« Pourquoi notre époque a-t-elle dégénéré à ce point ? Pourquoi la jeunesse, l’ambition et la simplicité se sont-elles flétries, et le monde est-il devenu si répréhensible ? ́
— Yukio Mishima, Haru no Yuki (春の雪), Tokyo : Shinchōsha, 1969.

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« Pourquoi notre époque a-t-elle dégénéré à ce point ? Pourquoi la jeunesse, l’ambition et la simplicité se sont-elles flétries, et le monde est-il devenu si répréhensible ? ́
— Yukio Mishima, Haru no Yuki (春の雪), Tokyo : Shinchōsha, 1969.

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lyubov dmitrievna mendeleeva dressed as ophelia for shakespeare's hamlet, 1898
“𝘛𝘩𝘦 𝘵𝘳𝘶𝘦 𝘢𝘳𝘪𝘴𝘵𝘰𝘤𝘳𝘢𝘵 𝘣𝘦𝘢𝘳𝘴 𝘯𝘰 𝘳𝘦𝘴𝘦𝘮𝘣𝘭𝘢𝘯𝘤𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘤𝘰𝘸𝘢𝘳𝘥𝘭𝘺 𝘩𝘦𝘪𝘳𝘴 𝘰𝘧 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘧𝘢𝘮𝘪𝘭𝘪𝘦𝘴; 𝘸𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘡𝘦𝘶𝘴, 𝘢𝘯𝘥 𝘵𝘩𝘦𝘺 𝘵𝘩𝘦 𝘛𝘪𝘵𝘢𝘯𝘴, 𝘢𝘯𝘥 𝘐 𝘸𝘪𝘭𝘭 𝘸𝘦𝘢𝘳 𝘵𝘩𝘦 𝘤𝘰𝘳𝘱𝘴𝘦 𝘤𝘳𝘰𝘸𝘯 𝘰𝘧 𝘢𝘭𝘭 𝘬𝘪𝘯𝘨𝘴 𝘮𝘺𝘴𝘦𝘭𝘧.”
— 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗲 𝗗'𝗔𝗻𝗻𝘂𝗻𝘇𝗶𝗼, 𝘓𝘦 𝘷𝘦𝘳𝘨𝘪𝘯𝘪 𝘥𝘦𝘭𝘭𝘦 𝘳𝘰𝘤𝘤𝘦. 𝘔𝘪𝘭𝘢𝘯: 𝘍𝘳𝘢𝘵𝘦𝘭𝘭𝘪 𝘛𝘳𝘦𝘷𝘦𝘴, 1895. 𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘪𝘰𝘯: '𝘛𝘩𝘦 𝘝𝘪𝘳𝘨𝘪𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘙𝘰𝘤𝘬𝘴' (𝘓𝘰𝘯𝘥𝘰𝘯: 𝘞𝘪𝘭𝘭𝘪𝘢𝘮 𝘏𝘦𝘪𝘯𝘦𝘮𝘢𝘯𝘯, 1896).

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Ophelia (1889) by John William Waterhouse
The Secret Rendezvous by Pierre-Charles Comte
The vow to Our Lady before leaving for the Crusade by Gustave Doré
Fred H. Berger

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Tristan und Idolde / tristan and Iseult.1865.. by A. von Volborth.(18.?19.?).
Tristan and Isolde by Gaston Bussière
need to revisit her model occasionally to justify all the work i put into it
廃人黒薔薇族 live schedule, 1995
月蝕 - EC̈LIPSE
1993

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Yukio Mishima in his Tatenokai uniform; from a magazine.
source
Mabel Amber as ‘Ophelia’