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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Wild dogs (or, well, bats technically-)
It's my first time drawing these three in years! It was tiring, just like how spending time with them would be!
𝑳𝒂𝒊𝒕𝒐'𝒔 𝒖𝒏𝒎𝒆𝒏𝒕𝒊𝒐𝒏𝒂𝒃𝒍𝒆 𝒑𝒓𝒐𝒃𝒍𝒆𝒎
𝘓𝘢𝘪𝘵𝘰 𝘪𝘴 𝘢 𝘧𝘢𝘪𝘳𝘭𝘺 𝘤𝘰𝘮𝘱𝘭𝘦𝘹 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳, 𝘦𝘴𝘱𝘦𝘤𝘪𝘢𝘭𝘭𝘺 𝘤𝘰𝘯𝘴𝘪𝘥𝘦𝘳𝘪𝘯𝘨 𝘩𝘪𝘴 𝘪𝘴𝘴𝘶𝘦𝘴 𝘢𝘳𝘦 𝘷𝘦𝘳𝘺 𝘮𝘶𝘤𝘩 𝘳𝘦𝘢𝘭 𝘢𝘯𝘥 𝘷𝘦𝘳𝘺 𝘮𝘶𝘤𝘩 𝘷𝘪𝘦𝘸𝘦𝘥 𝘢𝘴 𝘵𝘢𝘣𝘰𝘰.
𝘚𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘩𝘢𝘵'𝘴 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘵𝘰 𝘩𝘪𝘴 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳 𝘵𝘩𝘢𝘵 𝘐 𝘢𝘥𝘮𝘪𝘳𝘦 𝘵𝘩𝘦 𝘸𝘳𝘪𝘵𝘦𝘳𝘴 𝘵𝘢𝘬𝘪𝘯𝘨 𝘵𝘩𝘦 𝘪𝘯𝘪𝘵𝘪𝘢𝘵𝘪𝘷𝘦 𝘰𝘯, 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘩𝘪𝘴 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳 𝘴𝘩𝘦𝘥𝘴 𝘭𝘪𝘨𝘩𝘵 𝘵𝘰 𝘵𝘩𝘦 𝘧𝘢𝘤𝘵 𝘵𝘩𝘢𝘵 𝘯𝘰𝘵 𝘢𝘭𝘭 𝘷𝘪𝘤𝘵𝘪𝘮𝘴 𝘳𝘦𝘮𝘢𝘪𝘯 𝘷𝘪𝘤𝘵𝘪𝘮𝘴 𝘵𝘩𝘦𝘪𝘳 𝘦𝘯𝘵𝘪𝘳𝘦 𝘭𝘪𝘷𝘦𝘴.
𝘖𝘧𝘵𝘦𝘯 𝘸𝘦 𝘩𝘢𝘷𝘦 𝘵𝘩𝘪𝘴 𝘣𝘪𝘢𝘴𝘦𝘥 𝘷𝘪𝘦𝘸 𝘰𝘧 𝘢 𝘩𝘰𝘸 𝘢 𝘷𝘪𝘤𝘵𝘪𝘮 𝘴𝘩𝘰𝘶𝘭𝘥 𝘢𝘤𝘵 𝘢𝘧𝘵𝘦𝘳 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘳𝘢𝘶𝘮𝘢𝘵𝘪𝘤 𝘩𝘢𝘱𝘱𝘦𝘯𝘴 𝘢𝘯𝘥 𝘪𝘵 𝘳𝘦𝘢𝘭𝘭𝘺 𝘫𝘶𝘴𝘵 𝘨𝘦𝘯𝘦𝘳𝘢𝘭𝘪𝘻𝘦𝘴 𝘵𝘩𝘦 𝘴𝘶𝘧𝘧𝘦𝘳𝘪𝘯𝘨 𝘱𝘦𝘰𝘱𝘭𝘦 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦.
𝘓𝘢𝘪𝘵𝘰 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘭𝘰𝘷𝘦, (𝘢𝘵 𝘭𝘦𝘢𝘴𝘵 𝘯𝘰𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘣𝘦𝘨𝘪𝘯𝘯𝘪𝘯𝘨) 𝘣𝘶𝘵 𝘩𝘦 𝘧𝘦𝘦𝘭𝘴. 𝘈𝘯𝘥 𝘰𝘩, 𝘩𝘰𝘸 𝘩𝘦 𝘧𝘦𝘦𝘭𝘴 𝘥𝘦𝘦𝘱𝘭𝘺. 𝘐𝘵'𝘴 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘴𝘵𝘳𝘪𝘬𝘪𝘯𝘨 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘪𝘴𝘵𝘪𝘤𝘴 𝘩𝘦 𝘩𝘢𝘴. 𝘉𝘶𝘵, 𝘪𝘧 𝘪𝘯 𝘧𝘢𝘤𝘵 𝘩𝘦 𝘩𝘢𝘴 𝘢𝘭𝘭 𝘵𝘩𝘦𝘴𝘦 𝘪𝘯𝘵𝘦𝘯𝘴𝘦 𝘧𝘦𝘦𝘭𝘪𝘯𝘨𝘴, 𝘸𝘩𝘺 𝘬𝘦𝘦𝘱 𝘱𝘶𝘴𝘩𝘪𝘯𝘨 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘵𝘰 𝘵𝘩𝘦 𝘦𝘥𝘨𝘦? 𝘞𝘩𝘺 𝘴𝘵𝘪𝘳 𝘵𝘩𝘦 𝘱𝘰𝘵 𝘮𝘰𝘳𝘦 𝘵𝘩𝘢𝘯 𝘩𝘦 𝘯𝘦𝘦𝘥𝘴 𝘵𝘰?
𝘉𝘦𝘤𝘢𝘶𝘴𝘦 𝘓𝘢𝘪𝘵𝘰 𝘯𝘦𝘦𝘥𝘴 𝘪𝘵. 𝘐𝘧 𝘩𝘦 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘧𝘦𝘦𝘭 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨, 𝘩𝘦 𝘴𝘰𝘰𝘯 𝘣𝘦𝘤𝘰𝘮𝘦𝘴 𝘢 𝘩𝘶𝘴𝘬, 𝘢 𝘴𝘩𝘦𝘭𝘭. 𝘛𝘩𝘦 𝘰𝘯𝘭𝘺 𝘵𝘩𝘪𝘯𝘨 𝘩𝘦'𝘭𝘭 𝘦𝘷𝘦𝘳 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘩𝘪𝘴 𝘯𝘢𝘮𝘦 𝘪𝘴 𝘨𝘳𝘢𝘥𝘦 𝘈 𝘱𝘪𝘵𝘺. 𝘓𝘢𝘪𝘵𝘰 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘣𝘦 𝘢 𝘷𝘪𝘤𝘵𝘪𝘮, 𝘩𝘦 𝘸𝘢𝘯𝘵𝘴 𝘵𝘰 𝘣𝘦 𝘴𝘰 𝘮𝘶𝘤𝘩 𝘮𝘰𝘳𝘦.
𝘓𝘢𝘪𝘵𝘰, 𝘪𝘯 𝘮𝘺 𝘰𝘱𝘪𝘯𝘪𝘰𝘯, 𝘮𝘪𝘴𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥𝘴 𝘩𝘪𝘮𝘴𝘦𝘭𝘧. 𝘞𝘩𝘪𝘤𝘩 𝘳𝘦𝘢𝘭𝘭𝘺 𝘪𝘴 𝘪𝘳𝘰𝘯𝘪𝘤 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘩𝘦 𝘦𝘹𝘤𝘦𝘭𝘴 𝘢𝘵 𝘳𝘦𝘢𝘥𝘪𝘯𝘨 𝘰𝘵𝘩𝘦𝘳𝘴 𝘭𝘪𝘬𝘦 𝘢 𝘱𝘪𝘤𝘵𝘶𝘳𝘦 𝘣𝘰𝘰𝘬. 𝘏𝘦 𝘵𝘩𝘪𝘯𝘬𝘴 𝘩𝘦 𝘥𝘰𝘦𝘴 𝘢𝘭𝘭 𝘵𝘩𝘪𝘴 𝘤𝘢𝘭𝘤𝘶𝘭𝘢𝘵𝘦𝘥 𝘥𝘦𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘩𝘦'𝘴 𝘳𝘶𝘪𝘯𝘦𝘥. 𝘞𝘩𝘦𝘯 𝘪𝘯 𝘧𝘢𝘤𝘵, 𝘩𝘦 𝘥𝘰𝘦𝘴 𝘪𝘵 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘩𝘦 𝘪𝘴𝘯'𝘵.
𝘏𝘦 𝘩𝘰𝘱𝘦𝘴 𝘧𝘰𝘳 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘣𝘦𝘵𝘵𝘦𝘳 𝘦𝘢𝘤𝘩 𝘥𝘢𝘺, 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘮𝘰𝘳𝘦, 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘳𝘦𝘢𝘭, 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘢𝘯𝘨𝘪𝘣𝘭𝘦. 𝘛𝘰 𝘧𝘰𝘳𝘨𝘦𝘵 𝘢𝘯𝘥 𝘵𝘰 𝘧𝘦𝘦𝘭, 𝘵𝘩𝘢𝘵'𝘴 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘩𝘦 𝘸𝘢𝘯𝘵𝘴 𝘵𝘰 𝘭𝘪𝘷𝘦, 𝘪𝘵'𝘴 𝘵𝘩𝘦 𝘭𝘪𝘧𝘦 𝘩𝘦'𝘴 𝘴𝘱𝘦𝘯𝘵 𝘺𝘦𝘢𝘳𝘴 𝘤𝘶𝘳𝘢𝘵𝘪𝘯𝘨 𝘧𝘰𝘳 𝘩𝘪𝘮𝘴𝘦𝘭𝘧.
𝘓𝘢𝘪𝘵𝘰 𝘵𝘩𝘪𝘯𝘬𝘴 𝘩𝘦'𝘴 𝘭𝘰𝘴𝘵 𝘩𝘪𝘮𝘴𝘦𝘭𝘧, 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦𝘭𝘺. 𝘛𝘩𝘦 𝘵𝘳𝘶𝘵𝘩 𝘪𝘴, 𝘩𝘦'𝘴 𝘰𝘯 𝘢 𝘤𝘰𝘯𝘴𝘵𝘢𝘯𝘵 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘵𝘰 𝘧𝘪𝘯𝘥 𝘩𝘪𝘮𝘴𝘦𝘭𝘧, 𝘯𝘰 𝘮𝘢𝘵𝘵𝘦𝘳 𝘸𝘩𝘢𝘵. 𝘏𝘦 𝘧𝘢𝘤𝘦𝘴 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘵𝘩𝘳𝘰𝘸𝘴 𝘩𝘪𝘮𝘴𝘦𝘭𝘧, 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨, 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘰𝘯𝘦 𝘥𝘢𝘺, 𝘪𝘵'𝘭𝘭 𝘣𝘦 𝘸𝘰𝘳𝘵𝘩 𝘪𝘵. 𝘏𝘦'𝘭𝘭 𝘴𝘰𝘰𝘯 𝘣𝘦 𝘮𝘰𝘳𝘦 𝘵𝘩𝘢𝘯 𝘵𝘩𝘢𝘵 𝘥𝘢𝘮𝘢𝘨𝘦𝘥 𝘭𝘪𝘵𝘵𝘭𝘦 𝘣𝘰𝘺 𝘪𝘯 𝘱𝘢𝘯𝘵𝘴 𝘵𝘰𝘰 𝘣𝘪𝘨 𝘵𝘰 𝘧𝘪𝘵 𝘩𝘪𝘮.
𝘐𝘧 𝘩𝘦 𝘨𝘢𝘷𝘦 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘢 𝘤𝘩𝘢𝘯𝘤𝘦, 𝘫𝘶𝘴𝘵 𝘰𝘯𝘦, 𝘩𝘦'𝘥 𝘴𝘦𝘦 𝘵𝘩𝘢𝘵 𝘵𝘩𝘪𝘴 𝘦𝘯𝘵𝘪𝘳𝘦 𝘵𝘪𝘮𝘦, 𝘩𝘦'𝘴 𝘣𝘦𝘦𝘯 𝘸𝘢𝘪𝘵𝘪𝘯𝘨 𝘧𝘰𝘳 𝘤𝘩𝘢𝘯𝘨𝘦, 𝘦𝘢𝘤𝘩 𝘤𝘰𝘭𝘥 𝘢𝘯𝘥 𝘤𝘢𝘭𝘤𝘶𝘭𝘢𝘵𝘦𝘥 𝘴𝘵𝘦𝘱, 𝘧𝘰𝘳𝘤𝘪𝘯𝘨 𝘩𝘪𝘮 𝘵𝘰 𝘣𝘦 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘩𝘦 𝘪𝘴𝘯'𝘵.
𝘍𝘢𝘤𝘢𝘥𝘦 𝘪𝘴 𝘩𝘪𝘴 𝘧𝘢𝘷𝘰𝘶𝘳𝘪𝘵𝘦 𝘮𝘦𝘢𝘭, 𝘮𝘦𝘢𝘯𝘪𝘯𝘨𝘭𝘦𝘴𝘴 𝘬𝘪𝘴𝘴𝘦𝘴 𝘢𝘳𝘦 𝘩𝘪𝘴 𝘤𝘪𝘨𝘢𝘳𝘦𝘵𝘵𝘦𝘴. 𝘐𝘵'𝘴 𝘴𝘢𝘧𝘦, 𝘪𝘵'𝘴 𝘤𝘰𝘮𝘧𝘰𝘳𝘵𝘢𝘣𝘭𝘦, 𝘩𝘦 𝘤𝘢𝘯'𝘵 𝘣𝘦 𝘩𝘶𝘳𝘵 𝘭𝘪𝘬𝘦 𝘵𝘩𝘪𝘴.
𝘉𝘶𝘵 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦, 𝘣𝘶𝘳𝘪𝘦𝘥 𝘷𝘦𝘳𝘺 𝘷𝘦𝘳𝘺 𝘥𝘦𝘦𝘱, 𝘩𝘦 𝘴𝘵𝘪𝘭𝘭 𝘸𝘪𝘴𝘩𝘦𝘴 𝘴𝘰𝘮𝘦𝘰𝘯𝘦 𝘸𝘰𝘶𝘭𝘥 𝘩𝘦𝘭𝘱 𝘢𝘯𝘥 𝘳𝘦𝘢𝘤𝘩 𝘰𝘶𝘵 𝘵𝘰 𝘩𝘪𝘴 𝘴𝘪𝘯𝘬𝘪𝘯𝘨 𝘧𝘰𝘳𝘮 𝘢𝘯𝘥 𝘯𝘦𝘷𝘦𝘳 𝘭𝘦𝘵 𝘨𝘰, 𝘦𝘷𝘦𝘯 𝘪𝘧 𝘩𝘦 𝘥𝘳𝘢𝘨𝘴 𝘵𝘩𝘦𝘮 𝘥𝘰𝘸𝘯 𝘸𝘪𝘵𝘩 𝘩𝘪𝘮.
𝘛𝘩𝘪𝘴 𝘪𝘴 𝘓𝘢𝘪𝘵𝘰'𝘴 𝘜𝘯𝘮𝘦𝘯𝘵𝘪𝘰𝘯𝘢𝘣𝘭𝘦 𝘗𝘳𝘰𝘣𝘭𝘦𝘮.
𝘏𝘦 𝘤𝘳𝘢𝘷𝘦𝘴 𝘵𝘩𝘦 𝘤𝘰𝘭𝘥𝘯𝘦𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘵𝘩𝘢𝘵 𝘩𝘦'𝘴 𝘮𝘶𝘥𝘥𝘪𝘦𝘥 𝘣𝘺 𝘩𝘪𝘴 𝘰𝘸𝘯 𝘷𝘪𝘤𝘦𝘴.
𝘏𝘦 𝘸𝘢𝘯𝘵𝘴 𝘵𝘰 𝘧𝘪𝘯𝘢𝘭𝘭𝘺 𝘣𝘦 𝘩𝘶𝘳𝘵 𝘪𝘯 𝘢 𝘸𝘢𝘺 𝘵𝘩𝘢𝘵 𝘥𝘰𝘦𝘴𝘯'𝘵 𝘫𝘶𝘴𝘵 𝘧𝘦𝘦𝘭 𝘨𝘰𝘰𝘥, 𝘣𝘶𝘵 𝘐𝘚 𝘨𝘰𝘰𝘥. 𝘐𝘴 𝘳𝘦𝘢𝘭. 𝘑𝘶𝘴𝘵 𝘧𝘰𝘳 𝘩𝘪𝘮, 𝘢𝘯𝘥 𝘩𝘪𝘮 𝘢𝘭𝘰𝘯𝘦. 𝘏𝘦'𝘴 𝘱𝘢𝘵𝘩𝘦𝘵𝘪𝘤 𝘭𝘪𝘬𝘦 𝘵𝘩𝘪𝘴, 𝘢𝘯𝘥 𝘩𝘦 𝘬𝘯𝘰𝘸𝘴 𝘪𝘵.
Sakamaki Shu's childhood 🦇👑🎻
Was born October 18th during full 🌕 in royal delivery room where every single heir is born. His birth was extremely auspicious and joyous moment for entire 🦇 clan who were eagerly awaiting arrival of the very 1st child of supreme vampire lord.
Every best wet nurses, maids , servants were present including Karlheinz to assist Beatrix's delivery. Beatrix had the easiest delivery compared to Cordelia and Christa
During pregnancy, she didn't hesitate to demand the very best items for her unborn child like: expensive and comfortable baby clothes, expensive and luxurious baby cradle embedded with beautiful sculpture and jewelries , toys like swords, golden ball, foods she craved etc. She didn't hesitate to show off her pregnant belly to Cordelia in form of mockery since Cordelia couldn't lay her finger on Beatrix.
The moment Shu was born, her room was already filled with congratulatory 🎁 from 🦇 nobles and other clans except 🐍.
Young Shu was raised in extreme luxury and extreme care. Maids and servants were readily available for his care and comfort. Beatrix was feeding him on time without delay.
Baby Shu was a calm, easy to deal with and healthy baby who just looked like one of those beautiful cherub babies in paintings and could be easily held by everyone. He loved sleeping, he slept like 12-14 hrs a day. He even had a favorite pillow. His nannies absolutely adored him. Beatrix definitely showed him off to her aristocrat 🦇 friends to show how much cute and adorable her precious heir is.
Shu had early growth sprout. Beatrix loved dressing young Shu in formal royal ass clothes which screamed status. His daily wears suits, boots, bed wear everything was made of high quality fabric which wasn't easy to afford
His comfortable life didn't last long as Beatrix and 🦇 nobles insisted on training him early around 4-5 yrs old.
His damned suffocating schedule began early. During 1/2 of day, he had to learn forcefully- philosophy, politics, maths, physics , various languages like latin, English, Romanian (Yuma/Edgar is Romanian), demon language, 🦇 conduction and other 1/2 consisted him training for ⚔️, ball room dancing, etiquettes etc. Beatrix made sure to hire the best tutors for young Shu. Poor creature rarely had breaks. Not to mention, Beatrix appointed one of the butlers to watch him during study(MB prequel Shu) so he doesn't snooze off during study. Beatrix would often check up on them if they’re doing their job properly or not
He kinda read other books too like Joan of arc(HDB Shu ecstasy 7), Books written by Shakespeare, fairytales etc. too for knowledge . After reading those books he kinda wondered what outside world felt like.
Every single time he wanted to go out to play or run into courtyard after finishing his study, servants and his mom would come running restrict him and tell him that "Father's precious heir shouldn't look at the filthy world outside the castle", "what if something happens to the precious heir" (DL Shu Dark Epilogue) and he would be taken back to his room
Young Shu actually tried to befriend servant's children but those children were so fakely cheering him, letting him win, acting as he's somehow superior. Rather than a friend, he felt like he's someone using some poor people for his own entertainment. So he stopped playing with them . Also Beatrix didn't allow him to play for much time. These servant children taught Shu of secret passages of their castle and how to sneak off .
Young Shu was a quick learner and hard worker, his tutors were impressed. But not Beatrix, Beatrix always would encourage him to be best as he’s "the most influential candidate for the next head" (MB Shu Maniac Epilogue)
When Beatrix got pregnant the 2nd time, young Shu was neutral, neither happy or sad. He secretly wished his mother would focus more on baby than him so he could have more free time. I kinda theorize that young Shu was physically around 4-5yrs when Reiji was born.
After Reiji was born , Young Shu thought his mom would focus more on the baby than him. But to his surprise, his mom gave baby Reiji to the wet nurses and maid and kept her focus and attention on him. Beatrix claimed that baby Reiji would become his right hand in future.
Young Shu rarely spent time with young Reiji. Baby Reiji for some reason didn't like Shu. After hitting certain age, they would sometimes discuss a book together or discuss about demon world's maps and important location in it (YB), play a note together at a party where he would play piano 🎻 and Reiji would play 🎹 . But this situations were rare and remained as distant memory
Young Shu didn't like young Reiji's attitude. But didn't hate him yet.
According to Laito, in childhood, Shu, despite his vampire nature, was called an " angel " because of his exemplary behavior as a good boy from a wealthy family(DF Shu dark 6). His good behavior was instilled in him by Beatrix.
Despite looking innocent, young Shu somehow was very cunning and observant who knew how to manipulate, ignore, taunt and use people without them realizing while remaining calm af
Every time Young Shu dared to disobey or wanted to play for longer time, Beatrix would berate him and prolly whipped him, threw him dungeon. Beatrix's cold stare was enough to stop him on his tracks. No wonder he's so irritated by her.
His pressure to be best candidate increased 10 folds after the birth of the triplets.
Although young Shu had the right to inherit the house " for glory and honor ," he didn't want it and didn't see happiness in it, even if all of this fell into his lap at birth (MB Shu Dark Prologue) .
Beatrix wanted to secretly arrange a lavish age coming ceremony for Shu and Reiji , her plan was ruined by Cordelia (YB vol. 1)
Being bored of his suffocating life, he once escaped to a certain village in Romania where he met Edgar aka future Yuma mukami for the 1st time
Edgar surprised to see a nobleman aka little Shu alone in such a dark and deserted place. Edgar offered him a 🤝 and🍎 (MB Shu dark epilogue)/offered young Shu a 🤝 amd to teach how to use gun(HDB Shu dark epilogue), and their friendship began.
The next day, he helped his new friend carry firewood, scared off the wolves that were attacking them, and helped himself to an apple, but he didn't admit he was a vampire—he didn't use his power (MB Shu Dark Prologue) . After that, he began sneaking off every day to Edgar, with whom he felt "alive": under the strict supervision of the house, he studied as diligently as possible, despite being increasingly scolded, and with his friend, he learned to grow apples, hunt, and sleep in the forest without fire. He called his entire previous life "unbearable," meaningless: he said and did as he was told—that world now seemed insignificant. Edgar was amazed how an aristocrat could curse his way of life: if only he and his entire village could live in warmth, well-fed, and wear beautiful clothes. (MB Shu dark epilogue
Edgar once gifted young Shu a German shepherd pup but Beatrix ordered the butler to throw it away (DL anime)
Young Shu's escapades lasted a year. He even scrawled his demon name Lillie and Edgar's name in the Sakamaki 🏰abandoned tunnel wall leading to Edgar's village(DF Yuma Maniac Prologue) . Young Shu's frequent disappearance irritated Beatrix(HDB manga) So Young Rejji took the matter to his own hand.
So once Shu decides to invite his friend to the ball, but Edgar, in disguise, is exposed by Reiji, who had previously noticed the two together in the forest. He reminds Shu that humans are food for vampires (MB Shu Maniac Prologue)
Few days later , Little Reiji set fire to Edgar's village while he was teaching Shu to use hunting gun(HDB Shu ecstasy prologue) Edgar ran to fire to save his family while Young Shu stood there shocked then the butler dragged him back to castle(HDB ecstasy Epilogue Shu) while Little Reiji watching the scenario and having his villain moment
After the incident, Beatrix began to notice her son's absent-mindedness, which was reflected in his studies, and Reiji increasingly mocked his brother (MB Shu Maniac Epilogue) . Shu himself returned to the burnt-out village in the hope of seeing Edgar there while in HDB ecstasy Epilogue Shu found his friend burnt to ashes.during one of his visits, Reiji, who happened to be there, blamed Shu for what happened - since then, the boy decided: if he doesn't have anything dear to him, then there is nothing to take away (MB Shu Ecstasy Epilogue) . Poor baby became completely broken after losing his sole true friend .
Beatrix wanted young Shu befriend 🦇aristocrat youths who would help him in future during succession. But young Shu didn't like two face, selfish , greedy nature of those children. They're also jealous of young Shu without knowing his situation telling Shu how lucky he is to be a prince
Though Karlheinz rarely visited Beatrix's side of castle. Sometimes he would visit to check out the condition of sons. He met his father 1st when he's around 7-8 yrs old. He was impressed though not as much as Reiji by his dad's powers, elegance and intelligence . His mother would often say to young Shu how much lucky to be a heir of such an astonishing vampire .
Karlheinz gave his young son, Shu a violin (MB Reiji Dark Epilogue) . It was the best gift, he ever received . It was Karl who hired a tutor to teach him how to play 🎻. When he heard melody from his tutor 🎻 the 1st time, he was in cloud nine and immediately fell in love with classical music. Beatrix at 1st wasn't sure why Karl gave him 🎻 which was associated with human culture. But since it was Karlheinz's decision, she couldn't ask much
This music helped him to cope up with his sorrow, loneliness and coldness, he suffered during extreme pressure of being a heir . Young Shu quickly became an expert at it. His play would touch people's soul. Servants and 🦇 ladies would praise him for his talent
Beatrix liked Shu's playing the violin his father gave him (MB Reiji Dark Epilogue) , and she listened to him perform with other ladies at his birthday party (MB Reiji Dark Epilogue)
Though later that 🎻 was found broken in the castle's inner garden (MB Reiji Maniac Prologue) . That 🎻 was Stradivarius and was expensive af. He got a new one later but nothing beats the 1st item and it's experience.
Once he heard horrible 🎻 playing from other side of castle which felt like screeching. It was young Ayato who was forced to learn violin.
He once actually thought of killing young Reiji by wringing his neck but later discarded the thought as it would be troublesome to deal with dead body.
Beatrix enjoyed throwing lavish parties. Beatrix would often celebrate Shu's birthday lavishly. Young Shu rarely enjoyed these troublesome parties. He was forced to give long ass speech, entertain those annoying nobles, communicate with others, dance with those 🦇 noble ladies, see those annoying suckers sucking upto him and Beatrix
Little Shu was extremely popular amongst 🦇 girlies. Every little 🦇 girl wanted to dance with him during the balls and galas.
1st met his other siblings Young triplets and Subaru through a gala his dad forced to attend along with their moms and their 2nd meeting was through YB incedent
Once young Laito hid candy wrappers in Shu's pocket when young Reiji found out he rebuked Shu. Shu was pretty upset about it. Later to teach young Laito a lesson, he threw a🐛 at Laito's face. Laito never dared to mess with Shu again.
After age coming ceremony, he lost his innocence and expressiveness, he became cold, distant and aloof . No matter how much he was pressurized, he just didn't give a fuck, did whatever he wanted whilst grieving his friends death.
GIF by @jealousjulian
Baby Shu pic from- @fyeahdialovers

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Okay here me out boys and girls
Laito is a lot more bipolar than Kanato is
The symptoms of bipolar disorder include: Mood Swings: Extreme shifts between high (mania or hypomania) and low (depression) moods. Depressive Symptoms: Feelings of sadness, hopelessness, and loss of interest in activities, along with tiredness and changes in appetite. Manic Symptoms: Increased energy, irritability, and risky behavior during manic episodes. Physical Symptoms: Changes in sleep patterns and appetite, as well as physical restlessness. Mixed Episodes: Experiencing symptoms of both mania and depression simultaneously. These symptoms can vary in intensity and duration, making diagnosis complex.
Thing about kanato, he dpesnt always have highs, or manic states. Hes mostly just irratible
Laito however, he has highs and extreme lows where he lashes out at people or brides
Increased sexual drive is also a huge symptom of bipolar
Try to prove me wrong laito fans. I actually really don't wanna be right-
Just another note though, Laito CAN be impulsive. As shown with him making decisions quickly when it comes to yui
• ★🎪 • ★🎪 • ★🎪 • ★🎪 •
𝐂ⁱ𝖱𝐂ᵘ𝖲
𝖣ⁱ𝐀𝖡ᵒ𝐋𝖨ᵏ 𝐋𝖮ᵛ𝐄𝖱ˢ 𝐀𝖴
ʷʳⁱᵗᵗᵉⁿ ᵃⁿᵈ ᶜᵒⁿᶜⁱᵉᵛᵉᵈ ᵇʸ: ⁱᵗᶻʳᵒᶜᵒᶜᵒ
• ★🎪 • ★🎪 • ★🎪 • ★🎪 •
★ ˢ𝐡𝗎 (Shu)
- the sleepy lion tamer.
‧₊ ˚ ⋅ | Constantly napping in the cage instead of training lions.
‧₊ ˚ ⋅ | Lions are actually chill because he’s too lazy to bother them.
‧₊ ˚ ⋅ | Half the act is him yawning while a lion walks past.
‧₊ ˚ ⋅ | Audience thinks it’s “performance art.”
‧₊ ˚ ⋅ | Only wakes up if the crowd boos too loud.
𔘓 “If the lions eat me… at least I won’t have to work.” 𔘓
★ ʳ𝐄𝖨ʲ𝐈 (Reiji)
- the Strict Ringmaster
‧₊ ˚ ⋅ | Perfectly dressed, controls everything with a clipboard and whip.
‧₊ ˚ ⋅ | Yells at performers for being “unprofessional.”
‧₊ ˚ ⋅ | Times every act down to the second.
‧₊ ˚ ⋅ | Terrifies clowns into crying on stage.
‧₊ ˚ ⋅ | Won’t let anyone touch his top hat.
𔘓 “This is a circus, not a zoo of incompetence!” 𔘓
★ ᵃ𝐘𝖠ᵗ𝐎 (Ayato)
- The fire breather ( disaster edition)
‧₊ ˚ ⋅ | Always nearly burns his own eyebrows off.
‧₊ ˚ ⋅ | Screams “ORE-SAMA’S FLAMES!” before every attempt.
‧₊ ˚ ⋅ | Swigs too much fuel, ends up coughing fire.
‧₊ ˚ ⋅ | Audience claps anyway because it’s chaos.
‧₊ ˚ ⋅ | Once set part of the tent on fire and called it “part of the act.”
𔘓 “Oi! Look at me, I’m the hottest one here!” 𔘓
★ ᵏ𝐀𝖭ᵃ𝐭𝗈 (𝖪𝖺𝗇𝖺𝗍𝗈)
- Creepy doll puppeteer
‧₊ ˚ ⋅ | Runs a puppet act with creepy dolls that make kids cry.
‧₊ ˚ ⋅ | Screams if the strings tangle.
‧₊ ˚ ⋅ | Makes his dolls “sing” eerie lullabies.
‧₊ ˚ ⋅ | Eats sweets mid-performance, throws tantrums when they run out.
‧₊ ˚ ⋅ | Once replaced a doll with Teddy and threatened the audience.
𔘓 “Smile at Teddy… or else.” 𔘓
★ ˡ𝐀𝖨ᵗ𝐎. (Laito)
- the flirty magician
‧₊ ˚ ⋅ | Pulls roses (and lingerie) out of hats.
‧₊ ˚ ⋅ | Volunteers pretty girls from the audience every time.
‧₊ ˚ ⋅ | Half the tricks are just excuses to flirt.
‧₊ ˚ ⋅ | Magically makes his shirt disappear every show.
‧₊ ˚ ⋅ | Staff have banned him from the saw-in-half box.
𔘓. “Hehe~ wanna see my wand, babe?” 𔘓
★ ˢ𝐔𝖡ᵃ𝐑𝖴 (Subaru)
- The strongman
‧₊ ˚ ⋅ | Hurls weights across the ring in a rage.
‧₊ ˚ ⋅ | Crushes metal bars with his bare hands.
‧₊ ˚ ⋅ | Punches props when the crowd cheers too loud.
‧₊ ˚ ⋅ | Once tried to storm off but the crowd thought it was part of the act.
‧₊ ˚ ⋅ | Accidentally breaks every “test your strength” game on the grounds.
𔘓 “I’m not here to entertain you bastards!” 𔘓
★ ʳ𝐔𝖪ⁱ (Ruki)
- the knife thrower
‧₊ ˚ ⋅ | Perfect aim, never misses.
‧₊ ˚ ⋅ | Terrifies his assistants (usually Kou or Yui).
‧₊ ˚ ⋅ | Does it calm, slow, like it’s second nature.
‧₊ ˚ ⋅ | Audience loves his deadly serious vibe.
‧₊ ˚ ⋅ | Has a habit of sharpening blades mid-conversation.
𔘓 “Stay still, or this becomes very unpleasant.” 𔘓
★ ᵏ𝐎𝖴 (Kou)
- The Sparkling Acrobat
‧₊ ˚ ⋅ | Swings from the trapeze yelling “KOU-KUN’S HERE~!”
‧₊ ˚ ⋅ | Always adds glitter to his costumes.
‧₊ ˚ ⋅ | Livestreams rehearsals for his fans.
‧₊ ˚ ⋅ | Pretends to nearly fall for drama, then winks.
‧₊ ˚ ⋅ | Sometimes argues with Reiji mid-performance.
𔘓 “Catch me on the high ropes, babes~ don’t blink or you’ll miss me!” 𔘓
★ ʸ𝐔𝖬ᵃ (Yuma)
- The Farmer-Turned-Food Stall Guy
‧₊ ˚ ⋅ | Doesn’t perform — runs the circus food stalls.
‧₊ ˚ ⋅ | Screams about his corn being the best.
‧₊ ˚ ⋅ | Throws popcorn at hecklers.
‧₊ ˚ ⋅ | Once tried to join Ayato’s fire act, nearly burned the fryer.
‧₊ ˚ ⋅ | Still makes the most money out of everyone.
𔘓 “COME GET YA BLOODY FRESH CORN!” 𔘓
★ᵃ𝐙𝖴ˢ𝐀 (Azusa)
- The Knife Juggler (Accidental Star)
‧₊ ˚ ⋅ | Doesn’t realise how dangerous juggling is.
‧₊ ˚ ⋅ | Drops knives constantly, apologises softly.
‧₊ ˚ ⋅ | Somehow never gets cut.
‧₊ ˚ ⋅ | Audience is terrified and mesmerised.
‧₊ ˚ ⋅ | Calls his knives by names like “Eve” and “Angel.”
𔘓 “Mmn… it’s okay if they… cut me, right?” 𔘓
★ᶜ𝐀𝖱ˡ𝐀 (Carla)
- The Dark Illusionist
‧₊ ˚ ⋅ | Gothic stage presence, dramatic lighting, smoke everywhere.
‧₊ ˚ ⋅ | His illusions are terrifying rather than fun.
‧₊ ˚ ⋅ | Makes things vanish into shadows — once “erased” the lights
‧₊ ˚ ⋅ | Audience claps out of fear, not joy.
‧₊ ˚ ⋅ | Demands silence before he performs.
𔘓 “You should feel honoured… to witness my power.” 𔘓
★ ˢ𝐇𝖨ⁿ (Shin)
– The Beast Wrangler
‧₊ ˚ ⋅ | Works with wolves, but spends more time fighting them.
‧₊ ˚ ⋅ | Calls out hecklers mid-show.
‧₊ ˚ ⋅ | Tried to wrestle a bear once — got banned from that act.
‧₊ ˚ ⋅ | Shows off too much, often gets bit.
‧₊ ˚ ⋅ | Still somehow entertains the crowd with his chaos.
𔘓 “Oi! You think you can do better? Step in the cage, wanker!” 𔘓
★ ʸ𝐔𝖨 (Yui)
– The Assistant / Ring Angel
‧₊ ˚ ⋅ | Constantly dragged into dangerous acts (knife throwing, magic tricks).
‧₊ ˚ ⋅ | Smiles nervously through it all.
‧₊ ˚ ⋅ | Audience loves her because she’s the only normal one. ( and it’s weird bc it’s a freak show)
‧₊ ˚ ⋅ | Ends up sweeping rose petals or catching props.
‧₊ ˚ ⋅ | Tries to keep the boys from killing each other backstage.
𔘓 “P-please… don’t throw that knife so close to me!” 𔘓
𝓘𝓶𝓪𝓰𝓲𝓷𝓮 𝓪 𝓹𝓵𝓪𝓬𝓮~
𝓦𝓱𝓮𝓻𝓮 𝔂𝓸𝓾 𝓬𝓪𝓷 𝓯𝓻𝓮𝓮𝓵𝔂 𝓵𝓸𝓿𝓮 𝓓𝓲𝓪𝓵𝓸𝓿𝓮𝓻𝓼 𝔀𝓲𝓽𝓱𝓸𝓾𝓽 𝓫𝓮𝓲𝓷𝓰 𝓳𝓾𝓭𝓰𝓮𝓭.
𝓟𝓪𝓻𝓽𝓲𝓬𝓲𝓹𝓪𝓽𝓮 𝓲𝓷 𝓮𝓿𝓮𝓷𝓽𝓼 𝔀𝓱𝓮𝓻𝓮 𝔂𝓸𝓾 𝓬𝓪𝓷 𝓶𝓮𝓮𝓽 𝓪𝓷𝓭 𝓽𝓪𝓵𝓴 𝓽𝓸 𝓬𝓱𝓪𝓻𝓪𝓬𝓽𝓮𝓻𝓼.
𝓦𝓻𝓲𝓽𝓮 𝔀𝓲𝓽𝓱 𝓸𝓽𝓱𝓮𝓻𝓼 𝓪𝓷𝓭 𝓬𝓸𝓵𝓵𝓪𝓫𝓸𝓻𝓪𝓽𝓮.
𝓒𝓻𝓮𝓪𝓽𝓮 𝓪𝓷𝔂𝓽𝓱𝓲𝓷𝓰 𝓯𝓻𝓮𝓮𝓵𝔂...
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Reiji Sakamaki as a Serial Killer Headcanons
WARNINGS: Dark content, murder, cannibalism, misogyny and cruelty. 18+?
•Motive: Kills people to use them for his experiments, to cook them or to indirectly get revenge on his mother. For the latter, he specifically targets women that resemble her to some degree, whether physically or personality-wise.
•Lives remotely in a big house where he spends his days cooking or in his lab. Hardly anybody uses the one road near the house where he lives because it is well-known by the people in the small town nearby that travellers that use that road often go missing and are never found.
•The police and the townsfolk have had their suspicions about him and the police have often come over to search his house however no matter how fervently they try they can never find a speck of evidence that would incriminate him. He hides everything so well, paying attention to every little detail and planning out the killing from the moment where he traps the victim to the point where he hides the remains.
•Often his murders are planned with excruciating precision however sometimes when his target is a woman that resembles his mother he tends to lose self-control in a blind rage and gets a bit sloppy which he later sorely berates himself for.
•If his sloppiness ever leads to the smallest possibility that the police could find some sort of evidence against him then he packs up and moves to another state in the blink of an eye. Into a similar house near a small town and restarts the process.
•The way in which he captures his victims is: Firstly, he sets small traps on the road, at night, that puncture the tyres of passerbys that don't live in the town and don't know any better. There is no cell tower nearby for those people to make any calls so when they turn back to find some help his house is the nearest place that they see. When he hears a knock at the door he knows that his newest prey has arrived.
•Next, he allows them into the house, acting like a perfect gentleman and a welcoming host. He acts surprised when they tell him, how absurdly, as they were driving, more than one tyre in their car got badly punctured. He makes up a lie saying that the street nearby is extremely dangerous at night-time because a lot of robbers often target passing cars and that it would be unwise for them to go out until morning. Next he generously offers them to stay the night at his house that has plenty of guest rooms. The clueless people agree gratefully.
•Little do they know that the tea that he had offered them earlier was laced with his latest concoction of lethal poison. Not even halfway to the room they fall to their knees, mouth gurgling and wondering what in the world is happening to them. By the time their distressed minds can even piece the whole ordeal together they are gone.
•All the while, he is sitting calmly, sipping on his tea, mentally taking notes on the effects he observes and wondering what needs improving and what not. After he has finished his cup of tea he gets up and drags the bodies to his laboratory, where there is a secret mortuary room, that cannot be seen easily from outside, that he uses to store the bodies for later use.
•What does he use their bodies for? To prepare elaborate meals in his kitchen. He chops them up, cleans them, prepares them with the utmost passion and eats them for dinner. For those whose meat seems sub-par or who behaved in an impudent and mannerless way, he feeds them to his german shepard. Later he cremates the remains.
•To those that resemble and remind them of his mother, the murder is more personal, he kills them with his own two hands. Laughing maniacally all the way, only to feel cold emptiness as soon as they are gone.
•Needless to say, don't ever travel the street near Reiji's house at night.
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Hello! I just wanted to make these headcanons as a small contribution to the fandom since I have noticed that there hasn't been much content being posted for DL nowadays. Also, if any of you are confused that you saw this post earlier, it is because I mistakenly deleted this post so I had to find a way to re-make it😭.
At this point the only way to settle this laito Cordelia drama is to make a petition to directly ask the writers to clarify what is truth or not canon. Or ask japanese fans what they think.
Reblog to sign the petition!!!

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In honor of reiji's birthday I'll finally get my ass up and finish that paper I've been procrastinating on for weeks
// Kou’s and Kino’s VAs were right when they said this song is flawless. It’s really the best DL song in terms of musical composition and it blends with the voice perfectly. The only downside (for fans) is that it’s TOO hard: it’s fast-paced and deliberately shifts rapidly between singing and rapping, which demands a lot of breath control, lol.
Anyway, I’m glad to see baby-faced rapper back! This is just one part of the song, but I wasn’t expecting him to rap this much. Ayato… you really are the voice of Diabolik Lovers.
Full version:
hi is this fandom still alive
Fufu~ Hello~
It seems I have my own fan base out there, send me and Teddy these asks, if you will~
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Rules~
No NSFW, admin is @diaboliksupern0va
No being impatient, please be aware I am a school girl!!
No rape, incest, ect.
Diabolik bullshit pt.5

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
art that I will never finish
me after finding out i can use ALL the colors on the color wheel