Death and the Maiden, Denis Forkas, 2016
Acrylics on prepared paper
Cosimo Galluzzi

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Death and the Maiden, Denis Forkas, 2016
Acrylics on prepared paper

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Anatomical Pieces (detail), 1819
by Théodore Géricault.
“The breath of life, lack of time, past and future, the small, trembling moment in the face of non-existence. Only those who face their emptiness can become whole.”
— Tommi Nordgren
That autumn had the colour of oxidised silver.
2025, Saint-Petersburg
10х15, Silverprint, Author's copy

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The Long Term Effect of Magical Thinking by hjl on Flickr.
Igor Mitoraj - “Teseo Screpolato”, Polo Reale Torino
City: V (1970, mezzotint) - Włodzimierz Kotkowski
Lucifer Rising
Piazza Statuto, Turin, Italy
Teodor Axentowicz - Cover Illustration for Weekly Illustrated No. 14, Warsaw, 1908
beautiful…
Ahndraya Parlato Who Is Changed and Who Is Dead, (Mack Books, 2021),

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Katia Berestova
Herbert Bayer - Look into Life, 1931
Luca Ortis, Half remembered, half imagined 1, 2024
Luca Otis
Half remembered, half imagined 1, 2024
Lillian O’Neil. Better things, 2025. Collaged archival pigment ink prints on cotton rag, 3 parts each 80 x 60 x 5cm (right panel detail) (photo: John O’Neil)
https://www.instagram.com/lillianoneil
Ralph Eugene Meatyard (1925–1972)
“Untitled, (two ghosts with fireplace)”
gelatin silver print, 1969 — source

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La Victoire de Samothrace, Le Louvre, Paris, ph: Serge de Sazo
©Philomena Famulok
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