.𖥔 ݁ ˖ 𝘿𝙐𝘼𝙇𝙍𝙄𝙏𝙀𝙎 , a private and selective ( multimuse ) blog. written and focused on canon removed interpretations of various 𝐒𝐓𝐀𝐑 𝐖𝐀𝐑𝐒 characters. indefinite semi hiatus and slow replies. 𝘤𝘢𝘯𝘰𝘯 𝘥𝘪𝘷𝘦𝘳𝘨𝘦𝘯𝘵 𝘢𝘯𝘥 𝘧𝘢𝘯𝘥𝘰𝘮 𝘶𝘯𝘢𝘧𝘧𝘪𝘭𝘪𝘢𝘵𝘦𝘥. developed within my original lore: inspired by star wars canon and legends & mixed media. galaxy traveled by 𝐒𝐓𝐄𝐏𝐇, 𝐭𝐡𝐞𝐲/𝐭𝐡𝐞𝐦, 𝟐𝟔.
𝐭𝐡𝐞𝐫𝐞 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐭𝐢𝐦𝐞𝐬 𝐰𝐡𝐞𝐧 𝐭𝐡𝐞 𝐬𝐭𝐫𝐮𝐠𝐠𝐥𝐞 𝐬𝐞𝐞𝐦𝐬 𝐢𝐦𝐩𝐨𝐬𝐬𝐢𝐛𝐥𝐞. i know this already. alone, unsure, dwarfed by the scale of the enemy. remember this: freedom is a pure idea. it occurs spontaneously and without instruction. random acts of insurrection are occurring constantly throughout the galaxy. there are whole armies━━ battalions that have no idea that they’ve already enlisted in the cause. remember that the frontier of the rebellion is everywhere. and even the smallest act of insurrection pushes our lines forward. &. 𝐭𝐡𝐞𝐧 𝐫𝐞𝐦𝐞𝐦𝐛𝐞𝐫 𝐭𝐡𝐢𝐬: 𝐭𝐡𝐞 𝐢𝐦𝐩𝐞𝐫𝐢𝐚𝐥 𝐧𝐞𝐞𝐝 𝐟𝐨𝐫 𝐜𝐨𝐧𝐭𝐫𝐨𝐥 𝐢𝐬 𝐬𝐨 𝐝𝐞𝐬𝐩𝐞𝐫𝐚𝐭𝐞 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐢𝐭 𝐢𝐬 𝐬𝐨 𝐮𝐧𝐧𝐚𝐭𝐮𝐫𝐚𝐥. tyranny requires constant effort. it breaks, it leaks. AUTHORITY IS BRITTLE. oppression is the mask of fear. and know this: the day will come when all these skirmishes and battles, these moments of defiance will have flooded the banks of the empire’s authority, and then there will be one too many. one single thing will break the siege. remember this: try.
⭑.ᐟ blog status: please do not follow this blog unless we are mutuals on my main blog ( this has been a standing rule and will continue as such for all my blogs! )
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PROMPTS FROM OBSESSION
* assorted dialogue from the script of the 2026 film, adjust as necessary
i've often wondered what it means to truly love someone. and then, i realized it's what i feel for you. it's a love that defies the limitations of the world, that remains steadfast even in the face of chaos.
even if the world lost its color, if hope faded into the night, my love for you wouldn't falter.
i don't think romance is real. i think love is real, but not romance.
romance fades. love is a different thing.
you are so lucky you weren't scheduled today.
hey, are you good?
did you get it back?
it's gone! i dropped it down a fucking drain. of all days...
today's been awful.
i'll see you at eight?
i can meet you early if you want. you don't have to be alone just to secure the spot.
don't come back here complaining.
for a very long time, i've tried to find the best way to tell you that you're the only person i've ever met with the same sense of humor as me.
okay, right off the bat, way too strong.
my feelings are strong.
i know i'm not gonna stop you.
dude, i love trivia night. it's all i have. i wake up every wednesday rock-hard thinking about trivia night.
you gotta take her somewhere else. you have to be clear about your intentions.
do you even try to flirt with her?
if she means this much to you, and i know she does, do it right.
are you serious?
you definitely didn't say fuck.
how do you know about the gun?
how many gunfights have you been in, [name]?
stop being an ass.
didn't you say you have a crazy story?
i'm saying no to being around bad, drunk singers when i just want to go home and sleep.
who's gonna sing salt-n-pepa with me?
don't let me forget, i got you something.
i might quit. i'm just not happy there.
i feel like i need to make a big change. i'm not feeling... love. i need my head in the right place to bring this to life.
i wanna write. the good, the bad, the ugly. real shit.
is that stupid?
is that all that's been bothering you?
you always go out of your way for me, and not just me, for everyone...
you said you had something for me?
why don't you come inside, and we can have a few drinks?
i know what you're trying to do.
i have never seen you act this way.
it's not your fault.
can we go, please?
i just can't sleep in my bed. i don't want to be alone.
it smells like you.
i'm sorry i was so weird earlier.
will you sleep with me?
please, i get in my head. i'll stare at the ceiling all night if i'm in here by myself.
given the circumstances... i needed this.
you kissed me!
can you lay with me?
what the fuck happened last night?
you wouldn't believe what a crazy night i had.
i seriously think she needs help.
i slept on the floor. she was freaking me out.
how am i supposed to get home then?
i want to be transparent with you abuout some things.
i know you like me, [name].
i've known you for so long, and i'm just now realizing i don't even know that much about you.
why are you giving it to me?
i love you so much. i don't think i could live without you.
i thought we were having a nice date?
you're cute when you sleep.
make a deal with me.
i am the happiest i've probably ever been.
i was waiting for you to come home.
i can get dressed and go with you.
no one on this earth will ever comprehend what it feels like to love someone as much as i love you.
can i stand outside?
do you like me?
can you tell me you love me?
i can be anything you want me to be.
i love you in every reality.
let's fuck, [name].
you wanted this, but i'm so glad you did.
you made a shitty wish, and you want to reverse it.
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✱˚。⋆ ↪ 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐑𝐔𝐋𝐄 𝐎𝐅 𝐅𝐈𝐆𝐇𝐓 𝐂𝐋𝐔𝐁. ( a collection of violence & injury - based action prompts. adjust phrasing / reverse roles as desired. mature themes ahead. absolutely do not use these for non-con. )
[ 01. ] sender takes receiver down to the ground during a fight.
[ 02. ] sender leaves scratches / bruises on receiver's body.
[ 03. ] sender cruelly applies pressure to receiver's [ wound / bruise ].
[ 04. ] sender lightly trails a sharp knife across receiver's cheek.
[ 05. ] sender wraps a hand around receiver's neck & cuts off their oxygen.
[ 06. ] after a long - winded chase, sender finally corners receiver.
[ 07. ] sender holds a knife to receiver's throat, blade nicking their skin.
[ 08. ] sender pushes receiver into a wall & pins them there.
[ 09. ] sender has poisoned receiver's [ drink / food ].
[ 10. ] sender aims a loaded gun at receiver, cocking the hammer.
[ 11. ] sender suddenly throws a punch at receiver during a confrontation.
[ 12. ] sender hurls an item across the room at receiver's head.
[ 13. ] sender forcefully pushes receiver's head underwater.
[ 14. ] sender unexpectedly arrives at receiver's home covered in blood & bruises.
[ 15. ] sender pleads for receiver to help them with hiding a body.
[ 16. ] sender is knocked out during a fight, & wakes up in receiver's home.
[ 17. ] sender gently dabs the blood from receiver's face with a wet cloth.
[ 18. ] sender crafts a tourniquet from their own clothes to stop receiver's bleeding.
[ 19. ] after severely wounding receiver, sender approaches them menacingly.
[ 20. ] sender takes receiver by the throat & lifts them off the floor.
[ 21. ] sender licks receiver's blood from their fingers.
[ 22. ] sender viciously bites receiver during a struggle.
[ 23. ] sender draws receiver's blood for the first time.
[ 24 ] sender grabs receiver's hair, forcing their bloodied face up to look at them.
[ 25. ] sender straddles receiver to pin them to the floor.
[ 26. ] receiver wakes up tied to a chair, sender standing before them.
[ 27. ] sender threatens receiver with torture in order to extract information.
[ 28. ] sender is severely injured & receiver must dial an emergency number.
[ 29. ] sender, bleeding through their bandages, faints in front of receiver.
[ 30. ] sender goes to strike receiver with a [ blunt object ].
[ 31. ] finally in position, sender can't make themself kill receiver.
[ 32. ] sender intentionally breaks one of receiver's bones to demobilize them.
[ 33. ] sender deprives receiver of sustenance for an extended period of time.
[ 34. ] sender slaps receiver across the face in a moment of anger.
[ 35. ] through [ coercion / force ] sender makes receiver kneel before them.
[ 36. ] sender prepares to make the killing blow upon receiver.
[ 37. ] sender jumps in front of a strike meant for receiver.
[ 37. ] after a third party threatens receiver, sender takes revenge & attacks them.
[ 38. ] sender has taken a third party prisoner as an offering to receiver.
[ 39. ] sender, in a frenzy, hunts receiver through the vast dark wilderness.
[ 40. ] receiver is trapped in a maze-like structure with sender hunting them down.
[ 41. ] sender draws receiver a hot bath to soothe their wounds.
[ 42. ] sender begs receiver not to succumb to their injuries.
[ 43. ] sender harshly takes receiver by the chin, forcing eye contact.
[ 44. ] sender is in the hospital, severely injured, & receiver just got the news.
[ 45. ] sender is the first person receiver sees after returning to consciousness.
dialogue prompts taken from or inspired by the movie PRIDE AND PREJUDICE (2005). please feel free to change the sentences for pronouns and context as you see fit!
‘ do you not want to know who has taken it? ’
‘ I doubt I have any choice in the matter. ’
‘ have you no compassion for my poor nerves? ’
‘ so will you come to the ball tomorrow? ’
‘ if every person in this room does not end the evening completely in love with you then I am no judge of beauty. ’
‘ they are not all bad. ’
‘ one of these days, someone will catch your eye and then you’ll have to watch your tongue. ’
‘ do you dance? ’
‘ so what do you recommend, to encourage affection? ’
‘ only the deepest love will persuade me into matrimony. ’
‘ you’re a great deal too apt to like people in general, you know. ’
‘ I still cannot believe what he said about you. ’
‘ I doubt we shall ever speak again. ’
‘ oh, please! it’s ten in the morning. ’
‘ do not be alarmed. excepting a sore throat, a fever, and a headache there is nothing much wrong with me. ’
‘ good lord, did you walk here? ’
‘ it’s all going according to plan. ’
‘ I never saw such a woman, she would certainly be a fearsome thing to behold. ’
‘ would you consider pride a fault or a virtue? ’
‘ my good opinion, once lost, is lost forever. ’
‘ I don’t know how to thank you. ’
‘ he can turn us out of the house as soon as he pleases. ’
‘ how happy for you, to possess the talent for flattering with such delicacy. ’
‘ shall we all look for some ribbon together? ’
‘ how do you like my ribbons for your ball? ’
‘ you may well be surprised, especially given our cold greeting this afternoon. ’
‘ oh no, it is not for me to be driven away. ’
‘ if you wish to avoid seeing me, you must go, not I. ’
‘ I hope never to encounter him. ’
‘ may I have the next dance? ’
‘ it would be most inconvenient since I have sworn to loathe you for all eternity. ’
‘ please advise me of what you would like most to hear. ’
‘ do you talk as a rule while dancing? ’
‘ I prefer to be unsociable and taciturn. ’
‘ why do you ask such a question? ’
‘ and what have you discovered? ’
‘ I hear such different accounts of you as puzzle me exceedingly. ’
‘ I hope to afford you more clarity in the future. ’
‘ what interesting relatives you have. ’
‘ almost as soon as I entered the house I singled you out as the companion of my future life. ’
‘ and now nothing remains for me but to assure you in the most animated language of the violence of my affections. ’
‘ you are too hasty! you forget that I have made no answer. ’
‘ you could not make happy and I’m convinced I’m the last person in the world who could make you happy. ’
‘ go back now and say you’ve changed your mind! ’
‘ there’s no earthly reason why I shouldn’t be as happy with him as any other. ’
‘ not all of us can afford to be romantic. ’
‘ I’ve been offered a comfortable home and protection, there’s a lot to be thankful for. ’
‘ I’m plain and I have no money and no prospects. ’
‘ do not make yourself uneasy, about your apparel. ’
‘ your mother must have been quite a slave to your education. ’
‘ upon my word, you give your opinion very decidedly for so young a person. ’
‘ no excellence can be acquired without constant practice. ’
‘ you would be in nobody’s way, you know, in that part of the house. ’
‘ I am well enough acquainted with you, to know I cannot alarm you even should I wish it. ’
‘ I do not have the talent of conversing easily with people I have never met before. ’
‘ I came to ___ with the single object of seeing you. l had to see you. ’
‘ I love you. Most ardently. ’
‘ I appreciate the struggle you have been through, and I am very sorry to have caused you pain. ’
‘ I’m sure that the feelings which, as you’ve told me, have hindered your regard, will help you in overcoming it. ’
‘ might I ask why, with so little endeavour at civility, I am thus repulsed? ’
‘ I suppose you suspect that his fortune had same bearing on the matter? ’
‘ what excuse can you give for your behaviour to him? ’
‘ you take an eager interest in that gentleman’s concerns! ’
‘ oh yes, your misfortunes have been very great indeed! ’
‘ you have ruined his chances, and yet treat him with sarcasm? ’
‘ so this is your opinion of me! thank you for explaining so fully. ’
‘ and those are the words of a gentleman? ’
‘ from the first moment I met you, your arrogance and conceit, your selfish disdain of the feelings of others, made me realize that you were the last person in the world I could ever be prevailed upon to marry. ’
‘ I shall not renew the sentiments which were so disgusting to you. ’
‘ what are men, compared to rocks and mountains? ’
‘ believe me, men are either eaten up with arrogance or stupidity, and if they are amiable they’re so easily led that they have no minds of their own whatsoever. ’
‘ take care, my love, that savors strongly of bitterness. ’
‘ I’m so sorry to intrude. they said the house was open for visitors. I had no idea… ’
‘ there is something pleasing about his mouth, when he speaks. ’
‘ you don’t mind delaying our journey for another day? ’
‘ but I know very well that nothing can be done. we have not the smallest hope. ’
‘ would I could help you. ’
‘ sir, I think it is too late. ’
‘ this is grave indeed. I will leave you. ’
‘ I forgot! I shouldn’t have said a word! ’
‘ I’m just glad that you come alone, because then I shall see less of you. ’
‘ not that I’m afraid of myself, but I dread other people’s remarks. ’
‘ oh my goodness! everybody behave naturally. ’
‘ whatever you do, do not appear overbearing. ’
‘ stop that racket and sit down! find yourself some work! ’
‘ oh lord. I shall have a seizure, I’m sure I shall. ’
‘ I return to town tomorrow. ’
‘ so soon? ’
‘ for when you were in town last winter you promised to take a family dinner with us. I have not forgot you see. at least three courses. ’
‘ well, I’m glad that’s over. ’
‘ we can now meet as indifferent acquaintances. ’
‘ you cannot think me so weak as to be in danger now. ’
‘ I think you are in great danger of making him as much in love with you as ever. ’
‘ I know this is all very untoward, but I would like to request the privilege of speaking with you. ’
‘ first, I have to tell you that I have been an unmitigated and comprehensive ass. ’
‘ thank the lord for that! I thought it would never happen. ’
‘ I knew she could not be so beautiful for nothing. ’
‘ can you die of happiness? ’
‘ bravo! that is the most unforgiving speech you’ve ever made. ’
‘ you can be at no loss to understand why I am here. ’
‘ I warn you, I am not to be trifled with. ’
‘ if you believed it impossible, I wonder you took the trouble of coming so far. ’
‘ you may ask the questions, which I may not choose to answer. ’
‘ you have insulted me in every possible way and can now have nothing further to say. I must ask you to leave immediately. ’
‘ I have never been thus treated in my entire life. ’
‘ for once in your life, just leave me alone! ’
‘ I couldn’t sleep. ’
‘ how can I ever make amends for such behaviour? ’
‘ you must know — surely you must know, that it was all for you. ’
‘ you are too generous to trifle with me. ’
‘ my affections and wishes have not changed. ’
‘ one word from you will silence me forever. ’
‘ you have bewitched me body and soul and I love and love and love you. ’
‘ I never wish to be parted from you from this day on. ’
✱˚。⋆ ↪ THE 𝐒TAGES OF 𝐈NTIMACY. a collection of various action prompts centered around the varying stages of intimacy. feel free to adjust as desired. heavily mature content, dni with this post if you are under 18, & DO NOT use these prompts for non-con scenarios. )
SETTINGS.
[01.] finding privacy in a cramped dressing room.
[02.] cramming into the backseat of a car together.
[03.] slipping into the lonesome alleyway behind the bar for "time alone".
[04.] pulling them away from a party after hours of relentless teasing.
[05.] getting handsy under the table at a fancy dining establishment.
[06.] taking the long way home and pulling over on a dark stretch of road.
[07.] staying behind at the venue after everyone else has left.
[08.] the hotel room door barely clicks shut before hands are on them.
[09.] a tent in the middle of nowhere where no one can hear anything.
NEW TERRITORY.
[10.] finding yourself staring at their mouth and getting caught.
[11.] pulling back from a kiss to look at them, then immediately going back in.
[12.] memorizing the shape of them for the first time with your palms.
[13.] that exploratory first kiss, reserved and shy.
[14.] a gentle first kiss that morphs into intense want.
[15.] feeling the shape of their body through their clothes.
[16.] asking for permission to remove one of their garments.
[17.] finally succumbing to the thick tension & colliding feverishly.
[18.] fumbling with buttons or zippers because your hands won't stop shaking.
[19.] admitting out loud that you've been thinking about this for a while.
HEATING UP.
[20.] pulling them into your lap in the midst of a heated kiss.
[21.] discovering that they're wearing [ GEAR / LINGERIE ] under their clothes.
[22.] kissing away from their lips, down the length of their neck.
[23.] desperately grinding on them through layers of clothing.
[24.] dirty talking directly into their ear to turn them on even further.
[25.] pushing them onto a piece of furniture before straddling them.
[26.] lifting them onto the countertop while making out.
[27.] tugging their hair to expose more of their throat to your mouth.
[28.] the wrecked way they say your name for the first time.
[29.] fabric tearing because neither of you has the patience for buttons.
[30.] removing an obstacle of clothing with your teeth.
UNRAVELING.
[31.] biting down on their shoulder to muffle how good it feels.
[32.] the sound they make when you find the spot that undoes them.
[33.] begging without any trace of pride left and meaning every word.
[34.] their composure cracking for the first time, they finally stop holding back.
[35.] repeating "don't stop" like it's the only language left in their mouth.
[36.] leaving possessive marks in places only they'll see.
[37.] whispering "look at me" right before you take them apart.
[38.] trying to be quiet and failing, so they clamp a hand over your mouth.
[39.] flipping positions so fast neither of you remembers who initiated it.
[40.] their nails dragging down your back hard enough to sting later.
[41.] being told to open your mouth and doing it before the sentence is finished.
[42.] having your hands pinned above your head.
[43.] the desperate scramble to get closer when there is no closer to get.
COMING DOWN.
[44.] fingers lazily tracing the marks they just left on your skin.
[45.] pulling the blanket over both of you without being asked.
[46.] that silent, dazed smile when they catch your eye across the pillow.
[47.] the shaky laugh when neither of you can remember where your shirt is.
[48.] going to get water and bringing a glass back for them without asking.
[49.] lying chest to chest, feeling their heartbeat slow back down against yours.
[50.] the quiet "hey" that means something completely different now.
[51.] "come here" said softly — not urgently. just wanting them close again.