Ghosts of Circus past
Jules of Nature
$LAYYYTER
Monterey Bay Aquarium

Misplaced Lens Cap
let's talk about Bridgerton tea, my ask is open
Game of Thrones Daily

Game Changer & Make Some Noise
almost home
I'd rather be in outer space đ¸
Cosmic Funnies

gracie abrams

Product Placement

shark vs the universe
Interview Vampire Daily
hello vonnie

Jar Jar Binks Fan Club
Doug Jones
seen from Chile

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seen from Argentina
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@deadpansal
Ghosts of Circus past

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Iâve gotten hooked on Dungeon Crawler Carl
you can tell a lot about a person by who their first fictional crush was. it also explains every fictional crush theyâve had since
who was yours? iâll go first: mine was batman :x
Look at her. It's definitely responsible for my love of pink hair.
goodbye, old friend

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Zoobilee Zoo - First Run Syndication - September 15, 1986 - March 27, 1987
Children (65 episodes)
Running Time: 30 minutes
Stars:
Ben Vereen as Mayor Ben
Michael Sheehan as the original Bill Der Beaver in 2 episodes
Sandey Grinn as Bill Der Beaver in all but 2 episodes
Forrest Gardner as Van Go Lion
Karen Hartman as Talkatoo Cockatoo
Gary Schwartz as Bravo Fox
Louise Vallance (Stevie Vallance) as Whazzat Kangaroo
by Aliriza CAKIR
halo of the sun as the wheel of fortune
my submission for @sameasthem silent hill tarot project
Pedah, the horse is here.
He'll be thrilled to know that Pomni can't be asphixiated by choking.

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Legitimately my favorite genre. The one that says "Comedy" on a strip of tape covering something else.
âWorst book in the seriesâ they saidâŚ
ăăăşăă¨ă
what they don't tell you about writing is that you're gonna spend way more time moving those guys across a room than you ever thought you would
One might assume that what âTV proseâ losses in depth it would make up for in speed. That the stripped-down text would move at a quicker pace, perhaps one more geared to the modern short-attention-span mind. Perhaps, in theory. But in practice, TV brain prose can be more cluttered with filler sentences because writers describe more than they need to. The occasional montage aside, most TV scenes play out in real time. If a character gets a glass of water, they perform every movementâopening the cabinet, pulling out the glass, turning on the faucet, filling the glass, etc. So, writers who are jotting down a TV scene in their mind likewise enumerate these actions. âFarah got up and walked over the cabinet, reached inside, and withdrew a tall glass. She then turned on the faucet and filled the glass. She took a sip.â Such banal movements are tedious in prose. Unless there is a point to the tedious descriptionâI dunno, this is a Martian carefully studying human movements?âa simple âshe got a glass of waterâ is probably all you need.
Remember too that actors perform small actions that have may have no real effect in a given scene because it would be boring to watch actors stand still arms at their side while delivering lines. Movement, even pointless movement, has a use in visual media. We like to watch actors do things. Prose is different. In prose, you can simply skip all the pointless actions. You can write just the dialogue, or fill space between dialogue with interiority, setting description, flashbacks, or whatever you want. Perhaps you donât need even âshe got a glass of waterâ unless that detail is important for the plot, themes, or characters.
Thoughts on flipping from "TV brain" to "prose brain" when writing fiction
I'm starting to worry people can put sentences together but they can't write. No script tells you every micro-action in a sequence. You have an economy of words and white space to keep track of. You ching walk across the room, open a cabinet, fish for a glass, fill it at a sink then drink
- you run for a cup and gulp water - spilling most, then cough your next line.
- you ignore someone as they talk, taking your time making tea.
- you listen to everything they say and stare in the distance. After you add an empty space with one word for visible tension you have them say the next line. "I need a drink."
You only add actions if they're relevant in scripts. And if the scene is boring you make them do something while talking, and have their actions tell you their motivations. Maybe one is distracted, one is focused. One doesn't care and is going through the motions, despite the horror we're seeing. Actions aren't something you NEED to add to delay the action by several pages.
Start the scene as late as possible. If they're just walking through the kitchen and cooking, start the scene when they leave with the food already made and they start talking to somebody - that's the scene.
End it as soon as possible. If the person they are talking to left, you don't need to describe them getting into bed and going to sleep.
Words are tools. No matter if you write for prose or TV, you swing a hammer once. One the nail is in, put the tools away. Do not over write anything, "teevee brain" or "prose brain".
more doodles from my copy of dungeon crawler carl :)
(this is part 2 of this post) [next part]

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some silly sketches of Carl and Donut that I drew for shits and giggles đ
Yapper and listener duo