Another screencap redraw! Lapis and Peridot are my otp.

Andulka
One Nice Bug Per Day
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open


roma★
todays bird
sheepfilms
trying on a metaphor
NASA
🪼

Janaina Medeiros

PR's Tumblrdome
DEAR READER
hello vonnie

Product Placement
styofa doing anything

blake kathryn

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@f00lus
Another screencap redraw! Lapis and Peridot are my otp.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Wanted to try my hand at doin some screencap redraws. So here's my favorite fools.
Don’t ask me for an explanation. The only answer is Wolfwood.
Hello
lmmao it's been literally years but all social media seems to come crashing down so
guess who's back
back again
me: i should probably comment about tumblrs self destruct sequence.
also me: make shitty niche artist shocked pikachu memes.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I want a Fifth Element Sequel
But it’s STRICTLY about Ruby Rod.
That’s all i want
a quick flatcolor fullbody I did on my first stream the other night, of my gay asf unicorn, Colt. I’m open currently to take commissions like these
My MHA oc, Inkuu, who I used as the model on my new commission price sheet!
Some of my recent experimentation with pixel art!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
on being raised on fairy tales in which you are the monster // a. m. h.
animation run cycle notes for my upcoming 2D animation video course package
shading colour tips
hey yall its me the Art Momâ„¢ to help you shade pretty
rule 1: DO NOT SHADE WITH BLACK. EVER. IT NEVER LOOKS GOOD.Â
red- shade with a slightly darker shade of purple
orange- slightly darker and more saturated shade of red
yellow- i think like..a peach could work but make it a really light peach
green- shade with darker and less saturated shade of blue or teal
blue- shade with purple
purple- a shade thats darker than the purple you’re using and maybe a little pink (MAYBE blue)
pink- darker shade of red
white- a really light lavender or blue..or i guess any really light colour??
black- okay listen dont use pure black to colour anything unless you want to leave it with flat colours because you cant really shade black lol
grey- a slightly darker shade of purple or blue (less saturated)
brown- slightly darker and less saturated shade of purple or red
aaaaand thats all i got lol. let me know if there is anything i should add to this list!!
If you’re a visual learner…
I made some Balls of Colour to go with Art Mom™’s post:
just some weird vent art about a nightmare i had the other night.
so it turns out.... i have a lot of pearl ocs now.
From left to right we have Peach Pearl, who was designed by Yetember , Â rose pearl who was designed by sariasong64 , Frostbite pearl, who was designed by lymerikk , Black Pearl, who was designed by me, Gold Pearl, also designed by me, then Twin Pearl, who was also designed by lymerikk , and finally Ice Blue Pearl, who was designed by Zombly ! (artists are all on DA) Most of these pearls are all femme-identifying, with the exception of Black, who leans more agendered, and Gold and Ice pearl, who both are more masculine-identifying. The only one who has a real owner right now is rose pearl, who belongs to my pink sapphire. Gold is next closest, but he only works for his companion, white quartz, and isn't really owned by him. I doubt Twin pearl has an owner, so she would likely hang out with other off-colors. Everyone else I need to figure out owners for lol. TIME TO MAKE MORE GEM ARISTOCRACY. FOR THE SAKE OF MY PEARLS.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The big texturing tutorial
1. Definition
Texturing is a technique that involves adding local shading and details on surfaces to better represent the material of an object. This technique is of course closely linked to shading in general. This is usually applied after defining a global shading.
From left to right :
Lineart
Global shading
Completed sprite
One of the big differences between global and local shading is homogeneity. The very principle of global shading is to give a sufficiently contrasting effect between the shaded and lit areas to bring out volume and depth. Conversely, a texture must be as homogeneous as possible. It must be able to be applied on large, uniform surfaces, without making it look bad.
2. Applying a texture
A texture being homogeneous in terms of its luminosity/contrast, if it is applied to an object without taking into account the global shading, we will lose any effect of volume and depth.
A texture applied to a sphere without shading. Only the deformation of the texture can give us a clue on the shape of the object, but it is still difficult to discern. Homogeneous contrast When applying a texture to an object, shadows must also be taken into account. It is therefore important to maintain a uniform contrast between colours. A dark line separating a light zone from a dark zone should not keep the same colour between these two zones.
The color of the line will be lighter on the lighter side and darker on the darker side to preserve its contrast with the background. In the same way it is possible to apply a texture or pattern on a shaded object, by proceeding to a simple color shifting in our palette.
Combination of a texture (left) and an object that is not textured but shaded (middle).
3. Local shading
Since shading is used to highlight the bumps, there are generally two possible cases:
A groove
A bump
Each of these cases can be more or less accentuated by playing on the colors, the intensity of shadows and lights.
On the upper line, troughs ranging from the weakest to the strongest bumps. On the second line, these are bumps that stand out. The mastery of these light bumps is very important, it is the basis of the textures, and will make it possible to manage all the simple cases, such as wood or matte plastic. Example of application on a simple object:
4. Reflections
The application of a reflection is done in a simple way, by applying diagonal strips of light of varying thicknesses, and following a few rules.
A trough or bump will create an offset at the reflection level (proportional to the height change). As for the shadows, there is no absolute, depending on the palette or the material represented, it is possible to lighten or not the area at the reflection level. It is also important not to have parallel light bands on faces that are not oriented in the same direction, as on this cube:
Concrete example of the application of a gold texture on our drawers:
Or, added reflections on our previous crate:
5. Dithering and granularity
Dithering consists in creating a new false color from a checkerboard or other regular pattern of two colors close enough to give an illusion of mixing. The closer the colours are, the stronger the illusion will be. The more the colours are contrasted, the stronger the granularity effect will be.
Dithering is basically used to obtain fake intermediate shades on limited palettes, but it is also very useful for making complex and rough textures.
Example of complex dithering separating 3 colors over a wide area.
The nature of the pattern totally changes the roughness aspect. Example of the application of a sandy rock on our drawers:
Or add grain to our crate:
6. The art of destruction
The more complex a texture is, the more it will combine fundamental techniques such as bumpiness, reflections or granularity. However, some materials need to go further, by cutting, slash or breaking the base support.
Cuts It works much like bump, but on a much finer surface. We are subject to the same rules, of which here is a summary image:
From the finest to the most pronounced, on the first line of the cuts, and on the second of the bumps. A concrete example on our crate:
Exercises
Since nothing beats practice to learn, here is a series of examples from the simplest to the most complicated.
For each exercise resolved, post your results.
Mastering tools
Add a strong bump on the text of this image, except the ‘x’ which must be a groove (the center must be dug more strongly than the rest of the ‘x’):
Palette:
Add reflections on the image obtained between the two red lines shown below:
Now cut and break the letter ‘e’ as well as possible.
Add grain to the letter ‘l’.
Finalize a sprite
Texturize/colorize this sprite:
Palette:
Add reflections on the inside of the doors to give the impression that there are windows.
Add damage (cuts etc) on the right side of the wardrobe.
Make a variant of this cabinet by redoing it in gold using the palette of the gold drawers example in the tutorial. Palette:
Do the same with the sandy rock. Palette:
Sample solutions
Here are some solutions by a talented friend :
Gif process
The end.
Detailed bust commissions for Lady of Lilac on Gaia