Lucian Freud: Leigh Bowery
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oozey mess
we're not kids anymore.

Andulka
TVSTRANGERTHINGS
styofa doing anything
PUT YOUR BEARD IN MY MOUTH
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cherry valley forever
YOU ARE THE REASON
Jules of Nature
Cosimo Galluzzi

Janaina Medeiros
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣
Three Goblin Art

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Lucian Freud: Leigh Bowery

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Alfonso Del Moral (b. 1992), Spanish artist: Selfportrait
Evelyn De Morgan (1855–1919) Clytie, 1887
The Sea Maidens (1886) by Evelyn De Morgan (English, 1855 – 1919), oil on canvas, 81.8 × 142.8 cm (32.2 × 56.2 in), De Morgan Foundation
Boreas and Oreithyia
Artist: Evelyn De Morgan (English, 1855-1919)
Date: 1896
Medium: Oil on canvas
Collection: The De Morgan Foundation, London, United Kingdom
Description
In this painting Boreas, the Greek god of the north wind, is represented as usual as a winged man of mature age, with hair floating in the wind. According to the legend, he carried off Oreithyia (daughter of Erechtheus) from the banks of the Ilissus and by her had several children. However, Evelyn’s portryal of Boreas is sensitive and tender in comparision with more the more standard bachanelean treatments of the character.

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Evelyn De Morgan (1855–1919)
Luna
oil on canvas, 1885
source
Evelyn de Morgan - "Daughters of the Mist"
The Dryad, oil on panel (1884–1885) English Late Pre-Raphaelite artist Evelyn De Morgan (1855–1919) depicts a mythological tree nymph emerging from an oak trunk, her foot still bound to the wood. The figure is a hamadryad, a spirit whose life is tied to her tree, serving as a divine protector of the forest.
Evelyn de Morgan (British, 1855 - 1919)
Moonbeams Dipping into the Sea (1918) by Evelyn De Morgan (English, 1855 – 1919), oil on canvas, 44.5 cm (17.5 in) x 29.2 cm (11.4 in), National Trust

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Death and the Dragon
Artist: Evelyn de Morgan (English, 1855-1919)
Date: 1914-1918
Medium: Oil on canvas
Collection: De Morgan Foundation, London, United Kingdom
Description
Painted towards the end of the First World War, Death of the Dragon depicts the culmination of war as a final apocalyptic confrontation between good and evil. A radiant angelic spirit descends from the heavens to defeat evil (appearing here in imagery derived from the Book of Revelations in the form of dragons), into a lake of fire. Some damned souls are also cast into the fiery pit while others move away from the precipitous edge of the abyss towards the fire. On the right of the painting, the woman in yellow draperies is painfully climbing up to the angel and the light. She keeps her eyes fixed on the light her shackles are broken and her dragon is departing, with just a backward glance at his angelic spirit who has defeated it. Whilst the scene is still one of a devastated wasteland, the forces of good have clearly overcome that of evil.
Marcellus, Musée du Louvre, Paris
Yannis Tsarouchis (Greek, 1910-1989). "Seated Nude with Red Carpet", 1955. Private collection. oil on canvas
Eugène Jansson: Nu sentado nunha cadeira branca (1906)
The Reader (1949), Harold Abbott

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J. Palmer Libby, Standing Young Male Nude