Is it bad or is it just different from the first version you saw

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Is it bad or is it just different from the first version you saw

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For what it's worth my biggest problem with the Chess revival is the same as my biggest problem with the 2008 concert before it, and that's that it's going to become a default and an in-road, if not script-wise, very likely musically. It's been impossible for the last fifteen years to talk about Chess casually without treating the RAH album/pro shot as a baseline, and with the revival album now out it's very likely that Tveit and Christopher will become the new Pascal and Groban in terms of their performances being the early ones people here.
Example: ever since the release of the RAH album, there's about even odds that any given actor playing Freddie will sing the same riffs that Adam Pascal sang at the end of "Pity the Child". It's not going to be long before people start singing Aaron Tveit's riffs instead, or taking the same options up he does. And I think both performances, while technically very well sung, misunderstand the overall story and style of the piece. The revival in particular is very clean and modern in a way the show as a whole isn't, really. (It's also a glorified concert staging, but that's another matter...)
I guess my point is, love it or hate it, the revival will continue to influence the show from this point forward, and it's important that we know exactly how the revival is influencing it, beyond just taking it as read.
There's this phenomenon that I feel like has only been happening in the last few years where people take a note in a song that isn't really meant to be a big showoff note and make it into one, and it rarely helps the character but it becomes so iconic that if you don't do it you're immediately compared negatively. It happened with Nicole Scherzinger in "As If We Never Said Goodbye", it's currently happening with Nicholas Christopher's final "Never!" in "Endgame" (worse because Anatoly is supposed to join back in with Florence and Svetlana on "Nothing you have said..."), and perhaps the worst offender is in Rachel Zegler's "Rainbow High" where the word is the completely non-operative "their". And I get that all of these people have very impressive vocal abilities, but it becomes more about showing off for an audience and in fact taking them out of the story so they can appreciate the actor, rather than informing the character.
The first preview for Carrie the musical and the opening night of Chess on Broadway were the same day of April 28, 1988.
I can only imagine the psychic damage poor Anders Eljas—who orchestrated both, who has never orchestrated a Broadway show since, probably from the Trauma—endured that day.
Happy anniversary, Anders. If you don't get the Tony for Chess I'll riot.
may God bless the dinosaurs that died and decomposed into oil that then was refined into the plastic that was turned into the keys of Benny Andersson's Yamaha GX-1

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What are your favourite Chess versions? I like a lot of the song lineup in In Concert but I’m not attached to the vocal performances and would love some recommendations
Ooh, let me break this down:
First off, my favorites:
The 1984 concept album is hands down the single best album of the show, and the 2014 remaster is excellent and includes a few additional tracks that make a wonderful supplement.
The OBC gets a lot of flak but I like it, and if you'd like a better version, the 1990 Long Beach production does a lot to improve it with minimal changes. The OBC album itself is also fairly good and the cast is my favorite overall cast of any production.
My personal favorite is the 1990 Sydney production, which is a hybrid of the London and Broadway scripts but also really does its own thing with it. It sounds completely different to any other version of Chess but largely in a good way, and it's one of the only versions that makes a modicum of sense.
Now, to more directly respond to your question: alternatives to the RAH album. The most common recommendation (and a common favorite album among fans) is the 2002 Danish tour album with Stig Rossen and Emma Kershaw. It's not a perfect album, but it has generally better performances from the leads than the RAH album (at the expense of weaker supporting actors). It's also a tad more faithful to the original London score.
If you can, I also suggest listening to the soundboard recording of the original London production with Tommy Körberg and Elaine Paige. It's perhaps the most musically cohesive version of the show, although it does have script problems (but what version doesn't?) But it'll get all the songs you want.
As a final option slightly out of left field, watch the 1992 New Zealand video. It has Körberg and Murray Head reprising their London roles and it's a surprisingly enjoyable production for all that it does. A very good production to turn off your brain and absorb the Chess to.
Chess Revival Album Review
This was... decent? The rock songs are pretty universally great and some of the best recordings of those songs there are. The orchestral material is where it's weakest, and the arrangements range from great to confusing and bad, but that's also a problem of the show itself. The cast is solid all around and aside from the strange decision to cut all the dialogue and some of the weirder arrangement choices, it's pretty good. Go listen to it.
Also unfortunately Lea Michele is better than Idina Menzel here.
Honestly at this point I think saying someone does or doesn't understand Chess is impossible bc tbh what even is there to understand. We're all engaging with this show on music and vibes. The drafts make it clear that even Tim Rice didn't really understand the show. Those who claim to understand Chess simply invent Chess anew.
Like yeah Lea Michele is kind of just doing a knock off of Idina Menzel in 2008 but it's not like Menzel was a good Florence either
I pretend to be an expert on a lot of things but in this one case I feel the need to remind everyone that I:
Am a gay man
Am an actor
Write musicals
Study theatre theory
Have seen or listened to nearly every version of Chess
Have been the dramaturg on a production of Chess
Have spent years diving into Chess and writing revisions
Play hockey
Have had insane crushes on hockey players
Read the Game Changers series before it was adapted to TV
Have read all of Rachel Reid's other books
Have also read dozens of other hockey romance novels
Watched Heated Rivalry as it came out
And therefore I am likely the most qualified person in the world to remind everyone that Chess IS NOT Heated Rivalry. Got it?

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If I have been put on this Earth for any reason it is to stop people from saying "Chess isn't perfect but I think the 2008 concert is the best it's been!"
idk if anyone on Tumblr has played the video game 80 Days but it's kind of amazing and also Passepartout is canonically bisexual and can get straight and gay romance arcs and (spoilers follow) I'm just saying that if almost dying at the North Pole could lead to me becoming the devoted boyfriend of a burly Finnish meteorologist in Greenland, I might do it
Do you ever remember that Bobby Fischer did absolutely talk like that
I don't think we talk enough about how the narratives we hear about the things we consume influence what we think of them before we've even consumed them. An independent work being framed as an underdog fighting against traditional publishing methods can draw attention and pre-emptively color your experience even if it would ordinarily go unnoticed even if traditionally published. Same with "cult classics" being presented as having been unjustly maligned leading to ignorance of the issues that actually are present, or rejection of criticism due to it having independent origins.
Is it good or did you just imagine a good version of it in your head before you watched it

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Never underestimate the power of a cast album so good it convinces you the show itself is a masterpiece
A short defense of the Broadway version of Chess
Preface: when I refer to the Broadway version, or just "Broadway", I mean the script originally presented at the Imperial Theatre in 1988, not the upcoming revival.
The Broadway version of Chess gets a lot of undeserved hate. It's not good, but it's so frequently negatively compared to the (equally but differently flawed) original London script that I feel compelled to defend it from criticism. That defense follows, organized into criticisms.
1. "It doesn't make sense!"
The Broadway version is one of the only Chess scripts written from the ground up as a coherent story. The way each story beat influences the next and the character through-arcs are perhaps more clear than in any other version of the show.
2. "Americans couldn't handle a Soviet winning!"
The intent of Freddie winning the match is not to support American jingoism but to augment the tragedy. Anatoly loses everything for Florence yet it was ultimately all in vain.
3. "The characters were ruined!"
While the characters are different, if you can't allow characters in different versions of a show to be free from one another, you're missing the point and necessitating one show follow the rules of another, mostly different, show to be good.
Honorable mentions: Arguments that have truth but are overblown.
"It ruined the music!"
"It's so boring!"
"It's just depressing!"
And finally: "It's just not what Chess should be!"
The question of what Chess "should" be is ultimately completely personal and cannot be made definitive. Your opinion on the matter is valid but holds no argumentative weight to the merits of the Broadway script, and is furthermore likely informed by your own experience watching the London version first and being pre-empted on opinions on the Broadway version. Chess is an endlessly flowing thing and personal opinions on what it should or should not be ultimately serve only to perpetuate the veneration of one script over another without regard for their coherence.
A Postscript
There's a lot of straight up misinformation circling around about this version that seems to only exist to bolster the narrative that the Broadway version was irredeemably bad. For instance, there's no evidence "Someone Else's Story" was ever cut. It was written for this production and getting rid of it would be very weird, but we also have recordings that include it that we know are from closing night. It's just false.