bryan: a few years ago, i entered into a music publishing contract with avex, and i gave a few songs to a few groups. i also gave [a song] to jonghyun. […] speaking of “connection with people”, it’s the same in korea. jonghyun, that i mentioned earlier, we weren’t actually supposed to meet, and the song might not even have come into existence. this was when we were writing songs in korea. apparently the artists aren’t allowed to come into the studio. meaning: that we weren’t supposed to interact with the artists, but jonghyun, [knowing] they would tell him not to go if he talked to / asked the label, he just popped up in the studio [by himself]. because he wanted to write a song with us. so, we wrote a song together. with jonghyun, it was a very similar case [as] with the gospellers, but also a completely different experience. [with gospellers] even if we couldn’t understand everything in the conversation, we both had a way to communicate with each other. but, with jonghyun, [partly because he came in unexpectedly], we weren’t able to understand each other at all. it was the first time that i went into session with an artist that i could not communicate with at all. it was just that he came into the studio without telling us so, of course, we didn’t have a translator / interpreter. but we just really wanted to make something together so we produced a track somehow, and whenever he felt something he wrote it down then and there. we recorded it right away, and the song we completed that way, [the label] decided to use the moment we submitted it. i mean, after all, it was already recorded entirely with his voice.