fasciinating
❝ I ADMIT I MAY BE UNQUALIFIED, ❞ he reiterates, factually, unscathing, & this time, he does it out loud. Spock is not hassu, not an expert with which to fix, to cleanse, to heal another beyond oneself. & it is for this reason, he is uncertain, shuttering his hesitation in silence, at first, for these many seconds too long. he does not know in what manner to assist him, Oz, but Spock sees what he sees — allowing his eyes to roam, to wander, as he scans the thin armor of clothing, takes note of the hidden wounds Oz directs him to observe, that he gives permission for Spock to learn. & they are slow, curious, calculating movements. his gaze dark & assessing, when they settle quietly against the angles of Oz’s shoulder. he cannot fix the injury, not completely. not until they have obtained the resources; bacta, anesthesia, whatever is necessary, to do so fully. Spock narrows on greater solutions to which his initial response had been inefficient. unuseful. there must be something, he quandaries, & with speed his thoughts supply him — of something he could confess. something private. delicate & perhaps, invasive. it is Vulcan. a little known truth of his kind, if it were known at all. Spock’s instincts warn him against such a decision; his father’s voice ringing faintly in his ears. there is something, indeed; a secret with which to share, to break together, despite his drive to protect it. so said surak, accept their reaching in the same way; accept their reaching, with careful hands, he recalls. & right now, Oz is reaching, requesting his help. his own hands flex precariously, open fists, at his sides as he draws closer. Spock looks to Oz sincerely. ❝ i cannot cure what ails you. not entirely for that matter. ❞ he explains, pausing, reminding himself of the logic behind his forward suggestion. a hand stretches, reaching, searching for acceptance in the same way & yet, not quite there, ❝ — however, i may be able to ease any pain. if you will allow it. ❞
HE WATCHES the other. he has never been a calm person - rarely has he ever found a moment to exist where his temper doesn’t command his every move - and, likewise, has not quite gotten used to seeing others in indifferent states. those who wear masks over their true emotions draw his ire time and time again by virtue of their attitude alone; if they can act as though they are not intertwined with him, their fates embroidered on a mass tapestry, then he cannot understand them. if he can’t see what happens with them internally, and he can’t comprehend or get a feel for what they are thinking, it scares him. it brings about feelings of insularity that may as well bury him alive. still, he watches. he listens to the other with only the intent to turn him down, for he refuses help. this is the paradox of oz icelus: he needs aid to function, knowing that he will never be strong enough to exist without the company of others by his side, but he refuses it time and time again. his master raised him to be self-dependent. she brought him up to be able to defend himself without needing to rely on others, without requiring their presence to hold his sanity together. this paradox has created an unknowing co-dependency on those around him: without them, he loses himself to the mess of guilt-ridden thoughts that throw him into a spiral of demise and despair. he has fallen into it before. he does not want to fall into it again. he fears it more than anything else, but craves it to the same degree. pain makes him stronger. isolation makes him unstable, true, but to suffer through it is to prove to himself that he is worthy of something more than the dead and dying bodies that fall around him all too often. the young jedi regards the outstretched hand with unmatched skepticism. the other’s words bounce around in his mind: if he wants to ease the pain, what does that entail? he cannot stand the thought of something tempering or calming his mind, after all, for altered thoughts will be the bane of him. he does not want to say something that he will regret (though, as any well-versed observer knows, this will likely happen regardless). ❝ knock yourself out. ❞ his voice speaks of an all-encompassing dismissive attitude. in his mind, the worst thing that he can do in the situation would be to say that the other cannot help - but, to that end, perhaps this is a double edged sword. it could be a way to catch him off guard. to hurt him. to kill him. he pushes those thoughts to the side as quickly as he can, but their imprint remains. ❝ just don’t fuck with my head, okay? not too much. ❞











