Jean Valentine - I came to you
I came to you Lord, because of the fucking reticence of this world no, not the world, not reticence, oh Lord Come Lord Come We were sad on the ground Lord Come We were sad on the ground.
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Jean Valentine - I came to you
I came to you Lord, because of the fucking reticence of this world no, not the world, not reticence, oh Lord Come Lord Come We were sad on the ground Lord Come We were sad on the ground.

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Sines | Portugal (1974)
ph. Eduardo Gageiro
R. Murray Schafer (1933-2021)
♥
Now I will do nothing but listen […] I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night. […] Walt Whitman, Song of Myself (1892 version)
(image: R. Murray Schafer, Miniwanka, or the Moments of Water (choir, SA or SATB), 1971; first performance: Children’s Opera Chorus of Toronto conducted by Lloyd Bradshaw, 1973 (youtu here))
the listening project: PROJECT #1
My first plan of attack is to approach R. Murray Schafer’s “Ear-Cleaning Exercises” as printed in A Sound Education (Arcana Editions, 1992). I will post an exercise or a selection of exercises each Monday and post a thread for discussion each Thursday. See “How do I participate in the listening project?” for more information.
Although I will be posting excerpts from the book online, I do recommend accessing the complete version for your own perusal. It is available directly from Arcana (which publishes only Schafer’s works). However, as the price is somewhat steep after tax, the fee for wiring funds, and shipping, I would remind the reader that there is absolutely nothing wrong with consulting one’s library to see if this book is available. As for methods of more dubious legality, I would also remind the reader that these exist, although I do not necessarily endorse them nor do I take responsibility for legal or ethical quandaries which may arise as a result of obtaining the book in this manner.
Here’s a bit of Schafer’s introduction to the book to get you in the right mindset:
…We listen in different ways to different things, and there is much evidence to suggest that not only individuals but societies listen differently. For instance, there is a difference between what we might call focused listening and peripheral listening. Why do we focus on certain sounds and merely overhear others? Are some sounds discriminated against culturally so that they are not heard at all?…Are some sounds filtered out or rendered inconspicuous by others? And how does the changing acoustic environment affect the kind of sounds we choose to listen to or ignore? I call the acoustic environment the soundscape, by which I mean the total field of sounds wherever we are. It is a word derived from landscape, though, unlike it, not strictly limited to the outdoors…The soundscapes of the world are incredibly variable, differing with the time of day and season, with place and which culture. Everywhere in the world today the soundscape is changing. Sounds are multiplying even faster than people as we surround ourselves with more and more mechanical gadgetry. This has produced a noisier environment…How is our hearing psychologically affected by these changes? Is there a way of filtering out unwanted sound and still allowing the desired messages through? Or does sensory overload finally beat us into a state of dopey submission or frazzled despair? …I believe that the way to improve the world’s soundscape is quite simple. We must learn how to listen. It seems to be a habit we have forgotten. We must sensitize the ear to the miraculous world of sound around us. After we have developed some critical acumen, we may go on to larger projects with social implications so that others may be influenced by our experiences. The ultimate aim would be to begin to make conscious design decisions affecting the soundscape around this. How could I put all this in the most cogent manner for teachers and individuals who might be interested in such a program? I decided the simplest form would be the best: a collection of exercises–I would call them Ear Cleaning Exercises… …I have gathered them loosely so that those at the beginning are concerned with aural perception and imagination, while those in the middle deal with the making of sounds, and those at the end deal with sound in society. Take them; they’re yours. Adapt them as necessary to your own situation and add others as they occur to you. There is no end to this project, just the continuous struggle to beautify the world in whatever ways people with good ears can imagine.
Paolo Giordano, The Solitude of Prime Numbers

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The Badlands Said (Jean Valentine)
I am the skull under your hundred doubts. I, I will be with you always. Heart’s-deprive. Still numinous and alive. Elephant’s side. Come lie down, tooth and bone. Ya, ya, from a mile high I crook you up warm, rabbit-arm. I am love’s sorrow, the desert’s violet needle and gray star.
“Isn’t there something in me like the dogs I’ve heard at home who bark all night from hunger? Something in me like trains leaving, isn’t there something in me like a gun?”
— Jean Valentine, from “After: Isn’t There Something” in Friend
ᴍᴀʀʏ ᴏʟɪᴠᴇʀ, “ᴏᴄᴛᴏʙᴇʀ”, ꜰʀᴏᴍ ɴᴇᴡ ᴀɴᴅ ꜱᴇʟᴇᴄᴛᴇᴅ ᴘᴏᴇᴍꜱ, ᴠᴏʟ. ᴏɴᴇ
Klecksography—making art from inkblots. Pioneered by Justinus Kerner, who included klecksographs in his books of poetry in the late 19th century (see images), the craft was most famously used by Hermann Rorschach for his inkblot tests.
Madge Gill, outsider artist

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*************** ATTENTION ***************
Video captured of peaceful protester Justin Howell being carried unconscious after sociopath police officers shot several bullets, hitting him in the head. Police tell protesters to bring him to them so he could receive help only to be shot with more bullets.
(WARNING: VIDEO MAY BE TOUGH TO WATCH)
How You Can Help:
Donate to his GoFundMe for his recovery
Sign this petition to fire Police Chief involved
Austin’s city manager Spencer Cronk has the authority to fire the police chief Brian Manley. CONTACT HIM AND DEMAND JUSTICE
Email: [email protected]
phone number: 512-974-2200
Source
Follow here for more news
#WakeUp
HOW TO DONATE TO BLM WHEN YOU HAVE NO MONEY
a black woman named zoe amira posted a video on youtube. this video is an hour long and filled with art and music from black creators. it has a ton of ads, and in result will rack up a ton of revenue. 100% of the ad revenue from the video will be dispersed between various blm organizations, including bail-out funds for protesters. it will be split between the following, dependent on necessity
brooklyn bail fund
minnesota freedom fund
atlanta action network
columbus freedom fund
louisville community bail fund
chicago bond
black visions collective
richmond community bail fund
the bail project inc
nw com bail fund
philadelphia bail fund
the korchhinski-parquet family gofundme
george floyd’s family gofundme
blacklivesmatter.com
reclaim the block
aclu
turn off your adblocker and put the video on repeat. do not skip ads. let it play on loop whether you’re listening or not. mute the tab if you need to focus elsewhere. but let. it. play.
youtube will donate to blm for you.
please, please reblog. for people who don’t have money to spare, this is incredibly important information to have.
@poguesgold Thank you for bringing attention to this. I checked the comments there and some Kpop fans who have experience with this say to not watch on repeat, and keep the volume at least 50% (but you can still mute the tab or plug headphones in)
I have no experience with this strategy, but as I’ve seen more than one comment there with the same advice I’d assume this is true about YouTube’s algorithm
Another youtuber called omuriceu also did this type of video where all the adsense goes to black lives matter organisations
Bouchra Khalili, The Mapping Journey Project, 2008 - 2011, 8 videos and printed map mounted on the wall.
“[Khalili] asked a number of illegal immigrants to trace on a map the journey from their native country to the one they reached and to describe it in their own language… What emerges is a unique and original cartography… With barely concealed clandestineness they cross geo-political borders that are paradoxically increasingly flexible and increasingly reinforced, more open to goods that circulate frenetically, than to people who move with a kind of monitored freedom”
- Gabi Scardi
Ralph Eugene Meatyard - Figure with Pitcher (1964)

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Vignette for book “N. K. Roerich”, 1918, Nicholas Roerich
Vignette for book “N. K. Roerich”, 1918, Nicholas Roerich