my knight you have to live you have to get up you have to put your hand over your wound and hold it there. you have to keep walking and walking and walking because you cannot lay down yet, it’s not time. wipe the blood off your breastplate and look up into the sun. lean on your sword if you need to. lift one foot after another. get up. get up. this would be a pitiful grave.
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i know the entire fandom lives for adrian(the eridian) being at least half the size of adrian(the planet), but i like it when artists artists still draw grace as the taller one. like, adrian is still comically taller than rocky, just not taller than grace. this way rocky gets TWO mates, both the size of mount everest.
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Does the artwork need to be completely finished in order to sign up? Also, what's the time line for the event?
In order to sign up for the Project Hail Mary Reverse Bang, your artwork does not need to be finished!
When you sign up, all we ask is for you to join our Discord and ask what type of artwork you think you'd draw. Specifically, we ask whether you plan to draw a crossover with another fandom (such as Iron Lung, the MCU, The Fall Guy, etc.) and whether you believe your artwork would be NSFW.
As for the timeline, it's available on our carrd.
For Artists specifically, they will have 3 check-ins.
August 30 — 30% progress (thumbnails or structural sketches)
—September, Authors will claim art pieces—
December 06 — 60% progress (polished line art / equivalent)
February 21 — 100% completed artwork
the theory that naim and ryan do run into the real versions of each other in the woods that night actually does make a lot of sense to me. not only because it doesn’t make sense that the entity would act like that (pretend to be ryan by acting afraid, successfully fooling naim) without pushing it to the full extent (using that trust to get close and attack; using their lust and affection against each other as it does throughout the movie). Instead, the ryan naim sees in the woods throws shit at him, attacking first— even though naim assumes the best. if that was the entity, it would’ve exploited that. but the ryan naim meets does not. so there’s that, but also I believe that theory because the throwing-shit method is ryan’s expression of his own internal conflict, something I think the entity would not care enough to take the time to copy as it focused on getting to Naim.
In this situation it’s ryan who thinks naim is the entity, so he reverts to violence the only way he knows how to in the context of being gay. His previous experiences with hunter all involved violence as a precursor to affection. as he lets out his anger at what he imagines to be entity!Naim it of course leads back to that, this thing that has been wearing naim’s face — naim, who he actually cares about; naim, who is the first to have offered him vulnerability without the prerequisite of violence. As it subverts naim’s character, ryan subverts his own role in his relationship with naim to deal with it; as entity!Naim is the opposite of the care ryan has come to associate with naim, how ryan treats it becomes the opposite of how he treats, or would treat, naim. the opposite of his relationship with naim, eg his relationship with hunter. the entity targets ryan’s desire for naim and uses it against him, making affection and sexuality into violence again. and by using ryan’s new trust of naum in order to isolate and attack him, the entity is intended to make being gay into something to be frightened of — a new attempt at enforcing internalized homophobia, meant to force ryan into compulsory heterosexuality: the outcome the church wants from this whole event.
in other words — thematically, it works. it’s the method the entity used against hunter to gain his trust and kill him. it’s the thing that caused ryan and hunter to be cursed by the deliverance healer in the first place, after naum outed them for doing it. it’s everything bad about being gay, every bit of internalized homophobia, that ryan is now throwing directly at the thing trying to use being gay against him. It’s like — poetic justice. sorta. if that makes sense. it’s more thematic if it’s true, in any case, so I’d like to believe it
(Mouse requested a bedtime story about “nothing.”)
Once upon a time there was nothing, and it lived in the corner of Mouse’s room. There was space between the bed and the cupboard that was big enough for nothing else.
There wasn’t much room for nothing in Mouse’s house. Everything everywhere had something in it, and sometimes more. Everywhere that looked like it might have nothing really had something, like dust or a cornflake or a LEGO head or a shadow, and if it looked like there was nothing for even a moment, someone would come and put something there.
It was very hard to be nothing in Mouse’s house. Every corner had something in it, and if it didn’t, there was a spider living there. Everything was always some colour or another, and usually some noise. Everyone was always putting a book down on you. Or spilling Ribena on you and pretending they hadn’t. Or complaining that there was no room for anything, and shifting about all the other things, but never making room for nothing - only moving it uncomfortably about the house. “Nothing’s ever where I put it in this house,” they’d say, but complaining.
And even when they weren’t doing all that, they were always talking about nothing. Someone would always be tripping over it, and then would yell that they had tripped on nothing - there was no privacy for nothing around here - or they were saying that nothing was wrong. Even when it was quiet someone would say, “did you hear that?” And, “what was that?” And, “it must’ve been nothing.” They would poke it; and then say out loud that they had poked nothing, but never got into trouble for it!
As a result of this, nothing began to feel cross, and put-upon, and uncomfortable. It was also a bit lonely, and wondered if it wanted to be something. So it thought very hard, and was SOMETHING.
This was certainly more interesting, and everyone came and looked at it, and said Look At That Thing, and That Really is Something. They poked it, and said they had poked something, and that something was there. They said, “I can smell something,” but with more interest this time. Then they spilled Ribena on it, and something came out of the corner and ran about the house, and everyone wanted to know all about it, and why the Ribena was in Mouse’s room in the first place.
Something was interested in the attention, because it was true - it really was something. It was chased all around the house now. Everyone said, “it’s up to something.” But instead of sitting quietly, something wanted something to do.
So something followed Mouse, but at a distance, because Mouse was always tripping on something. And Mouse and Mama went out in the pushchair, and something followed them.
Mouse said, “I see something!” And Mama said, “what do you see?”
And Mouse said, “I see GEORGE.”
With that, George had to be George, and was a boy thing. He was puzzled by this, and sat in Mouse’s lap, and was pushed around in the pushchair. “What is a George?” George asked.
Mouse explained that a George was a bit like a monkey, with a tail, red, with a face, a lot of red fur, and small, and smelly. Smelly of sharks.
“I’m smelly of sharks?” George said, quite unexpectedly upset by this. “What do sharks smell like?”
(George had only just stopped being nothing, and didn’t know.)
Mouse explained how sharks (which astute grownups will remember are small BLÅHAJ stuffed toys that mice incidentally shoplifted from IKEA, across which we shall draw the veil of amnesty) smell of bedtime, and possibly Ribena.
“I don’t like that,” said George, and tried being George anyway. George went to the shop, and ran about on the floor for a bit, and everyone said, “what is THAT?” And it was George.
George said, “I want to go home,” so they went home, and went to bed with the shark.
But then George knew the end was coming, and so he said to Mouse, “this is too much. I want to go home.”
and George didn’t fit in his corner any more - because it was big enough for nothing.
So George went POP and turned back into nothing.
Mouse said, “yes,” and nodded. And Mouse talked to George anyway.
And then Mama came and said, “who are you talking to, Mouse?”
Thinking about naim finally telling ryan everything about hunter's last day. Because there's just so much ryan doesn't know for sure that we find out there- hunter's entity was ryan, naim saw hunter die and couldn't stop it, the entity can still be seen and hurt and kill while someone is watching. Ryan seemed so confident on the bus that naim couldn't get hurt while there were people so knowing naim was there and screaming at hunter opens up a whole world of pain. Especially for ryan who the entity seems to appeal to by drawing him towards people and the idea of outness and community. I wonder if that makes him more afraid. And of course knowing that naim saw it with the added context of finding out naim outed them and would have blamed himself either way. And THEN the certainty that hunter saw him on top of everything else. That's one of those scenes that I know was left for each of us to fill in our heads and I just can't stop turning it over
fuck this is making my head hurttt bc what's so frustrating about boys is they never fucking talk to each other !! i can easily picture ryan and naim not talking about any of this until months after bandee, potentially even YEARS if they both (understandably) avoid mentioning hunter's name because all it does is bring up bad memories for the both of them.. but when they finally talk about it, the emotional toll it would take on ryan to learn specifics about the night hunter died makes me ill to think about fuckkk naim tearfully telling him about the conversation he and hunter had before the sun went down, about hunter telling him how ryan comes to the servo every night to throw shit at him but nothing else, i swear (ryan learning hunter couldn't admit the truth even till the end) then naim tells him how he hid to see if ryan would come, only to helplessly watch through the glass as hunter was strangled and dragged into the darkness. and as naim is talking all ryan can think about it is when izzy told him "it only happened because of how you made him feel", and realising that all this time that he's tried so hard not to blame himself what she said was true. hunter was lured to his death bc the thing was wearing ryan's face. he may not have had any control over hunter's feelings for him, but they are what got him killed.
plus++ breaks my heart to think about ryan finally getting the full story of how and why naim also was put through the ritual. that after witnessing hunter be taken he was so terrified ryan would be next he went to the police and put himself at risk by telling them everything. then his mum driving him home, and the deliverence healer being there waiting for him. his mother turning a blind eye, leaving him twitch and choke on the floor of his own bedroom entirely alone. like obviously the two of them have moved past naim outing him by that point but learning about naim going through that (and the fact he never once brought it up) upsets ryan so much. because as much guilt as he feels for hunter's death, he knows naim's must be double for being the person that told hunter's father about them. he also knows that hearing "it's not your fault" does nothing to ease the weight of that guilt. all he can do is hold naim as he cries, and send a guilty prayer of thanks to the god he regretfully still believes in that the thing haunting them didn't also take naim.
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okay maybe but definitely not until mid to late twenties bc when they first get to melbourne they're gonna be broke as fuck and neither of them are going to waste money on something so vain when they're literally struggling to feed themselves. but i can picture ryan getting some stupid fucking stick figure type shit four drinks into a night out with the boys. one of his mates (also drunk) offers to foot the bill if he gets some dumb inside joke tattoo and ryan's like hell yeah why not let's go and his group of blokey mates do a walk in and get the tattoo that night. naim is mortified when they shower together later and he spots it bc what the FUCK IS THAT??
and for naim as much as he's artsy and appreciates the aesthetic value of tattoos i think he'd really struggle with the commitment of having something on his body FOREVER. he's def the type to plan and talk about tattoos he would get (mayhr even have one of those pinterest inspo boards lmfao) but i'm not sure if he'd ever actually follow through. i could see him drawing a nice design of birds for ryan to get inked, maybe as a cover up of the dumb drunk tattoo lol. ryan loves showing it off and waiting for people to compliment the design just so he can say MY BOYFRIEND DREW IT :DD
ok hear me out. instead of going to art school like how a lot of ppl want, naim starts doing little stick and pokes on ryan as his creative outlet and they all look kinda wonky at first ofc but ryan proudly shows them off to the guys he works with (who are also covered in much cooler and more professional tats) and when they learn that it's naim doing them, one of them is like hey. my buddy has their own studio and would naim maybe like to apprentice in his free time
phm is decently popular in japan and i mostly see this when i check twitter and see accounts posting pictures of handmade rocky plushies that are so fucking round looking it brings a tear to my eye
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I have 100,000 followers on here (i know; tumblr power user jmg) and i think it gives me, like, zero social capital? Which I think might be why it's still good.
Like, when my agents are pitching me for something, they'll be like, "Look at his facebook! Look at his tiktok!" They're never gonna say, "100,000 people follow him on tumblr. Remember tumblr?"
But the thing is, I don't actually use facebook or tiktok (except for promo). This is the only place I use, the only place where I'm interested in the community and shared creation and all that shit.
So long live tumblr. Nobody who's gonna hire me to do anything has ever heard of it. It makes for a terrible space to promote your forthcoming book tour. And that's literally why it doesn't suck.