Desert Fire #249, by Richard Misrach, 1985
One Nice Bug Per Day

Game Changer & Make Some Noise

izzy's playlists!
sheepfilms
🩵 avery cochrane 🩵

Discoholic 🪩

roma★
almost home
𓃗
Noah Kahan

Interview Vampire Daily
todays bird
YOU ARE THE REASON

#extradirty
ojovivo
TMBGareOK. The Official They Might Be Giants tumblr

pixel skylines

tannertan36

seen from Malaysia

seen from Germany
seen from Israel

seen from Malaysia
seen from France

seen from United States

seen from United States

seen from Italy
seen from Germany

seen from Malaysia

seen from Ireland

seen from Vietnam

seen from United States
seen from Romania

seen from Malaysia
seen from Brazil
seen from United States

seen from Portugal

seen from Brunei

seen from Italy
@echimu
Desert Fire #249, by Richard Misrach, 1985

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
the experiment // Juan Felipe Herrera
they went south
they came north
they went south
they came north
this was their wilderness it went on decade after decade
their wilderness their desert their omnipresent exodus
they were packed separated
filtered into a bus
ordered to return after due processing yes
yet joy and happiness
continued
from Bluets by Maggie Nelson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Beautiful plain weave under magnification
This is the heat that seeks the flaw in everything and loves the flaw.
— Jorie Graham, “Tennesse June”; from The Dream of the Unified Field: Selected Poems, 1974–1994
lullaby at 102º by Traci Brimhall
Anaïs Nin
The Juruá River is a southern tributary of the Amazon River, flowing approximately 1,500 miles (2,400 km) through Brazil and Peru. For most of its length, the river winds through the Amazon basin and is generally curvy and sluggish.
See more here: https://bit.ly/31vG3Hf
-2.635833°, -65.756111°
Source imagery: Planet

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A soft liquid joy like the noise of many waters flowed over his memory and he felt in his heart the soft peace of silent spaces of fading tenuous sky above the waters, of oceanic silence, of swallows flying through the seadusk over the flowing waters.
— James Joyce, A Portrait of the Artist as a Young Man (Chapter 5)
Poet Gwendolyn Brooks on the back steps of her home in Chicago, ca. 1960.
(Photographer: Slim Aarons)
“I want the present without dressing it up with a future that redeems it, not even with a hope — until now what hope wanted in me was just to conjure away the present. But I want much more than that: I want to find the redemption in today, in right now, in the reality that is being, and not in the promise, I want to find joy in this instant.”
— Clarice Lispector, The Passion According to G. H.
Some Afternoons She Does Not Pick Up the Phone
by Anne Carson
It is February. Ice is general. One notices different degrees of ice. Its colors -- blue white brown greyblack silver -- vary. Some ice has core bits of gravel or shadow inside. Some is smooth as a flank, you cannot stand on it. Standing on it the wind goes thin, to shreds. All we wished for, shreds. The little ones cannot stand on it. Not one letter, not one stroke of a letter, can stand. Blindingly -- what came through the world there -- burns. It is February. Ice is general. One notices different degrees of ice.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Natalie Díaz, from “Grief Work”, Postcolonial Love Poem
Jorge González Velázquez (Mexican, 1966), Luz, 2015. Acrylic on paper, 36 x 47.5 cm.