The Cost of Surviving A War
Lizâ hands are slick with his blood. Itâs red and wet and sticks to her skin pungently. His body is still warm, but thankfully devoid of life and, thus, pain. It is a small mercy. She is running on autopilot, can barely remember afterwards how she goes through everything without breaking down before she is alone, trying desperately to scrub his blood from her hands. It feels like those hours after Grindelwald had revealed himself in the subway station, only somehow even worse. Hollow. Deafening. Unreal.
He is dead. Gone. No more. Taken from them. Stolen away from Melly whom she does not know how to face now. There is nothing but a void, a friend-shaped hole next to her and inside her and trying not to think about him hurts but thinking about him hurts even more because he will never come back, never give her that lopsided smile again, never again crack one of his awful jokes that still make her smile.
She almost skips his funeral. She cannot keep away, in the end, out of representative reasons alone, although they mean nothing at that time, dull echoes in the back of the back of her mind. What good is duty right now, when a rift has opened and swallowed a part of her life. Her face could as well be carved from stone, as little as her expressions change during the ceremony. Her eyes are surely devoid enough of life to pass for it. She does not feel like crying. Crying is not enough. It is also not right. Crying is reserved for when the night is too dark and sleep too elusive and the silence too loud. But not in front of all those people. Not in front of his casket. He wouldnât have minded, but he would have known that she would have minded, so he would have accepted her shutting herself off during the memorial. She is one of the six carrying his casket, on the left side, middle position. Walking at his side one last time. Carrying part of his weight on her shoulder just like all of them had always carried each other whenever one had been hurt in the field. They had faced death together too often to count and now it had claimed the first of them when he had been alone and surrounded by enemies. No friendly face to bid him goodbye from this world, no warm voice soothing his final worries.
She does not throw a flower on top of the casket. She pinned his auror badge onto his robe before the casket was closed. That had been her final honoring. They had been more than just colleagues, but it had all begun and it had all ended with them being aurors. It was such a fundamental part of both of them that she was sure he knew what she had been trying to say with that gesture and that he would appreciate it.
She had been asked, among others, to say a few words at the service. At first, she had refused. Absolutely sure that she could not do it, could not keep the composure to do it. But when the service is held, she cannot not say something, just like the others. But she struggles with the words. As so often for her, the right ones refuse to come. Perhaps, she decides for her own sanity, there just are no right words for this. And because that is something that does not concern the numerous people in front of her, she settles on a detail, a side note of what she wants to say. She keeps it at that one sentence.
âCharles Delgado was too good a man to not see when a sacrifice was necessary for helping people and he was too noble one to let others carry that weight.â
She does not visit his grave again.
She closes herself off from the others.
She throws herself into the war effort even more.
She gets more reckless, joining raiding parties and the front lines more often, now that an end to this war is on the horizon. Her tactics grow ruthless. Where she would incapacitate before, she is ready to kill now. She feels like having lost the polar star, like her moral compass cannot pinpoint north any longer. His unabashed goodness had been such a grounding force that she feels like a storm has torn the ground from under her feet. She also sees no reason to try relocate it.
The ambush is brutal, quick and no one knows what is happening before it is almost too late. Grindelwaldâs second in command in leading the twelve wizards. Five of her aurors are dead before they hit the ground. She manages to evade the green jet of light just so, more with accidental luck than by any honed skill. Different colours fly through the air in rapid time and she is bleeding from at least four different parts of her body when she finally has a second to breathe, which she uses to disapparate instead. Her ears pick up that there are voices yelling but her brain cannot begin to filter for the words to make sense as she stumbles forward and collapses into the arms of a person with familiar black hair.
When she wakes up again, she is lying in a hospital bed and Amelia Delgado is sitting one of those awfully uncomfortable plastic chairs that are part of every hospital in the world, chin fallen onto her chest and eyes closed. Liz does not know what to feel, is afraid of working through what she is actually feeling but she cannot stop the tears from falling silently as she slowly drifts back to sleep. The next time she wakes up, the others are there, too.
The boss yells at her. Kit threatens her with bodily harm if she is ever that stupid again. Yassaâs voice is so thick and her eyes so bright, Liz feels rotten all over again. And then, Amelia enters the room, a plastic cup of coffee in her hand, and she rushes to the bed and pulls Liz in an embrace, mumbling into her shoulder almost the exact words Kit used about never doing something that stupid again. And then she adds that she does not want to lose any of them, too. A dam breaks inside Liz. She tightens her arms around that young, brilliant woman and clings to her. She does not care for the tears that are falling freely. She babbles that she is sorry over and over again and it feels like it is not enough.
She has to spend a whole week in the hospital. By the fourth day, the president visits her to rope her back into tactical planning since she does not have to move for that. She has never seen a nurse get that angry at the highest ranking MACUSA employee, and she has been an active auror for very long by now.
When she is allowed to sign her lease, she expects to quickly drop by her flat and then head over to MACUSA. She does not expect for Yassa to wait for her on the hallway. She smiles at Liz faintly and escorts her to the Graves manor. The boss, out of all people, is pulling some sort of intervention crap for her. She can stay there. As Yassa does â of course. And as Amelia does. Apparently, even Kit is there most of the time.
âBeing alone does not seem to be a good idea for any of us,â they say. They are righter than even they may realise themselves, she muses.
Amelia tries to talk with her. A lot. Liz is still rubbish at talking. They still understand each other, though. Amelia asks her to accompany her to Delgadoâs grave. Liz feels like drowning but in the end, she agrees. It is the worst thing she has ever done but standing there at the stone engraved with his name and birth date is, in the end, strangely liberating. Amelia leaves first and then, as she is alone with him, Liz starts talking. She tells him how proud he ought to be of his daughter. How smart she is, smarter than Liz anyway, and that everyone is looking out for Amelia. She tells him how the mattress in her room is too soft and how weird it is to see the boss with bed hair every odd morning. She tells him how stupid she was and apologizes for not dealing better. She tells him how Picquery could not even wait for her to get discharged from the hospital before pestering her again. She tells him how Ibrahim had wreaked havoc in the kitchen at breakfast and how much he would have hated it. She tells him the names of their fellow aurors that also fell. She tells him they will win the war. She tells him how she wants to personally see to bringing Grindelwald to justice. Not by defeating him. She has no delusions of grandeur. But afterwards, when he already is brought down. She tells him she wants to be part of the people deciding his fate, if it comes to a trial, how she will be doing everything to get him the death sentence.
He has always been a good listener. And it is still so easy to confide in him.
âBut Iâm still not going to bring you flowers next time.â
The next time, she does indeed not bring flowers, but tells him how Grindelwaldâs forces are crumbling.
The next time, she feels so numb she is not sure if she should not lie in the ground around somewhere close, too. She stays in front of his grave for two hours. In all that time, she only says two small words.
She visits his grave several days every week. He is still the easiest, the best person for her to talk to.
She tells him about the trial. About how long the process is dragged out. She rants about that lunatic Brit that is pledging for life-long imprisonment and how he has no right to rob thousands of people of their justice, no matter how big his final part in taking down Grindelwald has been. She tells him with tears of anger brimming in her eyes that Gellert Grindelwald will not be executed for his crimes.
She tells him, with no little smugness, when Picquery has to resign due to public demand. She tells him with a chuckle that the boss asked her to run for the elections. She tells him how she replied with âonly if youâll be my head of DMLE until I can find someone competent for the jobâ.
She tells him with bafflement that the boss showed up for work the following Monday. She tells him with a helpless laugh that she guesses she has to follow through, now, too.
She visits less frequently during the planning and carrying out of her campaign. It might also have something to do with her workload on top of that, which may not include Director of Magical Security right then, but demands countless hours to rebuild the nation that is still torn after the war per request of the appointed president, who might or might not try to keep her from running against him successfully.
Three years later, the elections take place.
âYouâre not gonna believe it, Delgado,â she greets his tombstone with a hollow laugh, âIâm fucking president. I canât believe I let myself get talked into that shitshow.â
She tells him how she has an eye on Amelia who is climbing ranks faster than a bludger. She tells him how proud he would be of her. How proud she is of her. How proud the others are of her. She tells him all about Ameliaâs first own apartment and about the pictures of him on the mantlepiece. She tells him about the order Amelia gets for heroic actions in the field.
She tells him about how annoying politicians are and how much she misses being an auror. She tells him how she thinks that it was a mistake to run for office. She tells him about little things that annoy her, of stones other throw in her way sometimes. She tells him distraught how Amelia was injured on a dangerous mission. She tells him how much more she hates politics now that she has to deal with it as the only part of her job. She tells him when she manages to re-establish a new MACUSA office branch in San Francisco. She tells him how she thinks about screwing with the British delegate in the ICW every now and then because she still hates them sometimes. She tells him how the reform of laws on magical creatures is started.
One day, she tells him that she has decided to run for a second period. She tells him with the same befuddlement as the first time, that the public is apparently stupid enough to like her as their president. She tells him that she doesnât mind all that much that they seem to not notice how much of a mess she is, even more so after the war than before. She tells him how someone in the wizengamot told her that the people like her for the jaded war hero persona. She tells him how stupid it sounds to her that they think it partly makes her a good leader, or at least a reliable one. She tells him how she still sometimes thinks about just sticking it to everyone and go join the boss who has finally opened his bar. She tells him how stupid she sometimes feels for still calling him boss, since she has technically been his boss for some time and now not even working with him anymore. Again. She tells him how much it hurts to head to the auror offices and not be able to tease Graves about something or other or just share a wary sigh in mutual understanding. She tells him how stupid she thinks herself for that after all that time and with how much she sees him at home since she never moved out of Graves manor after the war.
She tells him how Goldstein the younger came to her office and actually hugged her when the laws forbidding marriage with nomajs are abolished.
She tells him how much she misses the time before the war, when everything had been so much easier.
She tells him when she promotes Amelia to head auror.
She tells him when she starts to think about retirement.
After her last day at work, she first goes to Delgadoâs grave. After half an hour of silence, she heads over to Gravesâ bar.
She tells him about the Quidditch world cup that is hosted in the US.
She tells him when Amelia decides to run for president.
âYou better be fucking proud of your baby girl, because she is going to be the fucking president.â
Maybe someone close by hears her and looks at her, shocked because that kind of crass language seems somewhat inappropriate for a woman of her age. But the one she is talking to would never mind. She knows that. He definitely did not mind while he had been alive, so why should he mind now.
Delgado had always been the easiest, the best person for her to talk to and even death had not been enough to stop him from being a good friend.