was it casual when u spent 30k u didnt have on the brother who put u in prison for 15 years?
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@exactobeau
was it casual when u spent 30k u didnt have on the brother who put u in prison for 15 years?

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People: I know that you want tattoos but you shouldn’t get them as soon as you’re eighteen!! You need to be sure that you’ll still want them when you’re grown up!!!! You might like a tattoo now but you can’t be sure you’ll still like it in your forties or fifties!!!!!!!!
Me, a person who has trouble visualising the future and literally cannot imagine themself living past about 25: okay…
Hey op did you ever get the tattoo? Do you still like it?
Fuck this is a wild one to see again, especially as someone now about 3 weeks away from officially making it past 25:
- I remember 2016 as being the worst year of my fucking life, in ways it’s gonna be hard to beat and the universe better not fuckin try
- since 2016, I’ve gotten a degree in a field that I love, been in a toxic relationship, had a toxic relationship end, been in a kind but ultimately not what we wanted relationship, had that end too, been single for a while, learned I’m trans, started hrt, gotten in a different lovely proudly queer relationship which I’m very happy in, made friends, lost friends, mourned friends, made new friends, gotten a job I liked, made manager, quit, got another job that lets me do a bit of good in the world, gotten top surgery, travelled, swam shirtless in the warm sea, written half a dozen zines and a poetry chapbook, performed poetry, accepted I’m probably never gonna make a career out of poetry alone, gone on and off and on again various mental health treatments and hopeful that this one will stick for as long as it needs to, walked probably a thousand or more cumulative miles wearing through the soles of half a dozen or more boots, laughed, cried, rested, collapsed from fatigue, crawled back out again
- if I could reach back to the kid making this post… buddy, I’m not gonna say it’ll all be alright, because that’s pat and trite and diminishes the very real struggles of growing. But we cut our hair and change our name and grow a beard and we’re not Quite out of the shitty little hometown but we’re getting there. I think you’d like the jumper I’m wearing. I saw mcr live and I know you’d kill me with jealousy for it. I took you with me, as much as I could. I still think you’ve got great taste in movies, and I’ve got some new recs for you.
- I now have 4 tattoos! None of them are the ones I thought I’d have, but that’s okay. The first one is not an art style I’d choose today but the design holds a ton of meaning for me, and always will, and I don’t regret it. The other 3 are a more cohesive art style - maybe I could have changed the placement or tweaked some details, but I don’t need to, they’re part of me now and they’re beautiful for it. I’m excited to get more and to live long enough to reflect on them like this again and again and again
- 25 felt impossibly old to you. Right now it feels both impossibly old and impossibly young. I’m glad I got to see what it brought me, even the shit parts
- I’ll put aside a slice of cake next month in your honour
I’m glad I asked. I’m glad you’ve made it this far. I hope we both make it another 10 years and it keeps being worth it.
The problem with giving advice to angry and suffering people is that rather frequently the thing they need to know to improve their position is the last thing they want to hear and not something they have the capacity to internalize or accept
Unfortunate truths you can tell people that would help if they could hear what it means and not just what it sounds like
You were the victim, and it wasn’t fair, but it’s over now. Nobody came to save you, and I’m sorry, but it’s too late for anyone to go back and do it different.
You’re suffering over something that cannot be resolved. You’re allowed to feel angry, or outraged, or betrayed, but there will eventually come a time that you don’t feel that so violently anymore, and you’re going to want to have something good left to go back to.
You can’t make anyone love you the way you need to be loved. That’s how a lot of good things end. Not with a clear sign, something blocking the road that says “do not proceed”, just a splitting of the path that’s still moving somewhat in the same direction.
You can’t fix them. Nothing you can do will fix them. And if they fix themselves, they can’t do it for you- they have to do it for themselves as well, because otherwise a day may come when they’re alone, and as long as they live, they are their only true constant. So you can support, and you can encourage, but the hardest part is up to them. And sometimes they can’t do it even with your help.
Sometimes letting go of someone feels like mourning at their funeral before they’ve died, and every time you see them after it’s like talking to a ghost that doesn’t know it’s dead. Sometimes that happens. You’ll both still wake up tomorrow anyways.
I understand that you’re afraid, and that you’re afraid for good reasons. And I understand that being brave isn’t as easy as just turning that fear off, and you would if you could in a heartbeat. But the thing is, as long as that fear is able to dictate your choices, it will have power over you. If you don’t believe you can try to fight it, if you accept that it will always be in charge, you let the frightening thing stay present in your life. It will exist as long as you stay paralyzed. And that sounds cruel, but it isn’t something anyone can fix for you.
The person you may let yourself become after experiencing the terrible thing may very well grow into a much bigger, much more terrible thing, and someday it will swallow the first terrible thing whole. And all that will be left is something far worse for someone else. And you will not be able to shrink it down by explaining where it came from, because terrible things that are dead and gone are never as terrible as terrible things that are alive right now in front of you.
No matter how much or how little I love you, I still do not have the ability to help you the way you need to be helped. I might be the helper you want, but I am not a helper you can get. If you are to be helped at all, you will need to accept that it will come from someone else.
If anyone goes out of their way to find this user and harass them, please know that’s shitty behaviour and I will be deeply disappointed, but I think they really helped to underline number 8 in a way I wished I’d known to consider of others years ago
watching half man
i feel like something that's missing from some people's understanding of kink fiction and fantasy is, like... in fiction and fantasy, everything is in-scene.
when real people do kink in real life, you gotta do all that good out-of-scene stuff like discuss boundaries, set limits and expectations, check in with each other, do aftercare, et cetera et cetera et cetera... but in fiction, everything can be in-scene!
the people in that fanfic don't exist any more than, like, the make-believe sexy football star and make-believe sexy cheerleader in a couple's roleplay exist. that couple doesn't need to get into character and then pretend to be a sexy football star having an important consent conversation with a sexy cheerleader, because that's a conversation that's already happened out-of-scene and out-of-character. (i mean, if you're into in-character negotiations, chase your bliss.) when they're in that scene, they can just pretend to be a sexy football star having sex with a sexy cheerleader. that's okay.
so like. when fiction does kink in a way that would be unsafe or harmful irl... just keep in mind that you're not watching actual people neglecting check-ins or ignoring their set contract or genuinely harming each other. you're watching a scene without the behind-the-scenes bits, and that's okay.
this has gotten a couple replies along the lines of "yeah, you can just assume the characters worked all the important consent stuff out when you weren't looking!" which is true in some cases, but not the point i was trying to make, so please bear with me while i try to rephrase myself.
when i say in fiction, everything is in-scene, i mean that the fiction IS the scene.
if someone went up to their partner and said "hey, wouldn't it be sexy if we pretended you were manipulating and controlling me in an unethical way for sex reasons?", and then they talked through all the good and necessary consent and risk-awareness things, and then they played that scene out - that's a made-up scenario where pretend bad things happen, but no real-world people come to real-world harm, right?
now, if someone writes a story where one character manipulates and controls another in an unethical way for sex reasons... that, too, is a made-up scenario where pretend bad things happen, but no real-world people come to real-world harm.
kink fiction doesn't have to be about characters consciously and conscientiously Doing Kink. kink fiction can be stories where the kinky things people fantasize about or roleplay (but wouldn't want to happen in real life) do happen in the universe of that story. because the story is a scene.

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create whats waiting for you
i have posted before that i think you are an artist before you ever make a painting or song or book. i understand it is a unique perspective and that is okay, but i am thinking on it again. specifically on how it relates to my perspective on grief and death
when i answer 'what makes you a creator?' with 'you are a creator before you ever start' it makes some folks upset or make fun of chuck. that is okay it is a big philosophical swing, but i think best way to explain would be to actually look at TIME ITSELF. specifically question: what is the present?
our perception is always a memory, a split second one from the 'now', so i am just as much present here as i am myself at 4, or 14, or 24 or 94. the dr manhattan meme is actually true, and we are all just bound by a focus on the 'present.' and guess what, the creative act STARTS when existence does
anyway, i started believing this about ART when i had a realization about DEATH. when someone we love trots to the next timeline, we become obsessed with their final moments as if they have more weight. if someone dies in a tragic way, we kind of let that start to define them. this bothers me
because once they are gone they are in EVERY moment. there is no reason that THE END, this tiny sliver of existence that is barely visible within the whole pie, should be worth more than all the love and joy on the way. when we are gone we are every moment, and when we are here we are every moment
tonight i just trotted back from seeing a family member who is about to leave this timeline. probably last time i will see them, and as i was in their room i was thankful i did not need to look around and tell myself 'this is the last time, i better appreciate this place', because i already DID
this final visit was also the first visit, and the second, and the twenty fourth. the are all the same, and when you live with gratitude for the small moments you ALREADY APPRECIATE THEM. you do not need to prove anything at the end. there is not catchup. i believe deeply that this is true
and this is another reason why i think ARTISTS are valid whether they have started or not. their piece is already out there in the unknown. we are all here right now reading these words, and we are also all on the next timeline looking back. hope this inspires you to create whats waiting for you
"nothing is real atoms never touch each other youve never touched anything in your life" ok. well when i pet my dog he is soft and when he licks my hand it is wet and that is far more real to me than whatevers going on at an atomic level
what my atoms are doing is their fucking business man i'm busy trying to stop my dog from eating tissues directly out of the box
nuclei don't touch, but the nucleus is not the core of reality. reality is made of electrons dancing. reality is made of bonds.
you pet your dog and the atoms that are you brush up against the atoms that are him, and the electrons that are you press into the electrons that are him, and both of them change their movement.
electrons of course are not really particles and do not really move.
you pet your dog and the electron-orbitals of your skin overlap with the electron-orbitals of his fur, and both are changed by the contact. you are not made of little motes floating alone in a void. you are a single unfathomable chord formed of a trillion vibrations, and so is he. and the note you play is changing at every moment by what you touch and how you breathe, and so is his. and atoms do not really have edges, and to touch is to interact, and when you put your hand on your dog the universe does not know that you are separate. the song expands to hold you both.
and when you put your hand on your dog the universe does not know that you are separate. the song expands to hold you both.
I’ve noticed some posts around about how you can’t romanticize your life during a fascist regime and while I deeply sympathize with this sentiment, I want you to try to understand that’s what they want you to believe.
Fascism thrives best in the cesspool of hopelessness. They want us so confused and hopeless that we give in. When you give in, you don’t fight back.
If you wait for life to look good to do the things that bring you joy; life will still be bad - you will just have less joy.
As someone who has struggled with my mental health a lot for the last thirty years, I know this struggle firsthand. And changing this belief system - the one where you spend all of your time expecting bad things so you won’t be surprised when they happen - it’s the hardest work that I have ever done. And I’m not perfect; I still have setbacks. I still experience really real fears about the state of the world and the US, in particular, because that’s where I live.
But I made a vow to myself that I will not let the choices of others ruin my life. When I made that vow, I was thinking of my parents - but it applies to the state of the government right now, too.
There are still flowers in my garden, and ripe tomatoes, and it’s almost pick-your-own apples season, and I have plans with my friends to go to as many cemetery ghost walks as we can find this October.
I still deserve to live. I still deserve to laugh. I still deserve to love. I still deserve to be as happy as I can be.
And you do, too.
Dan Savage.
But also I think the whole point of your 20’s maybe is to “get stuck” in such a big way at least once that it shocks you into promising yourself to never let it get that bad again
Umutina parent and child's headpiece, Brazil, by Alice Kohler

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buffy summers the vampire slayer had to go through the vampire`s rite of passage of digging herself out of her own grave to be alive again. do with that what you will
The gelatin in film stock was made from the hide, bones, cartilage, ligaments, and connective tissue of calves (considered the very best), sheep (less desirable), and other animals who passed through the slaughterhouse. Six kilograms of bone went into a single kilogram of gelatin. Eventually, the demands of photographic industries generated so much need for animal byproducts that slaughterhouses became integrated into the photographic production chain. Controlling the supply chain became key to Kodak's success. In 1882, as Kodak began to grow as a company, widespread complaints of fogged and darkened plates stopped production. The crisis almost ruined Kodak financially and resulted in the company tightly monitoring the animal by-products used in gelatin. Decades later, a Kodak emulsion scientist discovered that cattle who consumed mustard seed metabolized a sulfuric substance, enhancing the light sensitivity of silver halides and enabling better film speeds. The poor-quality gelatin in 1882 was due to the lack of mustard seeds in the cows' diet. The head of research at Kodak, Dr. C. E. Kenneth Mees, concluded, "If cows didn't like mustard there wouldn't be any movies at all." By controlling the diet of cows who were used to make gelatin, Kodak ensured the quality of its film stock. As literary scholar Nicole Shukin reflects, there is a "transfer of life from animal body to technological media." The image comes alive through animal death, carried along by the work of ranchers, meatpackers, and Kodak production workers.
—Siobhan Angus, Camera Geologica: An Elemental History of Photography
Have you tried just channeling your instincts to appease into BDSM instead of letting them inform your political philosophy?
If you really just have a deeply ingrained need to be in a hierarchical space and give respect to ppl u call ur superiors, like. Hi. We can do that for you. I know some people.
if you really want to lick boots we can make that happen but with better boots

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Fearing such hits as “Poisoning Pigeons in the Park,” “National Brotherhood Week,” “The Masochism Tango,” “The Element Song,” “Be Prepared,” and “Lobachevsky”