Seems Sketchy.

(Top medium: gouache, bottom medium: paria canyon mud)

Sketchbook pages from the Baltimore Zoo, National Aquarium, and Harvard Museum of Natural History.

Hideo Tanaka — Cut II   (oil on canvas,  2017)

El Alto, Bolivia

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STAINED GLASS LAMPS ♡˚₊⟡‧₊

sculpture to wear: the jewelry of marjorie schick - arnoldsche art publishers (2007)

denim and jute - self tie

P.S. I just listed prints of the aperitif painting

Wally Dion, Green Star Quilt, 2019 circuit boards, brass wire, copper tube

expecting soon

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.

embroidery sample (and details); plain weave: cotton; embroidery, reversible cross-stitch: silk; average: 81.9 x 79.4 cm; morocco c. 1800s.

Poison bug

birdwatching