jealousy in technicolor

Akihabara, Tokyo

Via

muna live in brooklyn (via altpress)

Isabel Sasse in St.Agni

Ursula K. Le Guin has truly, truly never missed even once

📸 : Charles

int: how do you address the tension between wanting to make really horny music as we’re becoming really puritanical as a culture? jo: that is the thesis of the record. naomi: i don’t think we can begin to address it because we’re in it. the only thing that we can try to do is present that cognitive dissonance in the piece. it’ll only become clear to us really what it really means years from now. but the record is about feeling this incredible amount of untapped frustration, horniness, or romantic longing, but under the dark cloud of the moment that we’re living in.  katie: it makes me think about m. gessen’s book about surviving autocracy and totalitarian governments. one of the things that they highlight in studies is that the ideal population for a totalitarian regime is one that is gullible and pessimistic. and being in your body and being connected to your desire makes you less pessimistic. in times that are this hard, what’s carrying us from one day to the next is a desire for something. sometimes it actually is your horniness that is providing you with a will to live. i'm interested in a world where people can fuck and at the same time strive to treat each other well. it’s a horny record and it’s also a record where it’s like, “some of you guys really need to get your act together.”

Arctic Monkeys in La Frette, 2017 By Zackery Michael

naomi performing promise @ the shrine, los angeles (8 may 2026)

@jojolovedog: I wanna be your Eastside girl (genderless)

by Donna McL

without ever touching his skin, how can i be guilty as sin?