Ulyana Sergeenko SS20 ✦ graphic black eyeliner / beauty editorial

Andulka
Sade Olutola
ojovivo
One Nice Bug Per Day
Show & Tell
YOU ARE THE REASON

Product Placement
will byers stan first human second
he wasn't even looking at me and he found me
KIROKAZE

pixel skylines
todays bird

★
Keni

izzy's playlists!
Stranger Things

Origami Around
trying on a metaphor

seen from Netherlands
seen from Libya
seen from Italy

seen from Türkiye

seen from T1
seen from Uruguay

seen from United Kingdom
seen from Spain
seen from India
seen from Vietnam

seen from Australia

seen from United States
seen from United States
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seen from Netherlands
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@emugod
Ulyana Sergeenko SS20 ✦ graphic black eyeliner / beauty editorial

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Jarosław Grulkowski — The Secret Life of Molecules C2 (paper, pastel, charcoal, 2026)
Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.
Laura Aguilar, Grounded #111, 1992
The best movie adaptation of The Odyssey continues to be O Brother, Where Art Thou?
you have destroyed and betrayed yourself for an amazing reason

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Cuba in the early 70’s
Walk Like No One Is Driving
seaglass carousel by george tsypin (2015) - nyc

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Imagine a bladeless knife with no handle. Now put the handle back. Now put the blade back. Yaaaay! everything okay! Yaaaaaaay!
Fabian Künzel-Zeller
Blossom

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It’s Tough Getting Older
holy shit this dude is killing it
Found the comedian, his name is Andy Huggins and here's his NPR interview