"Then you must weep for me, I told him, as Christ wept for mankind."
â Louise GlĂŒck, Faithful and Virtuous Night
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@exsomnambulo
"Then you must weep for me, I told him, as Christ wept for mankind."
â Louise GlĂŒck, Faithful and Virtuous Night

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"Without knowing it, he was in love with the earth. He had a feeling of support for her, even though he knew that in the end it would be this same earth's job to take him into her, to disintegrate and digest him."
â Shahrnush Parsipur, Touba and the Meaning of Night
I yearn to tread the streets of Samarkand once more; to see the starry night sky above the mosques. The immaculate detail of each tile, each building. The godliness in its people. Singing and dancing. The colours, textures, and scents. I fell in love with Samarkand, and I pray that God will guide me there once more.
"No time is like this one, the evening's final, silent hour. No sorrows burn any longer, no voices crowd any more."
â Karin Boye, "Evening Prayer" from Complete Poems
"But to abandon you, said the other, would be to leave a part of myself behind, and how can I do that when I do not know which part you are?"
â Louise GlĂŒck, Faithful and Virtuous Night

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âBeauty was a tragic virtue often abused because we are fooled by it, but I emanated something darker, something uglier. Like a fraught hunger for life, like a voice that said I would do anything.â
Aria Aber, Good Girl
Your love demands Nothing less than My wounded heart And my heart is filled With nothing but your longings.
â Jalal ad-Din Muhammad ar-Rumi, The Love Poems of Rumi
âI have resolved to apply myself to everything I do to make up for lost time.â
AnaĂŻs Nin, Linotte: The Early Diary of AnaĂŻs Nin, 1914â1920
« Jâai passĂ© comme une fleur ; jâai sĂ©chĂ© comme lâherbe des champs. »
(âI bloomed and faded like a flower; I withered like the grass of the fields.â)
Detail from Chactas at the Tomb of Atala (1826), Louis Ădouard Rioult.

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"This is the dysfunction talking. This is the disease talking. This is how much I miss you talking. This is the deepest blue, talking, talking, always talking to you.â
â Maggie Nelson, Bluets
âI think here I will leave you. It has come to seem there is no perfect ending. Indeed, there are infinite endings. Or perhaps, once one begins, there are only endings.â
â Louise GlĂŒck, Faithful And Virtuous Night
Rather special architecture at StrandvÀgen in Stockholm, Sweden.
âShe thinks of the 4 a.m. lonelinesses that have folded her up like death, discordant, without logical and beautiful conclusion.â
â Joy Harjo, âThe Woman Hanging From The Thirteenth-Floor Window,â from Weaving Sundown in a Scarlet Light
"The limits of my language mean the limits of my world."
â Ludwig Wittgenstein, Tractatus Logico-Philosophicus

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âAnd we go on, keep giving birth and watch ourselves die, over and over. And ground spinning beneath us goes on talking.â
â Joy Harjo, âFor Alva Benson, And For Those Who Have Learned To Speak,â from Weaving Sundown in a Scarlet Light
âI could feel the anxious tremble in his voiceâthe tremble that made me think of a knife, the trembling that signaled to me that he did not know what was happening to me.â
â Aria Aber, Good Girl