I want to grab the word in my hand. Is the word an object? And from the instants I extract the juice of their fruits. I must deprive myself to reach the core and seed of life. The instant is living seed.
— Clarice Lispector, Água Viva

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I want to grab the word in my hand. Is the word an object? And from the instants I extract the juice of their fruits. I must deprive myself to reach the core and seed of life. The instant is living seed.
— Clarice Lispector, Água Viva

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I want to possess the atoms of time. And to capture the present, forbidden by its very nature: the present slips away and the instant too, I am this very second forever in the now.
— Clarice Lispector, Água Viva
I felt limp and betrayed, like the skin shed by a terrible animal. It was a relief to be free of the animal, but it seemed to have taken my spirit with it, and everything else it could lay its paws on.
— Sylvia Plath, The Bell Jar
How did I know that someday—at college, in Europe, somewhere, anywhere—the bell jar, with its stifling distortions, wouldn’t descend again?
— Sylvia Plath, The Bell Jar
Her thoughts were not my thoughts, nor her feelings my feelings, but we were close enough so that her thoughts and feelings seemed a wry, black image of my own.
— Sylvia Plath, The Bell Jar

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There ought, I thought, to be a ritual for being born twice—patched, retreaded and approved for the road.
— Sylvia Plath, The Bell Jar
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
— Sylvia Plath, The Bell Jar
I didn’t know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of my throat and I’d cry for a week. I could feel the tears brimming and sloshing in me like water in a glass that is unsteady and too full.
— Sylvia Plath, The Bell Jar
I was descending, but the white sun rose no higher. It hung over the suspended waves of the hills, an insentient pivot without which the world would not exist... A small, answering point in my own body flew toward it. I felt my lungs inflate with the inrush of scenery—air, mountains, trees, people. I thought, “This is what it is to be happy.”
— Sylvia Plath, The Bell Jar
That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.
— Sylvia Plath, The Bell Jar

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I felt dull and flat and full of shattered visions.
— Sylvia Plath, The Bell Jar
The floor seemed wonderfully solid. It was comforting to know I had fallen and could fall no farther.
— Sylvia Plath, The Bell Jar
A dispassionate white sun shone at the summit of the sky. I wanted to hone myself on it till I grew saintly and thin and essential as the blade of a knife.
— Sylvia Plath, The Bell Jar
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people’s eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
— Sylvia Plath, The Bell Jar
I had the impression it wasn’t night and it wasn’t day, but some lurid third interval that had suddenly slipped between them and would never end.
— Sylvia Plath, The Bell Jar

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