Brain Food - 2001
Lindsay Obermeyer
Hand Knit Mohair, 20x 22" body with 96" cord with a 15" x 11" body, photo credit: Sara P. Convery
sheepfilms
occasionally subtle

romaâ

⣠Chile in a Photography âŁ
Misplaced Lens Cap
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH

#extradirty
KIROKAZE
Cosimo Galluzzi
Acquired Stardust

Love Begins

Andulka
2025 on Tumblr: Trends That Defined the Year
dirt enthusiast

Product Placement
Game of Thrones Daily

titsay
hello vonnie

seen from Malaysia

seen from TĂźrkiye
seen from Chile

seen from Bangladesh

seen from United States
seen from France

seen from Germany

seen from Malaysia
seen from United States

seen from TĂźrkiye

seen from T1
seen from Finland

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Cook Islands
seen from South Africa
@en-lambeaux
Brain Food - 2001
Lindsay Obermeyer
Hand Knit Mohair, 20x 22" body with 96" cord with a 15" x 11" body, photo credit: Sara P. Convery

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CHRISTIAN BADGER | CUTTINGEDGE | ROMAIN | CAROL CHRISTIAN POELL | STYLING CHRISTHOPER NIQUET | SELF SERVICE ISSUE N° 15 | FALL/WINTER 2001 | STRIP-PROJECT | SEPTEMBER 2020
sophierichter__
Teapot
â Margarete Heymann-Marks LĂśbenstein (c. 1931)
faye wong for switch magazine, 1997Â

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Sebastien Meunier
Joseph Beuys
1921-1986
Sans Titre ||Â Orner Titel || Untitled, 1960
Graphite sur papier 21 x 14.5 cm.
Sophie Vlaming at Rick Owens for Revillon SS 2006
Johanna Reich - Line III, 2009
âThe teacherâs aim âis an attempt to reveal discursive practices in their complexity and density.â To show that to speak is to do somethingâ something other than to express what one thinks; to translate what one knows, and something other than to play with the structures of a language (langue); to show that to add a statement to a preexisting series of statements is to perform a complicated and costly gesture, which involves conditions (and not only a situation, a context, and motives), and rules (not the logical and linguistic rules of construction); to show that a change in the order of discourse does not presuppose ânew ideas,â a little invention and creativity, a different mentality, but transformations in a practice, perhaps also in neighboring practices, and in their common articulation. Thus the teacher derives the sovereign subject (or cogito) âof the exclusive and instantaneous rightâ to change discourse. (I have not deniedâfar from itâthe possibility of changing discourse: I have denied the sovereignty of the subject of the exclusive and instantaneous right to it.)â
â Michel Foucault, Critical Assessments, Vol. II

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gomme ss 99
Bottega Venetta 1999Â
Mohammed Alani Coal, 2014
Werk Magazine No. 11 âBASTARDIZEDâ in Collaboration with Comme des Garçons, featuring Chiaki Kuriyama.
[ SOURCE & FULL SCAN : âWerk Magazine - No.11 Bastardized with Comme des Garçonsâ ]
christian-hetzel

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âWhite Trashâ - Christopher Makos
âIf there is a God, Iâd like to look him in the face knowing Iâd died as Iâd lived. In conscious sin.â
â Sarah Kane, from The Complete Plays: âPhaedraâs Loveâ