everything i love i will devour

it's okay, ulysses ogre. you can back up and try dubliners, it's a short story collection with much more straightforward prose, you can dive deep on one piece at a time, and once you've toyed around with that then I'm sure you'll have an easier time with ulysses. besides, I had an irish lit professor who'd been studying finnegans wake for twenty years and she said she still didn't really know what was going on in it. ulysses ogre, what really matters is if you are enjoying your time with literature and feel like you are gaining something, not whether you reach the "correct" conclusions. there's no need to try and force yourself through something if you feel like you aren't on an even enough plane with the text to reap any of its rewards.

combining light and dark soy sauce to make morally ambiguous and nuanced soy sauce

how to escape the terrible fatigue guide

escape the terrible fatigue walkthrough no commentary

chat reminder to just write whatever the fuck you want. write that overused trope. write that obscure shit that no one will have heard of. just. do it. your writing is yours stop depriving it of that.

honestly in the era of AI slop it is more important than ever for you to write or draw that incredibly niche/strange/unpalatable thing you want to make. the world needs the unique weirdness of people more than ever