hot evil characters who i want to fix but will make me cry if i actually meet them in real life>>>>>>
π©΅ avery cochrane π©΅
taylor price
Lint Roller? I Barely Know Her

if i look back, i am lost
Misplaced Lens Cap

bliss lane
Sade Olutola
Cosmic Funnies
d e v o n
ojovivo
Xuebing Du

blake kathryn

titsay
macklin celebrini has autism
cherry valley forever

@theartofmadeline
The Bowery Presents

official daine visual archive
seen from Serbia

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@devilishcupid
hot evil characters who i want to fix but will make me cry if i actually meet them in real life>>>>>>

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Why is no one talking about how hot this shot is
THE LORD OF THE RINGS: THE RETURN OF THE KING 2003 | dir. Peter Jackson
if this were the 2010s, benedict cumberbatch and martin freeman being seen together at wimbledon this year would've broken the bbc sherlock fandom and set tumblr dot com on fire
The original "I'm not gay but a million dollars is a million dollars"

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β Euripides, *Orestes* (trans. Anne Carson)
Foggy, I'll see you tomorrow.
man fuck you tracy letts moodboard
She was amazed to discover that when he was saying, 'As you wish,' what he meant was, 'I love you.' And⦠she truly loved him back.
THE PRINCESS BRIDE (1987) dir. by Rob Reiner THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001) dir. Peter Jackson
HOT FUZZ dir. Edgar Wright | 2007

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the pitt is if the chefs from the bear became doctors, and the bear is if the doctors from the pitt became chefs. no, i will not elaborate.
just saw the immortal man, and i am terribly disappointed by how they handled arthur and tommy in relation to him. honestly? i could never see tommy killing arthur in any capacity, even in his own head. it just doesn't make sense. arthur is a complex character with incredibly high highs and incredibly low lows, but the one thing that remained consistent was he was loyal to tommy to a fault, and tommy recognized that. he kept arthur by his side even through the worst of his fuck ups. not once through the show has tommy ever planned to let go of arthur. he saw arthur as irreplaceableβhe was the only person to ever believe in and stood by tommy and his bullshitβeven when tommy was mainly using his brother for his own selfish reasons by the end.
honestly? it would've been more believable if the reason why arthur wasn't around in the movie was because he and linda set off for america to protect their family from nazis. i would rather that than butchering arthur's character and removing one of the last redeemable things about tommy.
been seeing names such as henry cavill and ben barnes being thrown around as potential aragorn castings for the hunt for gollum. honestly?
the idea of replacing viggo as aragorn is unthinkable. aragorn is one of the very few fictional characters where nobody debates that he is someone people either want to become or be with, and much of how aragorn is perceived today stems from viggo's portrayal. we see aragorn as a near-perfect man because viggo was able to capture how strong, honorable, kind, courageous, and selfless the character is.
despite being a warrior and eventually king, he is far from a machismo character. he still exemplified tenderness that was treated not as a weakness, but as a strength that further solidified his masculinity. aragorn is the definition of a layered and positive masculine identity that is more than simply being a warrior and king, and viggo understands that.
genuinely, no one can possibly rival viggo as aragorn. viggo IS aragorn.
seeing that the central characters for the previous knives out movies are women of color, and both installments make a point of emphasizing marta and helen using their womanhood to outsmart and beat white men and the oppressive systems that prop them up, it suprised me a little that wake up dead man's lead was a white man and not a woman like the previous films.
but even with the lack of a female lead, wake up dead man is still a very female-centric movie that uses womanhood and the female experience to tell its story. wake up dead man is a critique of religion and religious institutions, and the centuries-long misogyny that have plagued these institutions and have gone unchecked.
grace is a representation of how women are so-easily twisted to become villains through men's perspectives. we see the portrayal of grace change depending on who is telling the story. through the eyes of men, she's a demonic, vengeful, and greedy "wench." through the eyes of women, she is a young girl who was not ready to be a mother and was in search of her ticket out of the misery she lived.
martha, on the other hand, is the representation of women who have been pitted against other women in order to isolate them and make them dependent on men. when she was little, martha was told that grace was sinful, but by the end, she admitted that grace was only desperate for a new life for herself, and martha eventually let go of the hatred she had for her.
Wake Up Dead Man is so very woman-centric!
Though Iβd like to add that Martha displays how even when a woman plays by the rules, by the standards set up by men, by patriarchal rules and standards that especially exemplified by the religious setting of the church they still lose.
Actually I believe thatβs what all the primary female characters of Wake Up Dead Man, those connected to the church, (Grace, Martha, Vera, and Simone) display.
They each play by the rules set forth by a male figure and still lose:
Martha and Grace both play by Prentice Wick's rules. Despite how they are portrayed as opposite sides of the same coin within the setting of the church, as "good" and "evil" respectively, both do as Prentice says. Martha lives by his teachings because she believes that makes her a good and sinless person. Her following these rules leads to the death of the man she loves and for her to commit murder and "sin." While Grace lives under his watch, his rules, and has her freedom stripped away because of the promise of her inheritance (and the implied promise of freedom.) Following these rules leads to her death and being remembered as the "harlot whore".
Simone plays by Jefferson Wick's rules by donating money to the church because of the promise that he could essentially cure her of her chronic pain through religion. She loses all of her savings and has her faith as well as her sense of hope manipulated by Wick's promise.
Vera plays by her father's rules. While she became a lawyer for herself, she upheld her father's wishes to continue his legacy through legal firm of Draven & Draven and loyally did what she was told, no questions asked, by raising and adopting Cyrus as her own. By playing by her father's rules, by being loyal to the boys who held power, her life and wants were made secondary, she was always forced to sacrifice for the men in her life, and because of this she was also made a fool of, as seen in the reveal of Cyrus' true parentage, for being loyal and playing by their rules in the first place.
So I think it can also be said that through the use of empty and implicit promises the women of Wake Up Dead Man are manipulated into staying in line with patriarchal rules and the oppressive systems that are already in place.
By avoiding being vilified they're put into this double bind. Forced to uphold a system that isn't fair to them.
father jud is what matt murdock would be if he went to therapy. no, i will not elaborate.

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seeing that the central characters for the previous knives out movies are women of color, and both installments make a point of emphasizing marta and helen using their womanhood to outsmart and beat white men and the oppressive systems that prop them up, it suprised me a little that wake up dead man's lead was a white man and not a woman like the previous films.
but even with the lack of a female lead, wake up dead man is still a very female-centric movie that uses womanhood and the female experience to tell its story. wake up dead man is a critique of religion and religious institutions, and the centuries-long misogyny that have plagued these institutions and have gone unchecked.
grace is a representation of how women are so-easily twisted to become villains through men's perspectives. we see the portrayal of grace change depending on who is telling the story. through the eyes of men, she's a demonic, vengeful, and greedy "wench." through the eyes of women, she is a young girl who was not ready to be a mother and was in search of her ticket out of the misery she lived.
martha, on the other hand, is the representation of women who have been pitted against other women in order to isolate them and make them dependent on men. when she was little, martha was told that grace was sinful, but by the end, she admitted that grace was only desperate for a new life for herself, and martha eventually let go of the hatred she had for her.
benoit blanc being a musical theatre kid who knows how to play the chords to phantom of the opera and listens to cats in his car is my new favorite piece of information about him aside from the fact that he's in a loving relationship with hugh grant.