Detail of The Eve of St. Agnes (1863)
by John Everett Millais
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he wasn't even looking at me and he found me
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@dumpingcore
Detail of The Eve of St. Agnes (1863)
by John Everett Millais

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Pascal Dagnan-Bouveret (1852–1929), Madonna of the Rose, 1885
Anime Solitarie (Lonely Souls) (n/d) by Cesare Saccaggi (Italian, 1868 – 1934), signed ‘C Saccaggi’ bottom right, oil on board, 65.5 x 80 cm, Private Collection
Die Verträumte (The Dreamy One) (1898) by Wilhelm Bernatzik (Austrian, 1853 – 1906), oil on canvas, 151 x 138.5 cm (approximately 59.4 x 54.5 in), Moravian Gallery in Brno
The Lady of Shalott, (Detail), (1888), by John William Waterhouse RA (English, 1849 – 1917), oil on canvas, 183 cm × 230 cm (72 in × 91 in), Tate Britain, London

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yesterday Pope Leo XIV released his encyclical on AI, Magnifica Humanitas. im still not done with yet but i wanna bring focus to a minor part of it that has some fascinating implications.
at about 192, the Pope declares Just War Theory outdated
it’s a brief moment but it carries some fascinating implications, especially since Leo XIV is a member of the Order of St. Augustine. he’s intimately familiar with Augustinian thought, so him declaring Just War Theory outdated is very very interesting. i hope to see him expand on this in the near future.
sidenote: get fucked JD Vance
Auguste Toulmouche - "Young Woman In An Interior"(1881)
Thomas Dewing (1851–1938), Lady in Yellow, 1888
Maxfield Parrish, Sleeping Beauty in the Wood (1912)

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“Winter-Spring” ❋ Andrey Remnev — Oil on canvas
Maxfield Parrish, Sleeping Beauty in the Wood (1912)
St. Joan of Arc
cr: @/littlebeasties
— ♡ Audrey Hepburn photographed by Bernard Lipnitzki at the Hotel Raphael - Paris, 1956
quatrelobed dishes from a dessert service, each dish is decorated plants, the names of which are inscribed on the base in latin and english, derby factory, britain c. 1800.

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The Eve of St. Agnes
Artist: William Holman Hunt (English, 1847-1857)
Date: 1847-1857
Medium: Oil on mahogany
Collection: Walker Art Gallery, Liverpool, United Kingdom
Description
This painting was inpired by John Keats' poem of the same name. The poem was based upon the ancient belief that if a young woman prayed to St Agnes on the eve of her feast, then she would see in her sleep the face of the man she was destined to marry.
Thomas Wilmer Dewing (1851–1938), Lady with a Lute, 1886