Memorial Hall of the War Cemetery (1960-64) at Waldfriedhof Munich, Germany, by Helmut Schöner-Fedrigotti
Cosmic Funnies
EXPECTATIONS
YOU ARE THE REASON
NASA

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Misplaced Lens Cap
will byers stan first human second
untitled
trying on a metaphor
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I'd rather be in outer space 🛸

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if i look back, i am lost
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@dfkbr
Memorial Hall of the War Cemetery (1960-64) at Waldfriedhof Munich, Germany, by Helmut Schöner-Fedrigotti

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Vessel Heatherwick Studio
Visitors can now scale British designer Thomas Heatherwick’s giant honeycomb-like sculpture at New York’s Hudson Yards, which has opened along with the other public spaces at the vast West Side development.
Instagram @alozor
McDonald's loses EU trademark battle over the Big Mac. Burger King starts trolling them.
The full story:
There is an Irish restaurant chain called Supermacs that has opnened around 100 stores in Ireland since 1978.
Recently, McDonald’s decided that this small restaurant chain that hasn’t even made it out of Ireland needed to be taught a lesson, and sued them on the basis that “Supermacs” infringes on the “Big Mac” brand name. Which is, of course, absolutely ridiculous.
McDonald’s ended up losing the case, because of course they did, they didn’t have a case to begin with. As a result, McDonald’s lost the rights to the term “Big Mac” across the entire European Union.
Which is why Burger King gets to do this with no legal repercussions.
PLAY STUPID GAMES, WIN STUPID PRIZES!
Sei bella come Roma. Stronza come Milano.

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i was reading reviews for “1983” aka first polish netflix original and americans were like “unfortunately, you need to watch the show with subtitles or dubbing, since dialogues are originally in polish”
bitch this is what it’s like for majority of human population to watch american shows and movies
sorry for the inconvenience
This is insanely impressive
NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.
NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE. LIVE.
URGGA. ROU GRAAURH. RUH.
<SMACKS HANDS ON WALL WITH PAINT.>
NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN
EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE
PRETEND YOU HAVE JUST AROSE FROM THE SEA
SURVIVE
NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA
REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT
PRETEND IT’S 2BYA
EVOLVE
NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE.
FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT.
PRETEND IT’S 4.5BYA.
STABILIZE INTO EQUILIBRIA
NO “MATTER”. EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.
THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.
TIME DOES NOT EXIST.
BE.
Gateway Arch Grounds and Museum
It’s one of the most recognizable structures in the world and a national historic landmark, yet the true vision for the Gateway Arch in St. Louis was never fully realized. Eero Saarinen’s simple but brilliant design created a breathtaking stainless-steel catenary arch that soars 630 feet above the Mississippi River, but the final scheme at ground level left much to be desired. Saarinen died long before the project was completed in 1967.
MVVA’s scheme, developed with Cooper Robertson and James Carpenter Design Associates, is not about big gestures. Instead, its moves are subtle but very deliberate. Most discernibly, it sets up an east–west axis—previously implied but sliced by the highway—running through the center point of the Arch. A new land bridge straddles the highway, organically connecting visitors to the project from downtown. In order to ride the tram to the top, one must now enter the Arch through the newly expanded museum, which appears unobtrusively at grade in the form of a circular steel and glass canopy, the main architectural component and centerpiece of the project. That axial progression continues in the opposite direction as well, with the bridge connecting to the previously sunken and now redesigned Luther Ely Smith Park, which fronts both the historic Old Courthouse building on the edge of downtown and a series of landscaped plazas lined up to the west, designed as part of the City Beautiful movement a century ago. “We reinvented the choreography of how you enter this place,” says MVVA principal Gullivar Shepard.
This year (2018), France won World Cup, Israel won the Eurovision and Real Madrid won the champions league. All of these events have also occured in the same year exactly 20 years ago, on 1998.

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world cup: france beat croatia 4-2 me: okay but have you added the televote
Chongqing, China by Maciej Leszczynski
“dont lose a diamond chasing after glitter.”
—
An interview with Yulia Samoylova awhile ago and Wiwibloggs transcribed some of it, and it’s one of the most heartbreaking things I’ve read.
She was brutally honest in believing she deserved that non-qualification and she blames herself for going through with both Eurovision 2017 and 2018 when the Russian delegation was just using her as their own pawn, to do whatever they wanted her to do. She went through with it because it was her dream to sing on the Eurovision stage. They ruined it for her.
She says she had to stop singing because there were too many emotions and she had to recompose herself. How could she sing a song called “I Won’t Break” when she was breaking right upon that stage?
Yulia deserved better.
you saw this one coming

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People: wow you’re so quiet
Me: uhm yes hehe
*meanwhile in my brain*
Do you ever imagine a staging for a Eurovision song and it’s perfect in your head BUT then they do a really bad staging in real life and you get upset