’re just very sick in love.
You and Bucky step into the living room to find probably the most absurd scene to ever grace your living space. Yelena and Ava, both knocked out on the couch, Ava’s head on Yelena’s shoulder, drool falling from the blonde’s open mouth. Alexei sprawled out on the floor in front of the TV, snoring like a bear. And Walker sitting at your kitchen table, bent in half with his forehead resting on his crossed arms, fast asleep.
Both you and Bucky seem to realise at the exact same time that there’s nowhere other than a much too small chunk of floor for him to sleep. You turn to each other.
“Do you want to—?” You start.
“I can sleep in the—“ he says at the same time.
You both pause.
“Sleep in the what?” You ask him, incredulous.
Bucky grimaces. “The car?” He at least has the decency to look guilty as he says it.
You roll your eyes. “You’re absurd. Come on, you can sleep in my room.”
It’s ridiculous, you know, but the words leave your mouth before you think about it. The truth is, you’re both dead tired and you’ve got no other option. Besides, you don't see how this night could get any more ludicrous. What’s it matter if Bucky sleeps in your room? He’s just kissed you, hasn’t he?
You start to pull him towards your bedroom, but he stays put.
“Y/N—“
“You said you wouldn’t let any of them hurt me,” you say firmly. “How’re you gonna do that from the car?”
Bucky opens his mouth, closes it, then opens it again.
“I… don't know,” he mumbles lamely. Then, at your I told you so look, “Are you sure?”
You resist the urge to roll your eyes. He’s too gentlemanly for his own good. “Yes, I’m sure. Come on.”
You pull him towards your bedroom, much too tired now to be flustered about it. In the dark of your room, Bucky insists on sleeping on the floor. You let him, because he’s stubborn, and because you think if he were to sleep in your bed, no matter the distance you know he’d put between you, you’d be much too consumed with nervous energy to even shut your eyes, let alone sleep.
It’s half past two when you finally crawl back into bed, Bucky lying on a stack of pillows on the floor at the foot of your bed. Though you can't see him, you feel his presence like a weight over your chest.
You settle down on your pillows, already feeling the tug of sleep behind your eyes. Before you can fully succumb, Bucky speaks up.
“Y/N?” He sounds just as tired as you, but you can't ignore the way he says your name like it's something special.
“Yeah?” You hum back.
“Thank you,” he says earnestly. You suppose he’s thanking you for everything from housing a bunch of strangers, to letting him kiss you. “I’ll make it up to you, I promise.”
A pause in which you think about how to respond. Then,
“With a pay raise?” You joke weakly.
Bucky sighs loudly, but the smile in his voice is evident when he murmurs back, “Whatever you want, doll.”
You grin to yourself. Now that’s something you can fall asleep to.
-
thank you for reading! please consider reblogging if you enjoyed 🤍
The realms are fractured. A kingdom burns. In this dark fantasy interactive tale, you flee with an exiled prince through a land of treachery
From a dream to a Steam page... the Crown of Exile demo is now out on Steam!
I'm so happy, I could cry 🥰🥹
After three years (and counting) of pouring all my effort, time and dedication into this world of treachery, exile and difficult family dynamics, the Crown of Exile Steam demo is now live for you to download and play!
This version is the first polished demo that includes a few new scenes, added flavour text and the game's official character art. It is shorter than the original, alpha demo posted on itch (and will remain for OG players), but it offers a glimpse of how the full game will be.
Seeing the demo live on Steam is a surreal feeling, and if you've ever liked, reblogged posts or sent me fan art, this win belongs to you, too 💖
If you have a moment to spare this weekend:
Please wishlist the full game on Steam! It helps the game stand out against the many other entries during the Steam Next Fest starting on Monday ✨
Reblog and like this post to help spread the word to other fans of interactive fiction games who haven't yet tried out Crown of Exile 💕
Play the new demo 🎮
Thank you for this incredibly rewarding journey and know that I am so grateful to you all!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
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The thing that I love the most about tiss and sha'arnez is that when they're together sha'arnez is always either teasing her, holding her hands or kissing her forehead, his love is so sweet and then we see tiss's inner monologue and this girl is just THIRSTING over him (so real for that btw), "his lips so tempting, she could bite the lower one" "his neck, the scent of his skin", atp, the plot is the only thing holding her back. I never really understood her obsession with his back, but then a few days back I saw a guy with the SEXIEST back muscles, and since then I've been like "us girl us" whenever she talks about how sexy he looks from behind. But yes, that's what I like about their dynamic, the fact that tiss is ready to jump his bones and sha looks like he wants to follow the traditional courtship method. Love seeing a woman being hornier than her man 😌.
Also, this is why I loved tiss and tai's kiss in the forest so much, cuz there's a dialogue "she brushed aside his collar and kissed him further down the neck" and this is almost always written as something that a guy does "he went lower and lower" "he kissed her neck and went further down", it's a very very VERY small thing but it matters to me because THIS is what a woman expressing her sexuality means to ME, like yes, she knows what she wants and she goes after it. She does not wait for the man to initiate intimacy, she does not tease him, if she wants a kiss, she'll grab his collar and kiss. Btw, teasing and wanting the man to initiate is also fine, but the other way round is not shown as often so that's why I like it a little more.