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How to Make Your Book Look Like a Book
Iâve just discovered something wonderful. When I self-published Chrysanthemum, there was a lot of formatting work that I had to do before I submitted it. And seeing my document take on the formatting and page structure of a book was⌠awesome. Out of curiosity, I tried the same thing for my current WIP, and seeing it in proper book formatting gave me butterflies.
So Iâm here so share some tips! (Using Google Docs.)
Note:Â Iâm writing this specifically for people who want their document to look like their book as itâs being written or for self-publishers. If youâre planning to publish traditionally, find your publisher or agentâs submission standards and follow those.
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Hello! A faerie question here: What do you know about Hag stones?
Hagstones! Seer-stones, truth told through an aperture. I know you can see whatâs there if you look through them--they are, in that way, like most oracles. Tellers of the present, unveiler of that which we will not perceive willingly. A bridge between truth and perception.
I think the most interesting thing would be to look at oneself through a hagstone. It would be daring, and inadvisable most likely. There is a level of self-projection we do, a conjured self, that enables us to move through the world-as-perceived. It is a daring and thrilling thing to clear your eyes of that misconception of self.
Thank you for your query!
Royal Whump?
Oh I love royal whump!!! There's so many possibilities for it!
Poison the royal! assassin attempt that drives them sick with fever. Have them laying in bed for weeks on end, twisting in their sweats with hot and cold flushes
Let them loose the war, taken as spoil by the victor. Fall from the grace of luxury to a slave. treated like precious gems one moment and then nothing more than cattle, stock, the next. the captors might not even care who they were, they're nothing now
Pressure! There's so much pressure in the royal life! Tension headaches, sickness from worry when crops fail or tensions are high between kingdoms. Let them stress and worry so much about their subjects they're sick and unable to help.
GHOSTS OF ST. PETERSBURGÂ â
TIMELINE â a few months into sonyaâs life with pyotr
CW â smoking, very slight dehumanisation
When Sonya canât sleep, he likes to wander the halls, pretending heâs a ghost. Flitting from moonbeam to moonbeam, spinning tragic backstories: heâs a war-ravaged soldier, returning to find his beloved has fallen for someone else; heâs a society belle, struck down with some mysterious illness. Heâs a lonely, only son, drifting unseen and unloved through the cool throat of the hall.
It helps, in a way; itâs a degree of freedom he doesnât deserve, but his ghosts make the Laval House a little less lonely.Â
That night, heâs a jilted bride; imagining the dress fluttering at his heels, he runs through the halls, the glass balcony doors looming like the pearly gates, an event horizon heâs never been brave enough to cross â the balcony has always remained out of bounds, a tantalising impossibility.

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BLOODLESS âÂ
CW â religious trauma, animal death, blood
TIMELINE â a few weeks into sonyaâs life in st. petersburg, so a few weeks after a holy name
TAGLIST â @doveotionsâ / @akoumiâ
Pyotr has to admit, becoming something close to a parent again is harder than he expected. Not that heâd call what he is to Sonya anything close to father â heâs almost afraid to name it, lest he find it immoral. Teacher-priest-father-lover, all wrapped up in the feeling of that flimsy little hand in his. Itâs just â even when he was young, even when he was their son, Leoniy never needed much from anyone. What he did need was largely provided by his nurse, or Genya; all Pyotr was there to do was ruffle his hair, carry him to bed and entertain his empty little dreams.Â
A HOLY NAMEÂ â
CWÂ â religious abuse
TIMELINE â a few days after sonya arrives in st. petersburg
The skin around Sonyaâs fingers is bleeding, but he canât stop worrying at it. Itâs all he has to worry; everything else in the room belongs to Pyotr. Everything from the floor to the sheets to the wardrobe to the shirt that chafes against his prickling skin.Â
Even the air feels owned, like heâs only borrowing it. Stealing it, God knows he isnât worthy enough to take it freely.
Oh, God knows.Â
you know what else I want, I want a prisoner standing against a wall, hands cuffed over their head, leaning forward to talk to a henchperson or guard who isn't at all sure they're on the right side and moreover is starting to feel intimidated by the intensity of this prisoner's words and convictions, even though they're the one who's not chained up right now, I want that very dearly
ARRIVALÂ â
CW â sensory overload; very lightly implied child abuse/neglect
TIMELINE â after âsonya wakes upâ
St. Petersburg is, apparently, hot. Sonya steps out of the train carriage, tucked into Pyotrâs side, and is hit by a wall of sticky heat. Itâs made all the worse by the throng; heâs never seen so many people in the same place, so many black coats, so many bowler hats, so many footsteps. So large a mass of humanity, roiling in opposite directions.
Pushing through it feels like pushing through a storm, anxiety fluttering in his chest. He doesnât understand how Pyotr navigates it so easily, when itâs all too much, too many sounds, too many sights â snatches of conversation, the patient died on the table, what are you bringing to Vovaâs, oh it was hilarious, you shouldâve been there. Cameos of people: a woman with a sharp, vicious laugh, a man with a scar. Each image only builds, and builds, mingling with the smell of smoke, the cooing of pigeons, heâs dizzy with it all â
And suddenly theyâre out. Suddenly the light of St. Petersburg summer hits him, too bright, enveloping him in a moody city warmth thatâs only marginally worse than the cloying station. Suddenly Pyotrâs bundling him into a troika, jumping up beside him and giving the driver an address.
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âThese bruises are fresh, too fresh to be from when you âran into a doorâ last week, or when you âfell off a stoolâ the week before. Well? Whatâs your excuse this time?â
ââŚâ
âWhy wonât you tell me whoâs doing this to you?â
ââŚ.â

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"Pet" for Lee. :-)
Set near the beginning of TLB in Leeâs first captivity :))Â
Tw: Dehumanization, noncon touch, mention of burning injuryÂ
...
Lee snarls against the gag, eyes flaming as his captor circles him.
The riding crop snaps against his cheek, leaving its stinging pain that Leeâs become accustomed to over the past month or so.
His thigh burns like mad, every shift sends agony lancing up his legs and back, settles somewhere in his shoulders where the burn of being bound sits too.
âAttitude,â Leon sighs, as if a disappointed parent. âWeâve been over this, songbird.â
Lee continues to glare, and shouts something rude into his gag.
âYour first week of training has gone⌠exceedingly poorly,â the senator hums, whipping Lee across the chest with the riding crop once more for good measure. âI knew you were going to be a feral little shit but I never thought you could be quite so stupid.â
Another snarl, another smack from the riding crop.
Lee whips his head away this time, and it catches the side of his eye.
The senatorâs hand follows, Lee flinches, prematurely since Leon doesnât slap him but lays the hand against his cheek, running his thumb over the red mark by his eye.
âYou mustnât flinch away,â he murmurs, âa good pet takes his punishment and his rewards without opinion, only gratitude.â
The boy stares at him, dark eyes searching for answers and then in outraged disbelief.
Leon smiles as Lee continues to uselessly shout and thrash, and then presses his hand between his captiveâs legs, pressing against the newly branded thigh.
He gets the boyâs message - I am not a pet - but it doesnât make it any less false.
âSongbird,â he croons, digging his palm into the burnt flesh, âwhat do you think this is? From now on, darling, you are something owned.â
ARRIVALÂ â
CW â sensory overload; very lightly implied child abuse/neglect
TIMELINE â after âsonya wakes upâ
St. Petersburg is, apparently, hot. Sonya steps out of the train carriage, tucked into Pyotrâs side, and is hit by a wall of sticky heat. Itâs made all the worse by the throng; heâs never seen so many people in the same place, so many black coats, so many bowler hats, so many footsteps. So large a mass of humanity, roiling in opposite directions.
Pushing through it feels like pushing through a storm, anxiety fluttering in his chest. He doesnât understand how Pyotr navigates it so easily, when itâs all too much, too many sounds, too many sights â snatches of conversation, the patient died on the table, what are you bringing to Vovaâs, oh it was hilarious, you shouldâve been there. Cameos of people: a woman with a sharp, vicious laugh, a man with a scar. Each image only builds, and builds, mingling with the smell of smoke, the cooing of pigeons, heâs dizzy with it all â
And suddenly theyâre out. Suddenly the light of St. Petersburg summer hits him, too bright, enveloping him in a moody city warmth thatâs only marginally worse than the cloying station. Suddenly Pyotrâs bundling him into a troika, jumping up beside him and giving the driver an address.
PYOTR ZAYTSEV IS A GOOD MANÂ â
when the governor of st. petersburg meets a half-starved vampire, aka how sonya became sonya.
CW â depictions of famine / blood / gore / death / creepy whumper / whumperâs political opinions donât reflect mine!
TIMELINE â the very beginning, before sonya is staying with pyotr
Pyotr Vitalievich Zaytsev is a good man. He goes to church every Sunday, and prays to the icon in the Red Corner of his room every morning, freezing in his nightclothes. He serves the Tsar, his Little Father, dutifully. He hates Westerners, loves his dead wife and honours his mother.Â
Pyotr Vitalievich Zaytsev is a good man. So when he hears rumours of a famine in the Volga region â his motherâs homeland â he leaves Leoniy in charge of St. Petersburg and sets off at once.Â
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Bedridden whumpee who notices each time they wake up that something has been done for them. A glass of water by their bed refilled, the blinds shut when the sun streams in too brightly, an extra blanket thrown over them when the caretaker noticed them shivering in their sleep. Theyâre still too tired to ever stay awake long enough to see and talk to Caretaker, but theyâll make sure to thank them when theyâre feeling well enough for all theyâve done.
25?
25. Senseless - thanks for the prompt anon, this was fun! And I do love getting to hurt Marco now and again đ
tw: beating, forced to watch, broken rib, brief mention of dehumanization, brief death mentionÂ
...
âLet him go!â Robbins jerks against the arms holding him, throwing his weight forward again and again in an attempt to break free. âLeon, stop it!â
The senator brings his shoe down on Marco again, kicking his already bruised ribs.
âIâve given you the compound, stop it! Stop! Thereâs nothing more you could want from me!â
Marcoâs screams strangle themselves in his throat but the professor hears them just fine all the same.
Leon drives his toe against the boyâs chest again, ignoring his old friendâs pleas. This isnât about information anymore, the man is right, heâs given up what he needed to give up, this is entertainment.
Something snaps under his shoe and Marcoâs scream finally bursts from his throat and reverberates around the room.
The boy is beaten half-senseless, bruises littering his face and his body no doubt not any better. Ever since Karen took ownership Leonâs been careful about scarring but even he indulges every so often.
âStop it! Please!â Robbinsâ voice breaks and tears, shatters like the man himself. âIâll do anything, what do you want?! Youâre going to kill him!â
âIâd never be so sloppy,â Leon replies casually, lips turned up in his politicianâs smile.
He digs his heel into the broken broken just to hear Marco scream again.
âYou will! Leon stop that! Stop it- Youâll kill him!â Robbins thrashes desperately again, breath catching on a sob. Heâs too frantic, too desperate to explain that Leon might puncture his boyâs lung doing that, that he could break a rib fragment off, that if he pushes Marco any harder there might not be anything the professor can do.
He canât bury another son.
âFine,â Leon sighs, gesturing for his men to throw Robbins down onto the cold cement floor of the training room. âI suppose by now my songbird is missing me anyhow.â
He winks at Robbins, who canât even muster the energy to glare, who can only feel the pain of a father who is helpless to protect his sons as the senator leaves them without a second glance and heâs left to crawl towards Marco.
âYouâre okay,â he lies, âyouâre alright Marco, let me seeâŚâ
He starts to pull up the boyâs shirt. Marco shrinks away from him, and then forces himself to straighten. When Robbins meets his boyâs eyes theyâre glazed and unfocused.
Robbins wonders if Marco is seeing him or him. Â

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Reluctant Injury Reveals
- Pulling off sunglasses to reveal a black eye
- Pulling off a hat to reveal blood in their hair
- Taking off a jacket to reveal a side wound
- Rolling up sleeves to reveal scars on their arms
- Taking off a shoe to reveal a swollen/broken foot
- Pulling off gloves to reveal cracked/bloody knuckles
How to Write a Realistic Hospital Au/Setting
Because Iâm frustrated with real life work stuff :( Iâve decided to distract myself by doing this. Disclaimer: I obviously only have my own country (the Handsome Ryan Factory) as reference, so if this isnât how it is where youâre from, sorry. :/
The Environment
Hospitals do not smell like disinfectants. Hospitals smells likeâŚ.nothing. If itâs a nice hospital and the facilities are relatively new/renovated, hospitals are generally scentless places (the ventilation system is better). The only time itâll smell like disinfectants is when the housekeeping staff just cleaned a room after a patient has been discharged. Older hospitals and units like internal medicine which takes care of a lot of longer term patients and older folks smellâŚwell not great. It seems like people and bodily fluids. Â
Hospitals are cold. The OR is even colder (unless for whatever reason you need it to be warm for a specific procedure).Â
Background noise. There are machines making noises the background, little beeps of the IV pumps or the heart monitor. Normal beeps are slow, alerts are fast.Â
Intercom - every time something happens that requires a code to be called, itâll come on the intercom and the entire hospital hears it. Common ones are: code blue = adult cardiac arrest (ex: Code Blue - K6, Code Blue K6) They tell you what the code is and where to go. The code team (usually an ICU team) will show up. Code pink = neonatal cardiac arrest. Code red = fire. Code yellow = missing patient. Code white = violent encounter (security will be called up). Code orange = external disaster (a train derailed). Code Silver = deadly weapons (gun, knife). Code Brown = hazardous spill. Code Black - bomb threat/suspcious object. Code Green= evacuation Etc.Â
There will be rooms on âprecautionâ. Signs will show up on certain doors/rooms, because that patient might have some kind of communicable disease through contact/droplet/air.Â
The Staff
Nurses are not rude (unless youâre writing a rude character). I see a lot of âthe good tough nurseâ caricatures where itâs like jab and shove - No. A good nurse can be assertive, can be knowledgeable, can be no non-sense, but they shouldnât be rude and patient consent is always present. If a patient says they donât want a shot, they donât get the shot. No matter how seasoned, how tough, how burned out a nurse is, everyone is habituated to start a conversation with introducing themselves. âHi, Mr/Ms/Mrs/Miss ____, my name is _______ and I will be your nurse today.â Once the nurse and the patient is acquainted with each other, they can be a little bit more casual.Â
Hand washing is a constant thing. The most often thing you see is staff rubbing their hands together in and out of rooms because they just pumped a handful of hand sanitizer.Â
There are other people other than the medical and nursing staff. Personal Support Workers (PSWs) are very present and they help with the washing and the bathing, and changing incontinence briefs. Nurses also do this as well in some hospitals. You might see Nurse Managers come around for administrative stuff (ie discharge), Physiology Therapy and Occupational Therapist will make their rounds on those that need it (especially after an accident), Speech Language Pathologists for those with swallowing problems after a stroke. Social Worker for those who are going through a difficult life situation.Â
The medical team gets confusing. Because there are medical students (clerks), junior residents, senior residents, and there are attendings. Your patient character can be confused.Â
Internal Medicine - the âologysâ : general internal medicine is where typically a lot of folks get admitted. The doctors who take care of these people are internists. Other popular sub specialties of internal medicine that sometimes get their own wing/unit are: cardiology, neurology, respirology and oncology. If a specific specialty is needed, the doctors of that specialty is paged for a consult. Â
Surgery - do not have every surgical specialty in one team. Thatâs not how the surgical teams are divided. If one of your character is in Gen surg, and the other is in Neuro, theyâre not gonna be spending their day constantly bumping into each other unless their surgeries are adjacent OR rooms for some reason. Their patients probably wonât even be on the same unit.Â
If youâre writing surgery, donât forget Anesthesiology. Patients coming out of surgeries can either go to PACUÂ Post Anesthesia Care Unit or the ICU (intensive care unit).Â
Specialists can read scans by themselves, but most of them time, they need a Radiologist to do it. Biopsies are processed and read by pathologists.Â
The ActionÂ
If a patient flat lines, donât âshockâ or defibrillate them. TV shows constantly gets it wrong. The only two shock-able rhythms are ventricular fibrillation (V-fib) and ventricular tachycardia (v-tach). (There are other pathological rhythms that require cardioversion, but we wonât get into it). Your fictional patient could still have a rhythm and be unconscious.Â
If a patient is unconscious or has either V-fib or V-tach or flatlined, call Code Blue. Literally have one of your character say it, âCall Code Blue.â Or press the code blue button thatâs above the bed on the wall.Â
If a patient flat-lines, your characters should start CPR and inject epinephrine (1mg and every 3-5 minutes).Â
Donât âlost 3L of bloodâ. If they didâŚtheyâre gone. ExsanguinatedâŚunless theyâre being transfused at the same time. A 70 kilo man typically has 5L of blood. A lot of preg fics have the woman lose a ton of blood during childbirth. Remember 500cc or 500 mL of blood in a nonsurgical setting is considered hemorrhage, and 1L in surgical setting. As a 5â˛3â˛â female I can tell you I probably only have 2-3L of blood in my body.Â
Things to talk about in conversation between two staff: heart rate (normal in adult 60-100), blood pressure (exâ 120/80 systolic/diastolic) normal systolic 100-140 normal diastolic 60-90); respiratory rate (normal 12-20 per minute), O2Sat (you want most people above 95%), temperature.
Red blood cell count and hemoglobin being low indicate anemia. High white blood cell count typically mean infection. Electrolytes can be out of wack: sodium, potassium, calcium, magnesium, are some of the typical ones. Blood pH can be either high or low. High pH is alkalosis. Low pH is acidosis.Â
Hypothermia (because this is a popular one). Donât do what Rose did in Titanic. Youâre not dead until youâre warm and dead. Rewarming for severe hypothermia should be slow and in a hospital setting. For mild to moderate hypothermia, if it helps with your plot, yeah they can cuddle skin to skin.Â