Devon Walker-Figueroa, from "As a Prisoner for the Lord, Then, I Urge You to Live", Lazarus Species

Show & Tell
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
NASA
Phantogram Three
The Bowery Presents
cherry valley forever
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
Game of Thrones Daily
EXPECTATIONS
Sweet Seals For You, Always

Product Placement
let's talk about Bridgerton tea, my ask is open

Aqua Utopia|海の底で記憶を紡ぐ
noise dept.
★

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@elodieeye
Devon Walker-Figueroa, from "As a Prisoner for the Lord, Then, I Urge You to Live", Lazarus Species

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Shirō Kasamatsu aka 笠松紫浪 (Japanese, 1898-1991, b. Asakusa, Tokyo, Japan) - Shirahone Hotspring, Shinshu, 1935 (1946-57 printing) Woodblock Prints
By Andreas Knaub for Annabelle Magazine November 2023
Lilya 4-Ever dir. by Lukas Moodyssan
Eto Migriauli by Scarlett Casciello for Manifesto Magazine August 2022

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Beau Carey - Verde Ranges, 2020
RUTH ASAWA
JAPÓN 1926 – SAN FRANCISCO 2013
Pollen count, Zhong Lin
Details : A Walk at Dusk, ca. 1830-35, Caspar David Friedrich

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《今天》畫刊(Today Pictorial),1968
(via https://open.spotify.com/artist/1D2y2YAff7XfWsZH7ul6gJ?si=hwNXQOWzSbSHSatHmhHTHg)
check out my bands ep :)
// and
sternieboy.bandcamp.com
Jan De Maesschalck (Belgian, b. 1958), Untitled (Bunker), 2018. Acrylic on paper, 54.4 x 41.2 cm.
Language is what eases the pain of living with other people, language is what makes the wounds come open again. I have heard that anthropologists prize those moments when a word or bit of language opens like a keyhole into another person, a whole alien world roars past in some unassigned phrase. You remember Proust so appalled when Albertine lets fall “get her pot broken.” Or you hear a Berliner say “squat town”—and suddenly see sunset, winter, lovers cooking eggs in a grimy kitchen with the windows steaming up, river runs coldly by, little cats go clicking over the snow.
Anne Carson, Plainwater: Essays and Poetry (via merulae)
Zhang Xiaogang (Chinese, b. 1958), Amnesia and Memory: Sleep, 2006. Oil on canvas, 110 x 130 cm.

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“I have never been able to understand people with consistent lives – people who, for example, grow up in a liberal Catholic household and stay that way; or who in junior high school are already laying down a record on which to run for president one day. Imagine having no discarded personalities, no vestigial selves, no visible ruptures with yourself, no gulf of self-forgetfulness, nothing that requires explanation, no alien version of yourself that requires humor and accommodation. What kind of life is that?”
— Michael Warner, “Tongues Untied” in Curiouser: On the Queerness of Children (216)
Swell, Petros Koublis