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YOU ARE THE REASON

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@electricbones
I’m assuming everyone on this site is going to need this

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rating uncle representation in avatar by accuracy
IROH (ZUKO’S UNCLE): a shamelessly reparative, whitewashed representation of the uncle figure, it is absurd to assume that one’s uncle could ever be capable of offering genuine wisdom, let alone competently leading a brutal military conquest. that said, the misogyny is a nice touch — 3/10.
THE WARDEN (MAI’S UNCLE): now this is more like it. he is an obstinately myopic asshole with utterly rancid vibes. and he’s stupid also — 9/10.
UNALAQ (KORRA’S UNCLE): while i do think it’s a bit heavy-handed of him to transform into the embodiment of all darkness, as a metaphor for unclehood, i can hardly call it inaccurate — 9/10.
BUMI (JINORA’S UNCLE): the most accurate representation of the uncle figure in the entire avatar franchise and perhaps all of media, bumi is obnoxiously obtrusive, ruins every scene he’s in with his heedless, wacky idiocy, and is entirely unnecessary to the mise en scène in a way that actively degrades the quality of the narrative as a whole. everyone would be better off if this man just disappeared, or better yet, had never been born at all. even though he is not an actively malicious figure, his unbearable stupidity coupled with his incessant need to be the loudest person in the room is itself immoral, and thus he causes harm to those around him simply by existing. while the entire show does suffer as a result of his presence, my commendations where it is due, as whoever wrote this man clearly understands the figure of the uncle with a canny insight — 100/10.
“comics about what happened to zuko’s mother! atla live action movie! avatar show about what happened to the avatar after aang! atla live action netflix show! adult gaang movie! avatar show about what happened to the avatar after korra!”
humanity’s destroyer
wait actually…. send me YOUR atla fandom hot takes….. im in the mood to gossip :]

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#hottake: The movie's leak brought in a bizarre new crop of kataang shippers with a booktok ass "omg girlboss and her brainless kind muscle husband theyre both so hot i cant choose" lens and i really need all those people dead. kataang shippers used to be generally inoffensive in the spheres I was aware of
oh wow i didn’t even know that was happening… yeah that fucking sucks lmao. but i guess that’s exactly how they wanted ppl to react based on the movie they made, so if anything we seem to be outliers for recognizing it as the cynical marketing ploy it is, and not finding the shapes & lines oh so sexy, and therefore good..
My avatar hot takes?
Kill the franchise already
The biggest problem with Korra is the switch from episodic to a linear structure.
if I could go back in time and kill the franchise in 2008 I would. even if it means never getting the awesome yangchen novels and korrasami….. it would be worth it overall… pull the trigger piglet…
and yes, lok is far more serialized on an episode to episode basis than atla is (although both narratives are linear, and I would argue that atla is ultimately more of a linear narrative than lok is, considering it follows a far more coherent, teleological narrative arc across three seasons. but I know what u meant lol). that said, I don’t think that’s inherently a problem, since there are plenty of ways to write a serialized tv show well. while the structure of lok is poorly done, I don’t think a show being 4 seasons of 13 episodes each, with a directly propulsive plot, is necessarily a flaw. atla is structured uniquely well as a quest narrative spanning three seasons, with each season encompassing its own coherent arc, while telling a focused overarching narrative with a well established and followed through telos from beginning to end. lok is structured very poorly by contrast, as each season is self-contained to the point that any attempt to gesture to a thematic & narrative throughline feels like a lazy afterthought rather than a conscious writing decision. it’s clear while watching lok that the writers had no real plan from one season to the next, and good storytelling (almost) always requires knowledge of the ending from the very beginning to make the narrative cohere thematically, especially in the kind of traditional quest narrative the avatar shows adhere to. while I wouldn’t even claim that the pacing and structure is lok’s biggest problem, it is certainly a glaring problem (one of many) in its writing that you could easily point to, especially in comparison to atla. I agree that if lok was more episodic in its structure, then its structural faults would feel far less glaring, but I do also think it would have been possible to write a more serialized tv show that works within its narrative context. ultimately, the problem with lok is that the writing is just straight up bad, and its structure and pacing is but one of many facets in which its writing is deeply, terribly flawed.
my hot take is that it makes sense for there to be a metalbending police force. ofc a state would jump at the opportunity to control such a utilitarian skill that would undermine all their power. it works so well thematically for the skill that toph learned to escape her abuse would then be used to abuse others- so much of avatar is abt that! the heroes are constantly trying to prevent their legacy from being wielded against them and all they stood for. the problem is that toph is the one who created the police force and worked as a chief, with zero regret beyond...work life balance? vague wish for her daughter to be her own person? and somehow is 100% for suyin being herself or whatever, including building a city that goes into lockdown every night using. the same ability. that toph invented. to escape. her home. that all comes off as SUCH pointed build up for absolutely nothing. toph's confrontation with kuvira could have been the ultimate opportunity for lok to make sense with some sort of consistent narrative- it started with korra, who grew up in a compound being raised as a weapon, escaping and learning abt the material conditions of the outside world. that history is not so far away and the stated intentions of republic city/the bei fong family/the white lotus are very different than the actual everyday violence they commit. and then could have ended with toph confronting how her invention that freed her was taken and used to shape a legacy through her children (maybe they were raised away from her, like an aang/korra parallel?). the problem is thait's portrayed as a normal respectable occupation that any fantasy setting should have. my other hot take is that seven heavens is a rly annoying name but i'd be interested in it if it had zero connection to avatar
hmmm i see where you’re coming from, you make a good point on a thematic level. that said, it still doesn’t make sense to me on a pragmatic, material level that the republic city police force would be comprised primarily of a) earthbenders, and b) metalbenders, which is established (within lok itself) to a rare sub-discipline of bending that not every earthbender can achieve. they even take a sort of eugenicist slant in the way they present suyin and her family’s “natural” aptitude for metalbending, so it’s actually downright bizarre how many other inconsequential background characters are also shown to be metalbenders. the text is blatantly contradicting itself! and even if metalbending was easier to accomplish than previously believed, I still don’t think the police force of this neocolonial outpost of the fire nation would be primarily of earth kingdom heritage… that said, I do think there could be a way to turn an earthbending dominated police force into trenchant commentary about the role of colonized subjects striving for relative power under their own economic and cultural subjugation and the role of the police under capitalism & colonialism. and if they were trying to actually say something meaningful regarding toph’s arc, and how that relates to the questions of freedom versus repression (how toph’s upbringing mirrors korra’s except hers is explicitly presented as harmful and abusive whereas korra never meaningfully pushes back against the white lotus for doing that to her! ugh!!) that should be the core thematic tension of korra’s self-actualization arc, then yes, I could maybe accept that metalbending is easy peasy lemon squeezy, actually, and bolin is just uniquely inept (which he famously is, anyway). but seeing as they don’t do any of that, it’s kind of just insulting that we’re expected to buy that the descendants of fire nation colonizers are not the ones primarily acting as agents of the state enforcing law and order, let alone that toph would ever in a million years be a cop. dumbass show. whateverr. it could be good if it was good…
as for the seven havens thing, the name is really stupid, but also the whole thing looks stupid. having seen the trailer, i really hate the art style, it’s simultaneously visually overwhelming yet extremely bland?? it’s giving animated megalopolis lol. also just off the bat not a fan of the orientalist “desert music” (because you know how deserts are barren landscapes that suggest an apocalyptic cataclysm having occurred to have formed them in the first place? surely not a remotely habitable naturally occurring biome, least of all not inhabited by human beings). maybe the show will somehow prove me wrong by having stellar writing (lol. lmao even) but at least for me personally, if this show wasn’t tangentially related to atla, it wouldn’t even be a blip on my radar, and i doubt anyone else would care to watch it, either….. which is why it’s part of the avatar franchise and not an original project in the first place. 🫠
Guys chill the cardigan has been saved
Reference for the second pic by bexisms below:
Stream at sunset and a Heron
Seatoller, Lake District

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not really a hottake but something thats always kind of confused me, why does it seem that only now is avatar such like a hot franchise (with the remakes and revivals and spin-offs and all the damn crossovers) when i feel like avatar has been popular and well liked pretty much since it premiered? I guess the media landscape overall has changed with regards to the crossovers (like everything wanting to become fortnite) was it just that enough time passed that the core audience of atla became adults with money or what?
I feel like they’ve been doing this to atla since the beginning…. the live action movie came out in 2010, and had intended to be a trilogy. lok was announced soon after (like literally it was first announced less than a month after the live action movie saw a theatrical release). nick knew atla was a moneymaker at the time, and so they’ve been consistently milking it for all its worth, whether with toys, merch, terrible comics, live actions, sequels, video games, novelizations, etc etc. since the beginning. but then atla itself had a sort of revival during covid due to being put on american netflix in anticipation of their godawful live action series, so of course they quickly realized they could capitalize off its hype and bryke made a deal to start “avatar studios” and well. we all know how that’s going. …………sigh.
in my little pony universe youd go to a job interview and theyd be like so how does your cutiemark reflect your dedication to this position. And every time youd have to spew some bullshit about how your cutiemark of two tennis rackets actually means youre a team player and good at multitasking and view the market like a playing field. or whatever. and you wouldnt even get the job
Putting Broken Horses on your sleep Playlist is not a good idea . Because now every time I hear the song I get sleepy. Which is not great if youre trying to turn it into an animatic
I meant hellfire by the mechanisms but I guess that doesnt really help my case either
Looking for a deep voiced southern man to sing to me while I sleep, will reward you handsomely. You may sing in viking songs, sea shanties, similar styles of song, or just yell at me about going to hell
the new euro banknote designs with the birds are sooo pretty... I hope the birdies win
I would like to get paid in birds...
You can vote for one of the bird designs here: Go Vote!!!
My beloved sent me gold and I wanted to share it.

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Simon doesn’t understand eridian or science talk LOL
I never get tired of that trope when someone shows up into an already tense scene with a gun - especially someone who doesn't usually use or handle firearms - and points it unhesitantly at someone that they would have a plausible motivation to shoot straight in the face, and the situation turns into a hostage negotiation where the person at gunpoint - who otherwise has all the power in this situation - makes a trade-off for it. Neither party is too willing to let go of what they have, the person with the gun knows very well that their own survival is only down to simple math: I have a gun and you don't.
So they negotiate, haggling fiercely for the gun, and eventually the one who held the gun reluctantly hands it over, but only after they are 100% sure that their end of the deal is settled past the point of no return, and the other party couldn't undo it all if they wanted to. Neither side has any reason to trust or believe the other side, but the matter of the gun, and the indisputability of the "I have a gun and you don't" is very real. The one with the gun sells their lifeline dearly.
And once the gun has been handed over, the one who just negotiated the gun from the one who brought it to the scene immediately tries to shoot the other one in the face. And the gun just clicks. The one who brought it in is like lmao sike it was a dud this entire time. You sold out all that you gave in exchange for nothing. Chiao sucker.