What Am I Doing

This is super handy to have saved when you need to know what to let go!

I completed a dirt path which can be used either as an overlay for the official paths or just as patterns to lay down on the ground. You can download the patterns by looking up my Creator ID (MA-7376-5758-0005) or by downloading them individually from this album. Additionally, I’m including some notes below for what I’d recommend based on what you’re planning to do.

If you intend to use these as an overlay for the official paths feature in the game, you can use Dirt Path C Clear v1 and v2 in addition to the edges (Dirt Path L, Dirt Path R, Dirt Path TC, and Dirt Path BC).

If you intend to use these independently of the path feature as seen in my forest image, you’ll need all of them if you want diagonals.

How to Get Cast in ‘Spamilton’ (Backstage):

When talking about his love of theater, Gerard Alessandrini can’t help but mention the joy that he gets from spoofing it. The playwright has been a staple on Broadway for 30 years, beginning his parody career with “Forbidden Broadway.” Now, with the success of his most recent revue “Spamilton: An American Parody,” the Off-Broadway hit is taking up residency at Los Angeles’ Kirk Douglas Theatre from Nov. 5–Dec. 31—and it’s casting! By-appointment auditions are hitting L.A. Aug. 9–11; we spoke with the creator himself about what he looks for in the audition room and why he’s tired of hearing actors perform vulgar songs.

What inspired you to create ‘Spamilton?’ “I love musicals, and ‘Hamilton’ was one of my favorites for a long time…. I was so happy that there was a new show that told a dramatic story in a very musical way. To me, that’s what great musicals are: They reinvent the way you tell the story with song. So, I loved ‘Hamilton,’ and since I’ve been spoofing shows for years, I thought, Well, I have to do this one.”

What do you definitively look for in the audition room? “You have to have people that sing well and really know how to put over a song. So first, we look for people who are just good singers. Then, we have to investigate if they can act, if they’re funny…and if they can handle the different styles of music that are in ‘Spamilton’…. It’s a hard process, because not everyone can do it. You can’t be trained to be that versatile.”

[…]

because

they’re

great