Elixirs of Absence by Hisham Echafaki

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@faceupmakeyourstand
Elixirs of Absence by Hisham Echafaki

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if christopher nolan was really the visionary and ground-breaking director everyone claims he is he would have cast ben affleck as penelope
as a child i assumed that martha’s vineyard was a fancy private vineyard owned by martha stewart and the reason rich people vacationed there was because they were friends with martha
Emily Wilson has inadvertently created a fascinating new way to categorize basically any visual media ever made
Imagine being Anais Mitchell and writing a song about the rhetoric of fascism so incisive and prescient that 10 years later an actual fascist would use that exact rhetoric down to the highly-specific phrasing in his presidential campaign. But also it took 10 years for the project you wrote that song for to move from living room shows to concept album to theater workshop to off-Broadway to Broadway, and its Broadway debut ended up coinciding with said fascist's successful bid for the presidency, and now it looks like your song that you wrote in 2005 is a super unsubtle reference to that one particular and highly-topical politician.
Frankly if I were her I would have started killing.

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To me the most important message of Hadestown is hope.
I feel like people get so distracted by the tragedy and the love stories (typical allos 😝) that they don’t see there was deliberately a hopeful result of Orpheus’ trip to Hadestown. This is something not part of the original myth, an intentional expansion of the story for this adaptation.
True, Orpheus failed in his central goal, which was to bring Eurydice back from the dead. But by just TRYING to do that, there were unintended positive consequences. The workers started to wake up and question the justice of the system they were working for. And Hades and Persephone seem to start to come to a new understanding, a possible mending of their relationship.
Of course we don’t know the full ramifications. Maybe the workers rise up, maybe not. Maybe Hades stops coming early for Persephone, maybe not. But the potential is there, and in that potential I see a central hopeful message in the story.
The message of Hadestown to me isn’t “don’t try because you’ll fail and isn’t that sad.” The message is, “Try. Try to do the big audacious and good but impossible thing. Because just by trying you will have a positive impact, even if you fail in your central task. Keep trying even if you failed in the past. Maybe it will work out this time, or maybe something else good will come of it.”
Among the many amazing aspects of the Hadestown pro-shot, one of my favorites is the way Patrick Pages injury provides an excellent example of how disability does not have to be barrier to musical theatre. The way his injury was presented, especially in Hades and Persephone's dance, shows how with enough care, choreography and blocking can be modified for a disability and still present a beautiful story. In fact, the pro-shot shows how disability can not only be accommodated, but also utilized for characterization and storytelling.
Winter's nigh and summer's o'er Hear that high and lonesome sound Of my husband coming for To bring me home to Hadestown
a thing about me is i basically never notice a wig or other kind of hairpiece in tv/movies. it has to be party city territory for me to even twig it. people will complain about characters' wigs looking bad and i will nod along but there is like a 90% chance i did not notice for a second while watching. i consider this mostly a blessing.
SAMBUCKY NATION RISE!!! THERE WAS NEVER A DIVORCE!!!!!!
I never saw Thunderbolts, but thanks to TumblrNotes, I was filled on. Anyway, no, it was a bluff, UNITED SAMBUCKY STANDS!!!!

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SINNERS (2025) dir. Ryan Coogler
Edward Hopper, Sketches and preliminaries for Nighthawks, 1942
may you attract someone who treats you like they’ve been waiting their whole life to find you
falling asleep during the day: slipping away on a clouds so easy
falling asleep at night: I heard an ant gasp downstairs
Chris Evans | "Sacrifice" Premiere | 2025 Toronto International Film Festival | September 06, 2025

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Nebula in that countenance
Not Anyone Who Says by Mary Oliver