Therr Are No Tags For This Is A No Man’s Dump Of

They go from infancy to adulthood all at once, in a space bookended by Abel's name.

Take the outsider. Whiten the outsider. Take the violence. Aestheticize the violence. Corsets. Flower crowns. Latex. Softcore pornography in ribbons. Plunging necklines. Take the mud the dirt the miremuck of disgraced colonial history. Make it editorial. Make it swing flaccidly towards camp, yes mama boots the house down. Take the class rage. Sell it as background atmosphere, thoughtful addendum, glorious footnote of gold. Take the gaping racial wound. Disappear it. Call its absence “modern.” Then stand there, powdered and well-funded, asking why everyone is being so dramatic about the missing body.

mother of pearl

Métrage: 2 m. 60 en 1 mètre.

Lambert’s Bridge no. 77, also know as the snake bridge, on the Macclesfield Canal. location: Astbury Congleton, England

Walkers on an Avenue (Hubert Robert, 1733 - 1808)

take a poor urchin's quiz, pretty please? spare a morsel of data?

Takato Yamamoto, Saint Sebastian (聖セバスチャン), 2005. Illustration.

‘Romeo and Juliet’ by Svetlin Vassilev

75 x 58 cm (29,5 x 22,8 in)

queen wynn (for scale), red face, his dog

Spanish opera boots, c. 1880.

Nude in a Landscape with Flowers, Guido Cadorin

Character art by 弘司. Source.

Rococo Women with Swans, Gerda Wegener

give me an elf and i’ll turn him into a dress-up doll