emotional android

Thank you so much for playing along! The collection will be open indefinitely if you'd like to finish any prompts! Below the cut is the final list of all the words! See you next year!

And with that, we are getting things started! As a brief reminder for those new to the event -- AU Roulette is a casual fic-writing challenge encouraging fanfic authors to play around with different types of alternate universe stories, which will be randomly assigned to each participant regardless of the fandom they sign up with.

Writers will be able to sign up from May 10th-31st with a fandom of their choice. At the start of June, each participant will be assigned three AUs from a masterlist using a random number generator. Each author will then have the choice of completing the challenge one, two, or all three of the AUs. Any fic exceeding a 500-word minimum will be considered a completion, so long as it employs the AU premise. Fics can then be posted at any point during the month of June.

As a reminder: The fandom you signed up with is used to filter AU assignments, in order to minimize re-rolls! (For example, someone signing up with "The Lord of the Rings" will not be assigned a High Fantasy AU). Please only sign-up with one fandom.

prompt list for #ComeWhatMay , if anyone would like a little whump event month last-minute. Nothing groundbreaking, playing a lot of the hits haha. We'll see how far I get myself.

No AI, any human-made contributions allowed.

Text list of the prompts beyond the read-more.

My friend send me this link, is a series on a profile on Ao3 (tumblr) that has different tutorials to insert things to fanfics via html code, I thought I would share bc it’s really cool

Lists of tutorials:

How to make images fit in mobile browsers

This is a tutorial/live example on how to make large images fit on mobile browsers but remain normal size on desktop browsers.

How to mimic letters, fliers, and stationery without using images

This is a tutorial/live example on how to mimic the look of letters, fliers, and stationery (as well as other forms of written media) without using images. For all your epistolary fic needs.

How to make a “choose your own adventure” Fic

This is a tutorial/live example on how to create a "Choose Your Own Adventure" fic. While this has been explained before (see here), this particular tutorial shows you how to use a work skin to hide the next parts from the reader until they click through to get to them.

How to make linked footnotes on Ao3

This is a live example of how an author can create linked footnotes in their work with only a little bit of HTML and no workskins required. This is best viewed by clicking "Entire Work". While I've included the actual coding in bold and italic once you click "Hide Creator's Style", there's a more detailed explanation here.

How to change text on Ao3 when the cursor is hovering over it (or clicked on mobile)

This a tutorial/live example on how to have text change or appear once a cursor is hovering over it. Helpful for pop-up spoilers, language translations, quick author's notes, etc.

How to mimic author’s notes and Kudos/Comment buttons

Anonymous on tumblr: do you have a skin that would mimic the author’s notes and review/kudos buttons section from the end of a fic? the desired effect being that the fic could go on after the “end” of the fic, so after the author’s notes and review/kudos buttons

Here's a tutorial/live example to do just that, with some of the buttons actually functioning. I'll explain more inside!

How to wrap text around images

This is a tutorial/live example on how to align images to the left or right of the screen and have text wrap around them.

How to mimic email windows

This is a tutorial/live example on how to mimic email windows on AO3 without the need to use images.

How to make ios text messages on Ao3

This is a tutorial/live example on how to mimic iOS text messages on AO3 without the need to use images. There's also a chapter on how to have emojis displayed on AO3 as well.

How to make Customized page deviders

Bored with the default page dividers? This is a tutorial/live example on how customize your page dividers with no images needed (though I do show you how you could use images if you wanted to do such a thing).

How to make invisible text (That can be highlighted)

This is a live example how to make invisible text that can only be seen by highlighting the text. Tutorial is included in text, and you can always leave comments about questions you may have.

MOBILE USERS: Sadly, this probably won't work for you, since highlighting in a mobile browser is different than web. I've tried correcting this, but have yet to find a solution.

How to make a rounded playlist

Original coding and design is from layouttest. I make no claims for it, just tweaked it so it will work on AO3.

How to create notebook lined paper on Ao3

This is a live example of my AO3 skin that allows the author to recreate the look of lined notebook paper in their work. To learn more about it, you can find the tutorial here.

Sticky notes on Ao3 without using images

This is a live example of my AO3 skin that allows the author to recreate the look of sticky notes (aka Post-Its) in their fic. To learn more about it, you can find the tutorial here.

How to make deadpool’s thinking thinking boxes on Ao3

This is a live example of my AO3 skin that allows the author to recreate the look of Deadpool's thinking boxes in their fic. To learn more about it, you can find the tutorial here.

How to make newspaper articles on Ao3

V.E. Schwab's advice for creating memorable characters - works for both protagonists and villains

It also ties neatly into the simplest version of the formula for getting people emotionally engaged with your characters: or how to build the moment in which your character starts moving from their initial state to the state in which they'll start changing their own lives.

First, you figure out the one important thing the character believes that they're wrong about. There's usually a core misperception that they haven't examined. Once they're forced to engage with it, it'll start to change everything about their perception of the world they're inhabiting and/or the people in it.

Then, as V.E. says, you identify the character's great desire and their great fear: the thing that character wants more than anything, and the thing or situation that terrifies them, and that they'll go to any lengths to avoid.

And having identified these two objects or situations, you build a situation in which the two forces will be in close, direct opposition to one another... then drop the character down in between them, and squeeze. Those two opposing forces become the jaws of a vise... and you crank the vise more and more tightly closed until the character has no choice but to acknowledge those opposing forces, and start (even in a small way) to deal with the pressure being exerted and push their way through.

This does not have to be, initially, a great climactic moment. In fact, it works better if it's not. It's more effective if your character has a brief low-intensity brush with these conditions-in-conflict early on. That way, when your big resolution scene comes along about two-thirds or three-quarters of the way along through the story arc, you'll have set up a resonance between that earlier hint or intimation of what's to come, and the really big blowoff. Your readers will recognize the resonance—the throb of tension between the two occurrences, like the vibration of a plucked string—and will find satisfaction both in the true resolution having been partially telegraphed earlier, and in how it's now being experienced and resolved in full.

This approach also allows you to set up more minor resonances between the realization of the conflict and its final resolution. These can serve to bind the structure of the work more closely together: to make it look (and be) less like a series of loosely strung-together plot events, and more like a unified whole, in which ripples of story business flow backwards and forwards, interpenetrating and influencing one another, and hinting at the big one to come.

But none of this can happen until the paired and opposing what-do-they-most-desire, what-do-they-most-fear axes have been defined. So that's a subject it's smart to spend some while thinking about (and for all your characters, not just the major ones), to be sure you're getting it right.

Too many beds

Accidentally kidnapping a mafia boss

Really nice guy who hates only you

Academic rivals except it’s two teachers who compete to have the best class

Divorce of convenience

Too much communication

True hate’s kiss (only kissing your enemy can break a curse)

Dating your enemy’s sibling

Lovers to enemies

Hate at first sight

Love triangle where the two love interests get together instead

Fake amnesia

Soulmates who are fated to kill each other

Strangers to enemies

Instead of fake dating, everyone is convinced that you aren’t actually dating

Too hot to cuddle

Love interest CEO is a himbo/bimbo who runs their company into the ground

Mrs Wu is angrily berating the new guy, a slightly frail looking man who she's cornered in the recliner by the window-- normally Zhengxi's preferred reading spot. The man in the chair has a tight grip on his walking cane, but no space to get up and out of the chair with Mrs Wu squarely planted in front of him gesticulating angrily. One of her usual cronies, Mr Jiao Zhengxi thinks his name is, chimes in with his own gruffly disparaging remarks whenever there's a pause for Mrs Wu to draw breath.

I think of the first draft as an armature.

If I was making a beautiful bronze statue, I would need to make a clay model first. And, depending on the shape, before I even got out my clay I would need to get some good thick wire and create a basic shape for the clay to adhere to, so it doesn't all fall down. Once I have this essential 3D wire frame, I can start building and subtracting and refining.

But if I try to refine on just clay, it won't have enough of a core to hold it up. I'll sculpt a beautiful hand only to have the whole arm fall off and go smush.

The armature isn't the sculpture. It is the frame you build the sculpture around.

The first draft isn't the novel, it's a sort-of-novel-shaped thing that will hold up everything you build and beautify later.