Dorothea Lange, Tractored Out, Childress County, Texas, 1938
styofa doing anything
Xuebing Du

★

roma★
Game of Thrones Daily

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Claire Keane

Janaina Medeiros

blake kathryn
occasionally subtle

Discoholic 🪩
Sade Olutola

shark vs the universe

Kiana Khansmith
noise dept.
ojovivo

Kaledo Art
trying on a metaphor
Show & Tell
TVSTRANGERTHINGS
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Dorothea Lange, Tractored Out, Childress County, Texas, 1938

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Dorothea Lange preparing for her retrospective at MoMA in her home studio, Berkeley, 1964
Dorothea Lange’s studio and darkroom, Berkeley, California (taken by Rondal Partridge, c. 1957)
October 1939. “On U.S. 99 as it continues through Oregon. Lane County, Williamette Valley.” Back in the day, this doggy sandwich stand was quite fetching. Photo by Dorothea Lange for the Resettlement Administration.
via shorpy.com
I Prefer Not To - Tom Emerson

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I Prefer Not To - Finn Williams
CORPORA DELICTI, MAGMA ET PRINCIPES, MANSLAB, EPFL
Haus der Jugend, Hamburg, Germany
Gustav Oelsner
Josabeth Sjöberg. 1812-1882
Josabeth Sjöberg. 1812-1882

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Josabeth Sjöberg
Josabeth Sjöbergs Residence, Kocksgatan 27 1870
Josabeth Sjöberg (Swedish, 1812 – 1882): My room at no.60 Högbergsgatan, first floor; myself; Dr. Levin (via Wikimedia Commons)
Níall McLaughlin // Bartlett International Lecture Series 2015/16 //
Glasgow 1980 (1971)
Directed by Oscar Marzaroli
Janet Cardiff

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History Of Nothing (1962)
Eduardo Paolozzi
“The earliest surviving films by the artist Eduardo Paolozzi (1924–2005): History of Nothing 1962 and Kakafon Kakkoon 1965. In these animations, the unlikely juxtapositions of found images and sounds reflect Paolozzi’s view that juggling different materials and ideas is the very essence of the creative act. In their different ways, the two films strongly portray the modern and mechanised world, in which everything is connected and constantly changing.”
Eduardo Paolozzi, Maquette for The Unknown Political Prisoner Competition (1952)