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Acquired Stardust
taylor price
cherry valley forever

Kiana Khansmith
Lint Roller? I Barely Know Her
I'd rather be in outer space đž

Not today Justin

Kaledo Art
Claire Keane
AnasAbdin


shark vs the universe

izzy's playlists!
styofa doing anything

@theartofmadeline
YOU ARE THE REASON
he wasn't even looking at me and he found me

Love Begins
seen from Brazil
seen from Germany
seen from Germany
seen from United States
seen from United Kingdom
seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from TĂŒrkiye

seen from United Kingdom

seen from United States

seen from Malaysia

seen from TĂŒrkiye

seen from United Kingdom

seen from Germany
seen from United States

seen from United States
seen from United States
@deedlitmurata
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è äșćéŠ1stćçé ăăŁăąăłă»ăć ŹćŒă@yuuka_paris 2018.05.26 18:46 https://twitter.com/yuuka_paris/status/1000312116471984129 ä» è äșćéŠ Ă ç«¶éŠŹăăŒă
Karyu Interview â Interplay Members FAUST Vol. 2019
I have posted this in my site, but I also want to post it here. As usual, I want to express my gratitude to my dear friend @jacintoo for helping with proof-reading of my translation, I always learn new things thanks to her guidance ^^
This time I bring Karyu's interview from the FC magazine that was released just after they launched the sales of their 2019 album "FAUST", so he talks about the composition process during the creation of the songs from this album. FAUST was such a gem album, really perfect in every sense, so I hope you enjoy Karyu's comments!
The album âFAUSTâ has just been completed. What has been the response?
Karyu: It has been appropriate. After making the previous work âRESONANCEâ, I think there was a feeling of having used all of oneâs energy. However, this time I have a considerable sense of security and response felt that the previous work has been surpassed.
 When itâs decided that itâs time to make an album, to start with, what kind of thoughts and ideas you have floating inside your mind?
K: With all my energy used up for RESONANCE and when the album was already completed. Next, Angelo is going to show a new world; therefore, I think about what should I attempt by myself. During the time I was thinking about it, I received a hint from the leader about making a âcatchy songâ. In response to those words, the catchiness that was inside me, for example a melody, or the way I should use the instrument to sound catchy, also catchy riffs, this kind of experimental things is what I felt like trying to make.
 Was it different this time compared to your attitude and thoughts toward previous songs?
K: A bit different yes. âWhat exactly is catchy? Whatâs my own special catchiness?â. Thatâs when I started to have the feeling of trying out these things by myself.
 The so-called catchiness, is it about songs constructed with major chords, or is it something different?
K: Basically, that kind of catchiness is not enough for me (laughs). It feels like I donât have much of it. I have the feeling that there is catchiness within the emotionally touching minor chords.
 In the small light within the darkness, thatâs where Karyuâs catchiness is.
K: I pursued that kind of catchiness that is unique to me.
 Actually, with what kind of feeling did you start making it?
K: Itâs difficult to explain with words but, for example the folk instrument conga is something that is catchy for me. That combined together with Angeloâs heavy sound, it becomes catchy. From there, I just let it expand. In regards to the melody, I select particularly those that get caught up in the mind. The guitar riffs too, it shouldnât be just eighth notes with âjakajakaâ strumming, but also getting catchiness by adding glissando from the octave (laughs). Although itâs something little, itâs something that is caught easily by the ear. With that kind of sense is how I start creating.
 This time, judging from the provisional title, Karyu made a total of 10 songsâ demo sound sources.
K: I made a bit more but, I only submitted 7 songs to the members. And all of them made it to the album.
 For example, âKaryu 01â, did you make sound sources with numeric series like that?
K: The official title of âKaryu 01â is âRITUALâ. That was the first song I made. I said this a moment ago, this is the combination of Angeloâs heaviness and folk instruments. Also, about this song; if I hadnât come up with the idea of adding folk instruments to it, I would have rejected it inside my mind.
 Isnât it only the riff that carries the impact?
K: But, even now it still became Angelo. From there, I couldnât get it through. I feel it was brought to completion by adding the folk instruments to it.
 It seems the first demo that TAKEO heard was âFAUSTâ. After the moment he heard it, he was convinced it will be a good album.
K: Oh! (laughs). When writing songs, the basis is to start from self-satisfaction, if it becomes a shape that you can feel good about, then certainly the members will be surprised too. However, during the first half of the year, I was very worried. I couldnât come up with any interesting ideas, and eventually I fell sick because of it (laughs).
 Giru was surprised about the genius that Karyu is for being able to come up with the ensemble for âBUTTERFLY EFFECTâ.
K: This was a miracle. I think this is a song that people who are detailed about chords could never make. This is a song that I made in the second half of the music composition period; at the beginning I was thinking if it would be good to have a song without guitar. Then, I started making the A section of the song, and then when I added guitar it became surprising and original, so from there the final shape had a change of course.
 Although you are a guitarist, you were about to make a song without guitar. While being worried, that idea came at the end?
K: Thatâs right (laughs). Itâs good to have guitar in the chorus hook but, I thought I could only create a world view with an electric floating feeling by not having guitar in the A and B sections. In the final shape, although I did include guitar, the gain was reduced and the floating feeling was preserved, so I think it went well. About the section D after the interlude, the melody didnât match with the background, so there was a lot of trial and error. However, it turned out amazing.
   âA MONOLOGUE BY MEPHISTOâ which also had its own music video made, it became a very important song and was decorated as the 1st song.
K: I also made this one in the second half of the period, surprisingly I wasnât thinking about live performances, but the result while we performed the song in concerts, it became the best song to bring out the gap between intensity and catchiness. Thatâs where development of the chorus hook started to materialize. I think the idea to apply contrast was also good. It was harsh to make the catchiness carry over in the main riff, so it took a lot of trial and error.
 I feel that the idea of mixing different tastes to create new things was the focal point this time.
K: Perhaps. As with the previous works, it became more interesting to create from ideas, and this time I completely realized it. Itâs also good to create from impulses but this time it was also an experiment for myself. Thatâs why, for the next time, I want to try it out again.
 What?!
K: Thatâs right (laughs). This is an introduction to what comes next too, so this time itâs experimental work. The album this time is good to listen to, but I have some anxiety about what the live performance will be like. However, I am making it with eyes on the next work, and this is what I must do now. I think this is the road I must follow.
 What are you thinking about doing next as a songwriter?
K: I want to make songs that shine in concerts. Itâs still a bit rough, Iâve even though about making songs with dance beat as the main portion.
 The so-called EDM style?
K: Â In terms of beat yes. Four-on-the-floor rhythm pattern as the main portion would be nice. Maybe I will change my mind later.
 When I hear about what youâre saying, I can understand how âBUTTERFLY EFFECTâ was born.
K: Yes, thatâs right.
   You mentioned before you were somewhat anxious about the live performances, but naturally each song has the potential of assuming the shape of live performance.
K: Of course. However, almost all of the songs at least at the beginning, were made without the assumption of a live performance. Thatâs why, the degree of difficulty from a musical performance standpoint became higher. Especially Giruâs phrase is extremely difficult (laughs).
 When it comes to other peopleâs affairs, youâre giving a loud laughter (laughs).
K: No, because Giru is always playing the guitar in the dressing room, I think itâs good to let him play fast-playing phrases. In my demo, I played it while thinking how difficult it was, so when I gave the demo to Giru, I said âPlease, you play this insteadâ. So instead, I would rather say I created these for Giru (laughs). That is the phrase with the sixteenth note in the intro of âFAUSTâ. This is what the chorus hook is about, itâs hell (laughs).
 Youâre laughing again.
K: Â I just have to strum the chords, shake my head and play (laughs). But I wonder if itâs too hard for Giru (laughs). Somehow it became an unpleasant conversation flow (laughs). But no, I prepared phrases that Giru seemed to like. So, I just let him know (laughs). However, by taking into consideration the individuality as a player in the musical composition since the beginning, perhaps a new dimension can also be born. As you mentioned before about mixing different elements, I think it leads to the same place.
 As expected, however Karyu canât just keep laughing. Since you also have a lot of difficult phrases to play.
K: Iâll do my best (laughs). The guitar of âRITUALâ. The second half of the solo is a phrase with sixteenth notes, during the recording it was considerably risky (laughs).
 When going towards a live performance, youâre saying that you cover up things at your own convenience?
K: Thatâs right (laugh). By setting up the guitar effector or by changing the guitar pick. Putting the jokes aside, this solo has a nuance of sense of impending crisis. I like movies, so even when making songs, the visualized image extends. In order to materialize that, thereâs a need to play with a high degree of difficulty. If I donât challenge that, the song wonât be completed. Itâs important to challenge myself to come up with new sensations.
   Youâve pushed yourself considerably in both music composition and recording.
K: It was worth it. From the portion that I was satisfied with âRESONANCEâ, I also worried about it. Now that âFAUSTâ has been completed, Iâm really looking forward about what kind of reaction my body will have when I perform the new songs. The songs have not been engraved in my body yet, but as usual, I have the feeling that my body will move on its own, so I am not worried about reenactment.
 Since the beginning of the tour, you go with the understanding of surprising everyone with a concert of high quality and performance?
K: Yeah, Iâll do my best. Right now, thatâs all I can say (laughs).
 What about the songs composed by Kirito and Giru?
K: They filled in the pieces I wanted. In my demos there wasnât any song with a bouncy and catchy pop feeling, so I thought about including Giruâs âJIHADâ; and there wasnât also anything with a violent feeling, so we included âTHE SELECTED NEW AGEâ. In addition, the ballads created a magnificent worldview; the moment I heard the 2 demos that the leader composed, I really liked them. It turned out very well.
 If Iâd have to say just one more thing, you said that as a Youtuber you didnât want to get unreasonable requests?
K: Kind of, I ended up enjoying it (laughs). I also agreed with trying out Youtube. As long as it doesnât become a disgrace, then what I create will become interesting. So, from now on Iâll cooperate with whatever I can.

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Angelo new album âFAUSTâ concept explained by Kirito
I did my best in a translation of the Kirito youtube broadcast where he explains the concept about the new 2019 album âFAUSTâ, feel free to check it out here.
Karyu Interview Translation - InterPlay Magazine (RESONANCE Volume) 2019
Once again I would like to express my gratitude to my dear friend @jacintoo for helping proof-reading my translation! ^^Â I am more motivated to continue translating now LOL. This is the Karyu interview from the FC magazine released this year, about RESONANCE.I hope everyone enjoys, Karyu is a talented and admirable musician.
After the release of the album âRESONANCEâ last year in November, the âWAVY EFFECT OF RESONANCEâ tour took place. Because the album itself is a work that Karyu is very confident of, I think there was also tension toward the live performance.
K: There were many things that I wanted to do for a long time, all of those things are summarized in the album âRESONANCEâ. So, from the point where we started the rehearsal, although I checked the details of the sound, I donât know how good will be the quality of the musical composition. The PA systems made a good balance too. I also think the sound in the concert was very good too.
I also watched the video work that included the tour concert âAngelo Tour 2018-2019 WAVY EFFECT OF RESONANCEâ. The separation of the twin guitars was good, and although it was a live work, it offers a quality in terms of sound source that can be enjoyed in a different way of listening.
K: Thatâs good to know. Iâve been able to distribute by nature now, the twinâs guitar construction and live guitar arrangement with Giru. For example, I play this phrase, and if Giru plays this other phrase, then I can insert this other phrase here. If you watch the video work, you will understand, I think it looks fun, in my opinion. There are songs that are full powered and very suited for live performances, I think the audience that came to see it might have enjoyed them a lot.
Angelo 11th AlbumăFAUSTăć šæČăă€ăžă§ăčă
OMGGGG all the songs sound amazing !!! I like them all, specially JIHAD, SCENE and ăăĄăŠăčă wow
Kirito answers questions from YT comments
Source: https://www.youtube.com/watch?v=N2ha-j72kOs , this is a translation of the last question. I will share about the other questions later ^^ there are some other interesting ones, but I think this one in a particular is a life lesson that everyone can apply in their lives at some point. I did my best in the translation, hopefully itâs not so bad ^^
Question: As a band leader and president, when comparing the past and present time, have you changed your way of doing things? Â
Kirito: First of all, I donât think my personality is suited to be a band leader, president of a company or to be at the top of this organization. Thatâs because Iâve been told since I was that I kid, that instead of integrating with people, I would tend to leave people behind. Relatively, I didnât have any sense of cooperation, thatâs why I think Iâm really not suited for it.Â
AngeloăA MONOLOGUE BY MEPHISTOă2019.11.6 Release New AlbumăFAUSTăăă
This song blew my mind...a true masterpiece, itâs amazing, Kirito said in the live broadcast that Karyu is the composer ^^

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omg whatâs up with this cute smile?? totally illegal xD
Angelo 10th AlbumăRESONANCEăć šæČăżăă€ă·ăă§ăčă
Amazing! my favorite is ăăă°ă©ă I love this albumâs style ^_^ reminds me of Design era blended with a bit of Babel style.
rice ăăăŻăȘ
this is such a perfect song
Ryutaro Arimura new album!
The previews of the song for the new album have been released and both sound amazing, album will come in 3 types ^_^ and launch is expected for September 19
Karyu interview â Interplay Magazine (Remissionary)
Thanks again to @jacintoo for your help in proof-reading my translation and pointing out areas that needed improvement ^^
This time itâs Karyuâs interview from Interplay Magazine released during the ongoing 2018 Remissionary tour.
Question: Itâs been more than 3 months already since 2018 started. Are you the kind that sets goals when receiving the New Year?
Karyu: Yes, I set goals. Â I write memos in the computer. One could say it is roughly a matter of aspiration. For example, things like: âMake 2 deeply moving songsâ, at that kind of level.

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Karyu interview â Inter Play Members Magazine Interview (Phenomenon Volume)
Thanks so much to @jacintoo for proof-reading my translation and helping me improve my Japanese!! ^_^ and thanks to Karyu for motivating me into working on this translation. This is Karyu interview included in the InterPlay Members magazine that was released just before the Phenomenon (Factor/Result) tour period.
Question: This time I intent of only asking about private matters. Karyu is not always too excited about talking about private matters, I wonder if it be will okayâŠ
Karyu: Oh no, itâs actually a good time. Recently I finally got a hobby, itâs something Iâve liked since some time ago: Soccer.
 Q: In the past you formed a futsal team with your previous bandmates, right?
K: Thatâs right, but recently watching soccer has also become my hobby. I go like every week to the stadium to watch games. And since the Nabisco cup started, Iâm going around 2 times a week due to the momentum (laughs)
 Q: Is there a team or player from the J League that you liked from before?
K: In the past, I didnât like the J league that much, but I did like soccer at the time.
 Q: Do you have any favorite overseas team?
K: It is clichĂ©, but my number 1 favorite team is Barcelona. I also like Messi. Although I havenât watched live broadcasted games, I really want to watch them, Iâm sure it must be awesome. I always watch the highlights from old games in sites like Youtube.
 Q: When you were little, you played soccer, right?
K: Yes. When I was in primary school, I joined the soccer club. My position was forwarder.
Angelo 2018.5.16 Release LIVE DVD & Blu-rayăăăHETERODOXă
Bluray release date approaching !!! hype hype hype !! ^_^Â I hope something is release from the Heterodox tour too