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gracie abrams
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YOU ARE THE REASON
Keni

@theartofmadeline
art blog(derogatory)
EXPECTATIONS
d e v o n
occasionally subtle

NASA
RMH

if i look back, i am lost
Today's Document

titsay
sheepfilms

Kiana Khansmith
Stranger Things
Monterey Bay Aquarium
Mike Driver

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@ericmrwebb
My new sounds:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Here's a recording of "The Bottoms at the West End of Kentucky." It first appeared in the Fall 2013 issue of Pea River Journal, and you can follow along there.
You can read along over at Pea River Journal.
Best of the Net 2014: our nominations
Best of the Net 2014: our nominations
emrw:
So, my poem “The Bottoms of the West End of Kentucky” is nominated for annual Best of the Net. And that’s exciting!
Originally posted on pea river journal:
We publish a small slice of each issue online, and that small slice tends to come from our favorite-of-favorites list. Of that small slice published between July 1, 2013 and June 30, 2014, we nominated seven pieces for Best of the Net:…
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»american psycho« by mimi cabell and jason huff
this book was made by sending the entire text of bret easton ellis’ american psycho between two gmail accounts page by page. we saved the relational ads for each page and added them back into the text as footnotes. in total, we collected over 800 relevant ads for the book. the constellations of footnoted ads throughout these pages retell the story of american psycho in absence of the original text. this retelling reveals gmail’s unpredictable insensitivity to violence, racism, and sex. it serves as a blurry portrait of an algorithm that exists in our everyday communication simultaneously forming a new portrait of the lead character, patrick bateman.
jason huff/mimi cabell nyc 2012
here you can download the pdf for free
[via]
Interesting project

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Over on the Ploughshares blog...
A Challenge / Project
Send in your War.
Your writing your poems your remembrances. It being the anniversary of Sept. 11th, we should recognize all aspects of this mess we find ourselves in.
We will collect and post.
Who knows, maybe we’ll do a special issue.
Send them to: [email protected] as an attachment. Keep it under 750 words.
We will keep taking submissions through December 31.
The plague you have thus far survived. They didn’t. Nothing that they did in bed that you didn’t.
- from Frank Bidart’s “For the AIDS Dead” in Metaphysical Dog: Poems (via nobullshitreview)
money I just think that those done that He knows they've got -tend much much worse Here they Would you take one of these thing If I read one more up on The912Project.com which is kind Why would someone why would liberals Uncle Glenn why have I done Why have I done this What fact I feel bad for...
The Voyager 1 #spacecraft launched 37 years ago today, and is currently traveling at about 11 miles per second through interstellar space. Though Voyager’s primary mission ended in 1980 after observing both Jupiter and Saturn, it is expected to continue traveling until 2025, when it’s power supply runs out.
And still they move…

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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[Your life is yours alone.] Rise up and live it.
Terry Goodkind, from Confessor (via the-final-sentence)
Indeed.
You are lost. Are you lost. Are lost you. You lost are. Lost you are. Lost are you...
Putting together the August issue
October Issue Cover Up for Grabs
We’re looking for a Cover image for the next issue. B&W.
Send it to us: Submissions
Send in artwork! We'll take cover submissions until the 19th.
For me, the last few years of the postmodern era have seemed a bit like the way you feel when you’re in high school and your parents go on a trip, and you throw a party. You get all your friends over and throw this wild disgusting fabulous party. For a while it’s great, free and freeing, parental authority gone and overthrown, a cat’s-away-let’s-play Dionysian revel. But then time passes and the party gets louder and louder, and you run out of drugs, and nobody’s got any money for more drugs, and things get broken and spilled, and there’s cigarette burn on the couch, and you’re the host and it’s your house too, and you gradually start wishing your parents would come back and restore some fucking order in your house. It’s not a perfect analogy, but the sense I get of my generation of writers and intellectuals or whatever is that it’s 3:00 A.M. and the couch has several burn-holes and somebody’s thrown up in the umbrella stand and we’re wishing the revel would end. The postmodern founders’ patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We’re kind of wishing some parents would come back. And of course we’re uneasy about the fact that we wish they’d come back—I mean, what’s wrong with us? Are we total pussies? Is there something about authority and limits we actually need? And then the uneasiest feeling of all, as we start gradually to realize that parents in fact aren’t ever coming back—which means we’re going to have to be the parents.
David Foster Wallace. (via the-library-and-step-on-it)
Something to pay attention to.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Review: Let the Body Beg by Tara Shea Burke
Review: Let the Body Beg by Tara Shea Burke
Disclaimer: I know the poet.
On to the important bit:
I’m always hungry. My dreams show blood
- from “Imagined Farms”
These poems, as the title of the collection telegraphs, are about hunger. Real, raw, human hunger felt deep in the chest and body. This is not the hunger of “oh, I’m a little late for lunch,” or “where’s the waiter with that food.” This is the hunger of first heartbreak, of a…
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Untitled # 125 / gif
re: Untitled # 125 / gif by Isaim Lozano, a villanelle
 I do not know exactly where I am, nor who,
whether I should rejoice or pray, this is difficult,
a blurred lens I cannot quite place, cannot share with you.
This is the hard part, in which I wear out my news:
I am both you and I and it’s nobody’s fault,
but I don’t know what I am, nor can I say who
you may be meeting if you follow me through
this vague movement and dark space and burned welt
are you the lens or subject, does it matter if you
finger the film or short the exposure just blue
enough to convince a prayer to fly full in result
or do you know this space, can you whisper me who
I am, rejoice my name among the stars, into
the network dust filled lenses, intone he shalt
be seen naked unplaced, share with each of you.
How will you rejoice me if I do not move?
How will I know to pray if you do not find fault?
How will I know exactly where I am, and who?
How blurred a lens I carry, can I share it with you?