Dig a hole, fill it up.

James Casebere

Internet Archive

Church and House, Virginia City, Nevada, Photo by Wright Morris, 1941

Edward Burtynsky

leopard orchid

Courtesy: Klemens (Asian Art Forum)

Dome of San Bernardo alle Terme, Rome Architas

Lehnert & Landrock - Cairo - Evening on the Nile, c.1920s

Leaded glass, patinated bronze. Shade impressed TIFFANY STUDIOS NEW YORK 1524-4. Base impressed TIFFANY STUDIOS NEW YORK 374. Circa 1910.

Italian sculptor Massimiliano Pelletti’s latest work explores the nature of African sculpture in relation to European Classicism. By creating symbiotic sculptures where African and Hellenistic forms coexist, the artist reveals formalistic and ritualistic parallels between the cultures. The series is part of his solo exhibition “Looking Forward to the Past” at Museo delle Arti Catanzaro (MARCA) @museomarca. Featured: Massimiliano Pelletti, African Hermes, 2019. Carrara white marble and African black fossil marble. Courtesy of the artist @massimiliano_pelletti and Galleria Barbara Paci @barbarapaciartgallery. Photo @nicola.gnesi_studio . . . . . #sculpture #sculptor #marbledesign #marblesculpture #marmo #pietrasanta #africanart #africanmask #contemporarysculpture #コンテンポラリーアート #kunst #konst #イラスト #artecontemporanea #art #contemporaryart #madeinitaly #museomarca #massimilianopelletti #marble #yatzer_inspiration (at Marca - Museo delle Arti di Catanzaro) https://www.instagram.com/p/B-8qvTkKa2y/?igshid=jwq0mynac5ik

I see green, icy blue - Giorgos Galanopoulos

Chris Foss would sometimes paint over his previous work. Here, he turns a western illustration into a sci-fi one.

Brett Weston

Parallel Trapeze, Photo by Marcus Leatherdale, 1988