Dronte

Bands

Against Me! (rock, folk punk) (x)

The Oozes (punk) (x)

The Hirs Collective (metal, grindcore) (x)

GEL (hardcore punk) (x)

Urn (hardcore punk) (x)

The Black Dresses (noise pop, hardcore hyperpop) (x)

Party Ghost (rock) (x)

Lagrimas (hardcore punk, scream punk) (x)

Doll Skin (rock) (x)

Dazey and the Scouts (rock, indie) (x)

G.L.O.S.S. (hardcore punk) (x)

Dog Park Dissidents (punk rock) (x)

She/Her/hers (rock) (x)

Deli Girls (hardcore electronic) (x)

Dream Nails (punk rock) (x)

Sarah and the Safe Word (rock, dark cabaret) (x)

Pinkie Promise (punk rock) (x)

B. Fraser (emo) (x)

Newgrounds Death Rugby (emo) (x)

Scowl (hardcore punk) (x)

Feminazgul (black metal) (x)

Sports Bra (dream pop, light rock) (x)

Club Sofa (indie pop) (x)

The Cost ov Living (grindcore, harsh noise) (x)

Kuromy (punk) (x)

The Sonder Bombs (indie, pop) (x)

Lidocaine (rock) (x)

I'm letting unseen forces take the wheel (cybergrind) (x)

Gum Disease (punk) (x)

Cam Girl (rock, trash rock) (x)

Gully Boys (grunge pop) (x)

Arcadia Grey (sparkle punk) (x)

Schmekel (folk punk) (x)

Destructo Disk (punk rock) (x)

User Unauthorized (hardcore punk) (x)

The Spook School (indie pop) (x)

Pinkshift (emo) (x)

Glass Beach (emo) (x)

Butch Baby (light rock) (x)

VIAL (indie punk) (x)

Sister Wife Sex Strike (folk punk) (x)

homewrecker. (metal, hardcore punk) (x)

Mega Mango (indie rock) (x)

Keep For Cheap (prarie rock) (x)

Steam Powered Giraffe (cabaret, steampunk) (x)

Thotcrime (grindcore, cybergrind) (x)

Whirlybird (indie pop) (x)

Kampsport (hardcore punk) (x)

Um Jennifer? (alt-rock, punk) (x)

Scarlet Demore (alt-rock) (x)

HappyHappy (folk, folk-punk) (x)

Queen Zee (punk) (x)

Grumpy Plum (slop pop) (x)

Cheap Perfume (punk) (x)

Pollyanna (power-pop, rock) (x)

Ballista (metalcore) (x)

Faetooth (fairy doom, metal) (x)

Lacerated (death metal) (x)

Fortuna Malvada (hardcore punk) (x)

Peach Rings (bedroom power-pop) (x)

Solo Artists

Laura Jane Grace (rock, folk punk) (x)

Left at London (pop) (x)

ZAND (pop, ugly pop) (x)

Ada Rook (hardcore electronic) (x)

Ms. White (pop) (x)

Rett Madison (indie, folk) (x)

Murder Person for Hire (folk) (x)

Backxwash (rap, industrial hip hop) (x)

LustSickPuppy (electronic, rap) (x)

Babylungs (electronic, rap) (x)

Human Kitten (folk punk) (x)

Harley Poe (folk punk) (x)

Ewy (emo, folk punk) (x)

Averstaskta (instrumental) (x)

Andie Schoen (indie) (x)

Elliot Lee (dark pop, electronic rock) (x)

Urias (hip hop, ballroom) (x)

Twink Obliterator* (cybergrind) (x)

Rio Romeo (cabaret punk, indie) (x)

Knife Girl (art pop, indie) (x)

Alexander James Adams (folk) (x)

Starmaxx (pop) (x)

Sofya Wang (pop, alt-R&B) (x)

Boy Jr (indie/alt pop) (x)

Medusa (revenge pop, hip-hop) (x)

Mal Blum (singer-songwriter, folk) (x)

Gina Young (riot grrrl) (x)

Petra Fiyd (indie pop) (x)

awfultune (bedroom pop) (x)

Quinn Hills (alternative pop) (x)

Femtanyl (electronic) (x)

Vivivivivi (electronic, glitchcore) (x)

Lilac Boy (glitchcore) (x)

Rosie Tucker (indie rock) (x)

Ryan Cassata (singer-songwriter) (x)

Pain Chain (noise, synth) (x)

In Love With A Ghost (electronic, lo-fi) (x)

Alice Longyu Gao (hyperpop) (x)

Prophetic Nightmares (ambient synthwave) (x)

Last year, Punk History Resources Volume 1 was released and was a result of a few punk blogs working together to compile resources. I want to keep that going this year with a Volume 2.

If you have anything that fits the bill, PLEASE send it over. Be it books, zines, videos, interviews! If you DM me the resource, you will get credited for your contribution as well!

FUNGUARY IS HAPPENING AGAIN!!! February is right around the corner, which means it’s soon time for Funguary 2024! the drawing event where we draw a bunch of mushroom based characters during the month of feb. This will be our third year of Funguary, and this time it’s a leap year!

Here’s how it works: Each week of the month will have a theme with seven different prompts, draw a mushroom character within that theme in order to join. The themes are Celestial, Demonic, Edible and Cryptic. Each week of February is a new theme. You don’t have to complete all the prompts, just one mushroom per theme/week is plenty!

If you’re hardcore you can definitely try and finish all the prompts though ;). The challenge intensity is adjustable to what suits you. This is a chill event where the goal is to just have fun and vibe, and honor the fungi kingdom with some really cool art🍄

Gouache painting with pigment liner gift for the owner of the local gallery I display at as he’s spent many, many hours of his time packing my ceramic work for shipping 🐇🌸

@/consciousstyle on Instagram

Going from the idiotic, Eurocentric, doomerist colonialism apologia of that "Cambridge companion to the anthropocene" book, to the clarity and reasonableness of THIS book, is giving me whiplash just about.

I read like 130 pages without even realizing, I couldn't stop! What a treasure trove of knowledge of the ways of the plants!

Most of them are not my plants, since it is a different ecosystem entirely (which gives me a really strikingly lonely feeling? I didn't know I had developed such a kinship with my plants!) but the knowledge of symbiosis as permeating all things including humans—similar to what Weeds, Guardians of the Soil called "Nature's Togetherness Law"—is exactly what we need more of, exactly what we need to teach and promote to others, exactly what we need to heal our planet.

She has a lot of really interesting information on how knowledge is created and passed down in cultures that use oral tradition. The stories and teachings she includes are a mix of those directly passed down by her teacher through a very old heritage of knowledge holders, stories with a newer origin, and a couple that have an unknown origin and (I think?) may not even be "authentically" Native American at all, but that she found to be truthful or useful in some way. She likes many "introduced" plants and is fascinated by their stories and how they came here. (She even says that Kudzu would not be invasive if we understood its virtues and used it the way the Chinese always have, which is exactly what I've been saying!!!)

She seems a bit on the chaotic end of the spectrum in regards to tradition, even though she takes tradition very seriously—she says the way the knowledge of medicinal and otherwise useful plants has been built, is that a medicine person's responsibility is not simply to pass along teachings, but to test and elaborate upon the existing ones. It is a lot similar to the scientific method, I would call it a scientific method. Her way of seeing it really made me understand the aliveness of tradition and how there is opportunity, even necessity, for new traditions based upon new ecological relationships and new cultural connections to the land.

I was gut punched on page 15 when she says that we have to be careful to take care of the Earth and all its creatures, because if human civilization destroys the biosphere the rocks and winds will be left all alone to grieve for us.

What a striking contrast to the sad, cruel ideas in the Cambridge companion of the Anthropocene, where humans are some kind of disease upon the Earth that oppresses and "colonizes" everything else...!...The Earth would GRIEVE for us!

Ash trees sprout in cracks in the asphalt. The gutters collect leaves, which become soil, in which dandelions sprout.

There’s nothing you can do

A man plants an entire forest. A young girl teaches a drone to deliver saplings. The elderly volunteer to clean up radioactive waste.

You might as well give up

Wolves return to ancestral hunting grounds. Bison return to the prairie. Otters return to the kelp beds. Young oaks push roots deep into reclaimed farmland.

Who cares anyway?

Children draw pictures of flowers. Festivals are held for cherry blossoms and pecans and apples. A crowd cheers as the last line is cut away from the ensnared creature.

I have disobeyed worse than you