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Walkabout (Nicolas Roeg, 1971)

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brarchives

ouro preto, minas gerais, brasil: two girls during holy week, 1987 by claudia ferreira

worldscoolest

soundcarvings

Beautiful gifts

angelicdewdrop

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shisasan

Feast of Angels, 1992 © Nobuyoshi Araki / Courtesy Taka Ishii Gallery

dozydawn

petaltexturedskies

Anaïs Nin, in a diary entry dated 27 February 1929, featured in The Early Diary of Anaïs Nin: Vol. IV, 1927-1931

unteriors

Calle Grande, Minaya, Albacete, Castile-La Mancha.

lamignonette

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vlindervin7

All I can think abt is that one quote that basically just describes that you can’t be your true self in your native language bc there’s too much emotional attachment, but that second languages allow speakers to be truly free with their words

vlindervin7

“Some things could only be written in a foreign language; they are not lost in translation, but conceived by it. Foreign verbs of motion could be the only ways of transporting the ashes of familial memory. After all, a foreign language is like art—an alternative reality, a potential world. »

- Svetlana Boym, “Estrangement as a Lifestyle: Shklovsky and Brodsky”

“Bilinguals overwhelmingly report that they feel like different people in different languages. It is often assumed that the mother tongue is the language of the true self. (…) But, it first languages are reservoirs of emotion, second languages can be rivers undammed, freeing their speakers to ride different currents.”

- Love in Translation by Lauren Collins from the New Yorker, August 8 & 15, 2016

effyeffa

when ilya kaminski said in an interview “even the shape of my face changed when i began to live inside the english language”

kissmarkmakesmesmile

ingydars

paphiopedilum concolor wikipedia

nourishingbroth

randombeautysls

dance theater of harlem, circa 1970.

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jfashion-magazines

FRUiTS 116

March 2007

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